Dramatherapy - Volume 36, Issue 1, 2014

This article follows the story of Bella, a woman in her mid-thirties. Haunted by memories of sexual child abuse, she suffers from Post-Traumatic Stress Disorder, depression and anxiety. Bella’s diagnosis is Borderline Personality Disorder, with a long history of serious self-harm and hospitalisation. Her creative journey began on a secure ward for women with BPD, where she attended my weekly Dramatherapy Group for seven months. We then worked together for a further 18 months at a secure step-down unit for women with challenging psychiatric disorders. Now living in the community, Bella is keen to share how Dramatherapy helped her towards recovery, together with 1:1 psychology, DBT and the support of a local church group. Her name and all location details have been disguised. Dramatherapy gave Bella the freedom to play like a child, whilst metaphor offered her a symbolic new language through which to understand and vocalise her feelings. Her journey is an emotional rollercoaster, revealing the potential for group Dramatherapy for adults who have survived the trauma of child abuse and are still fighting for freedom. Bella’s courage and determination are inspiring and excerpts of her poetry are interspersed throughout the article, together with references to relevant literature.

Movement with Touch and Sound (MTS), a specific element of the Sesame approach to dramatherapy, is often said to be indescribable. This paper investigates the experience of a small but varied group of Sesame-trained dramatherapists. Similarities between interviewees’ descriptions tie together the data through corresponding themes. A thread throughout is the idea of paradox and how it makes it hard to pin the subject down. Despite its mercurial quality, key elements of MTS are found and techniques identified. This work attempts to bring together the flesh of change in contemporary practice with what remains unchanged in the essence of the subject – the so-called bones.