Journal of African Cinemas - Online First

This article discusses Nelson Makengo’s twenty-minute video work Nuit Debout (2019), which documents power outages in the city of Kinshasa (DRC) and the everyday and informal practices people develop to cope with these instances of infrastructural fallout. More specifically, through a close formal analysis of Nuit Debout alongside relevant theoretical accounts from various perspectives and disciplines, it argues that Makengo’s video conveys a sense of how the Kinshasa inhabitants it portrays are suspended between what has been called ‘the promise of infrastructure’ on the one hand, and the necessity of acts of infrastructural improvisation on the other. As will be demonstrated, this is a suspension between two different temporalities – each with their seemingly incommensurable rhythms and exigencies – that coil and come together in the present as pictured in Nuit Debout, often leading to a sense of stuckness or to impasse. Throughout the article, it will be made clear that Makengo’s piece qualifies, challenges, and troubles the notion – commonly found in academic literature on infrastructure – that infrastructure is ‘normally’ invisible by focusing on the lives and experiences of people who are themselves routinely invisibilized.

Review of: Africa’s Lost Classics: New Histories of African Cinema, Lizelle Bisschoff and David Murphy (eds) (2014)

Oxon and New York: Modern Humanities Research Association and Routledge, 217 pp.,

ISBN 978-1-90797-551-6, h/bk, $48.95