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- Volume 14, Issue 3, 2023
Journal of Digital Media & Policy - US-Based SVoD Providers in Europe: Impacts and Challenges, Sept 2023
US-Based SVoD Providers in Europe: Impacts and Challenges, Sept 2023
- Editorial
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Editorial
More LessAuthors: María Trinidad García Leiva and Heritiana RanaivosonThis articles serves as editorial introduction to the Journal of Digital Media and Policy’s Special Issue on ‘US-Based SVoD Providers in Europe: Impacts and Challenges’. It starts by a reminder of the importance taken by US-based SVOD in Europe, and their ambiguous impact. On the one hand, they play a key role in terms of audio-visual creativity and innovation. On the other hand, they have been at the centre of many policy debates regarding notably their impact on the production and consumption of European content. The objective of the Special Issue is to analyse such impact using various empirical approaches and comparative analyses. This is done via five articles, two short commentaries and three book reviews, which are briefly presented in the end of this editorial introduction.
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- Articles
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SVoDs, new norms and the challenge for public service media
More LessThe growing popularity of subscription video-on-demand services (SVoDs) has transformed the European media landscape, re-shaped consumption habits, fragmented audiences and made it more difficult for public service media (PSM) organizations to engage especially younger audiences. This article analyses challenges, such as competing against the immense commissioning power of SVoDs, faced by PSM. Focusing particularly on the UK experience, it highlights how, despite the growing prevalence and popularity of SVoDs and their role in promoting wider circulation for material drawn from a variety of international sources, PSM organizations are still recognized by audiences and by television programme-makers as being pivotal to provision of certain sorts of quintessentially local content. As this article argues, the rise of global streamers has both accentuated and altered the ways in which PSM deliver public value, effectively re-positioning PSM as elements of what might be seen as critical media infrastructure.
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Screen agencies as policy intermediates between small nations and transnational SVoDs
More LessThis article presents original empirical research on the interaction between national screen agencies and transnational subscription video-on-demand services (SVoDs). Using interviews with agency executives in several small nations, it examines the dynamics of power that condition this relationship, framing the interactions as being instrumental and political for both actors. The commodified exchange between agency and SVoD builds mutual narratives of significance at a time of policy change in which both parties are likely to interact more due to the implementation of the EU’s Audiovisual Media Services Directive. This research provides further insight into ways non-regulatory interventions by policy actors attempt to secure more return from SVoDs.
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US-based SVoD services and the restructuring of the audio-visual production market: The French case
More LessAuthors: Gaël Stephan, Joëlle Farchy and Jaercio da SilvaThis article studies the impact of the rise of new content consumption methods on French audio-visual production. To this end, we conducted 26 semi-structured interviews with producers, investigating their relationship with new online players, as well as their work habits. This study makes it possible to distinguish between two market segments: the first is organized around US-based subscription video on demand platforms (Netflix, Amazon Prime and Disney+) and the second around players from the competitive fringe, who are smaller but whose demand still fuels the French audio-visual sector.
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More local, more risky, more studio-like: How Norwegian film distributors adapted their strategies to the streaming age
More LessBy Marius ØfstiForeign movies, especially on DVD, were a large part of the revenue stream for Norwegian film distribution companies before 2013. This revenue was also relatively predictable compared to the high risk of investing in Norwegian movies. However, the rise of Netflix and other global subscription video-on-demand (SVoD) services not only brought a sudden loss of DVD income, it also reduced access to foreign movies and increased the relative value of the high-risk local movies. This article uses quantitative data on films in Norwegian cinemas from 2008 to 2019 and qualitative interviews with key stakeholders performed in 2019 and 2020 to examine how Norwegian distributors responded to this change. It finds that Norwegian distributors shifted towards a strategy where they are increasingly first-run distributors for local movies at the expense of being sub-distributors for foreign movies. The major local distributors have also become increasingly vertically integrated.
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Piecing the puzzle of VoD offerings: A comparison of eight US and local services in Flanders
More LessAuthors: Catalina Iordache, Tim Raats, Michael Pakvis and Axelle AsmarThe study conducts a catalogue analysis that zooms in on the small market of Flanders (Belgium), and the content strategies of the eight most popular local and US-based players in the market. Through the comparative analysis, we investigate three main directions. First, we analyse the similarities and differences in the catalogue offerings of US and local video-on-demand (VoD) services. Second, we delve into the strategies of local players as they compete with US streamers and other legacy players. Third, we analyse the share and the characteristics of the Flemish titles on offer. The data was collected in the spring of 2022 and consists of 13,500 title entries. The findings point to a set of complex market dynamics. Local services and US-based players are competing and collaborating to create a jigsaw puzzle of on-demand offerings, through various strategies of complacency, resistance, differentiation and diversification/mimicry.
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- Commentaries
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The European Audiovisual Media Services Directive: Normative precursor in the global governance towards VoD platforms?
More LessThe commentary emphasizes the potential diffusion of the Audiovisual Media Services Directive (AVMSD) provisions in Australia, Mexico, South Africa and Canada. It argues that the revision of the AVMSD has changed the framework of possibilities for several public authorities in the audio-visual media sector and that today a dynamic wave of new provisions towards Video-on-Demand (VoD) streamers is taking place across several liberal democratic regimes. However, the commentary shows that even though transnational VoD services represent disruptive new actors, creating industrial, technological and institutional shock, the latter does not lead to the same political issue cross-nationally.
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A cultural levy or a digital streaming service tax: New film industry levies conflicting with the EU member states’s bilateral tax treaty obligations and OECD digital tax agreements?
More LessThis note highlights the obstacles that the film levy, as a form of financial contributions on video on demand (VoD) service providers under Article 13(2) of the 2018 EU Audiovisual Media Service Directive, may face in a cross-border context from an international tax perspective. In particular, the first obstacle is that the double tax treaties of member states exclude the possibility to levy income taxes on a foreign VoD service provider if it has no fixed and permanent presence, for example, an office, in the country. Second, the new global tax agreement on addressing the tax challenges of digitalization demands its parties (137 countries) to remove all unilateral domestic taxes on all digital services and all companies.
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- Book Reviews
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European Audiovisual Policy in Transition, Heritiana Ranaivoson, Sally Broughton Micova and Tim Raats (eds) (2023)
More LessBy Pedro GalloReview of: European Audiovisual Policy in Transition, Heritiana Ranaivoson, Sally Broughton Micova and Tim Raats (eds) (2023)
Abingdon: Routledge, 290 pp.,
ISBN 978-1-03218-448-7, h/bk, GBP 120.00
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Netflix, l’aliénation en série (‘Netflix, serial alienation’), Romain Blondeau (2022)
More LessReview of: Netflix, l’aliénation en série (‘Netflix, serial alienation’), Romain Blondeau (2022)
Paris: Seuil, 60 pp.,
ISBN-13 978-2-02151-320-2, p/bk, EUR 4.50
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World Cinema on Demand: Global Film Cultures in the Era of Online Distribution, Stefano Baschiera and Alexander Fisher (eds) (2022)
More LessReview of: World Cinema on Demand: Global Film Cultures in the Era of Online Distribution, Stefano Baschiera and Alexander Fisher (eds) (2022)
New York: Bloomsbury Academic, 232 pp.,
ISBN 978-1-50134-859-4, h/bk, USD 110.00
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