Journal of Alternative & Community Media - Volume 4, Issue 4, 2019

Community radio has been defined by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as promoting non-profit ownership of stations and volunteer participation. The increasing commercialisation of community radio in Canada, evident in changing station practices and regulatory policies, has resulted in the erosion of volunteer run governance and programming. This article draws on community media, anti-oppression, and third-sector studies literature to investigate the experiences of volunteers from two stations, CHRY in Toronto and Radio Centre-Ville in Montréal. Current Canadian Radio-television and Telecommunications Commission (CRTC) regulations define community radio ‘by virtue of its place in the communities served.’ This article concludes that reducing the engagement and empowerment of volunteers in community radio programming and governance limits the place of community radio in the community. The authors will also identify best practices that are needed to re-centre community radio within the community while ensuring a sustainable non-profit community broadcasting sector.

This article explores the struggle of The Center for Emerging Media, an independent community media organisation in Baltimore with roots in the radical traditions of the American left, and aspirations for leveraging new media technologies to empower a new generation of voices and stories, to find audiences at the margins of the US public radio industry in a neoliberal moment of danger. As US Public radio networks have increasingly catered to well-to-do listeners keen to hear about social difference but not from the voices of the marginalised, organisations like the CEM have become increasingly endangered, resilient and necessary. This article explores those dangers and the resilience they inspire, and considers possible futures for alternative community media.

This article explores the relevance of community radio in the Global North. Its significance in the Global South is uncontested (Gumucio Dagron, 2011; Rodríguez, 2011; Tacchi, 2002), however, in the Global North the role of community radio is not necessarily so clear. According to a 2017 study published by New York University, newer digital services are changing the way people listen to content, endangering the future of traditional radio (Miller, 2017). In this environment, the relevance of community radio can be put into question. Based on three different case studies – two in Australia and one in the US – our analysis explores community broadcasters’ strategic initiatives that, although different, intend to address specific communication needs in particular audiences. Our analysis suggests that the future of community radio in the Global North depends on its ability to detect needs and audiences at the hyper-local level.

Over ten years ago, two community media initiatives were founded by young people in their early twenties in Bogota, Colombia and Quito, Ecuador. While the Colombia-based collective, Ojo al Sancocho, has struggled to build bridges among urban and migratory communities uprooted by an entrenched, decades-old armed conflict, the Ecuadorian group, El Churo Comunicación, has fostered audiovisual autonomy and resistance among indigenous, feminist and ecological social movements that have had to defend their rights even though they were supposedly guaranteed by a so-called progressive government. Despite formidable challenges, each has fulfilled a long-held dream - a community movie theater, and the expansion of a radio-based practice to a multiplicity of practices that include community filmmaking, cyberfeminism and capacity-building of communities across Ecuador and Latin America. Together with other collectives, Ojo al Sancocho and El Churo are building a network of community filmmakers across Latin America. Using each organization’s 2017 annual gathering as a point of departure, and subsequent meetings in 2018-2019, this article analyzes the characteristics that have led to innovation and sustainability in diverse contexts. It also indicates key challenges they face. This is an engaged, ethnographically-based, scholarly work.

During 2016 and 2017 the Centro de Producciones Radiofónicas (CPR-CEPPAS) conducted a research project on the ways 11 community radio stations in Argentina generate and manage financial resources. We selected a comprehensive sample with different types of community radio stations and used UNESCO's Media Development Indicators as a starting point. The main goal of the investigation was to deepen our knowledge about the relationship between community radio stations and the market, taking into account work, financial planning and management. We approached the radio stations with the understanding that their sustainability could be measured on multiple levels, not only financially, but also by putting special attention to the economic aspect of sustainability. We draw regularities, identified strengths and weaknesses, and pointed out creative fundraising methods. Our main conclusion is that the multiplicity and diversity of funding sources is a distinctive element of the definition of community radio.

This article seeks lessons for the sustainability of community media by looking at its role in Venezuela’s Bolivarian Revolution. It draws on recent theorization to define community media as an articulating mechanism of a maximally democratic civil society. It then situates this understanding in relation to the Gramscian notion of a ‘civil state’, which has increasingly informed Latin American socialism and in which the state’s role is to maximise participatory governance within civil society. The article then analyses the weaknesses of the Venezuelan community media sector under a liberal framework, and attempts to establish a new legal structure that would integrate participatory media with civil society and the Bolivarian ‘commune’ system. These efforts demonstrate that heterarchical institutional structures may best integrate community media with civil society in a manner that assures sustainability and autonomy.

This article examines the current environment of audio transmission services in the UK with particular regard to the community radio sector. Community radio stations in the UK are having to consider the extent to which their audiences choose to listen on an FM analogue signal and whether this is sustainable for them. The number of new platforms that a listener is using to access audio programming now includes DAB, SSDAB, TV carriers and online services. There are also developments to the actual receivers that may be used, in particular the use of smartphones to listen via online Wi-Fi or 4G. Currently there are no plans for an FM turn off in the UK and a hybrid system of transmission and reception is the most likely outcome for the foreseeable future. The consequences of this environment for the broadcasters, the listeners and the audio content are discussed in turn. A sample group of twelve community radio stations have been studied to assess current practices. This group are the remaining stations from the original Access Pilot community radio stations that went on air in 2002 and so are the oldest and most established of the UK stations. This article provides baseline definitions where relevant and uses recent data from national audience research, regulatory and other bodies to assess what people are listening to and how, along with examples from public service and commercial radio, as well as community radio.