Journal of Italian Cinema & Media Studies - Volume 13, Issue 4, 2025

Review of: Italian Cinema in the Present Tense, Millicent Marcus (2023)

Toronto: University of Toronto Press, 290 pp.,

ISBN 978-1-48754-619-9, p/bk, $39.95

Review of: Women and Migration in Contemporary Italian Cinema: Screening Hospitality, Giovanna Faleschini Lerner (2023)

Liverpool: Liverpool University Press, 216 pp.,

ISBN 978-1-80207-721-6, h/bk, $130.00

Review of: Basilicata and Southern Italy between Film and Ecology, Alberto Baracco and Manuela Gieri (eds) (2023)

Cham: Palgrave Macmillan, 286 pp.,

Hardcover ISBN: 978-3-031-13572-9, h/bk, £109.99

Softcover ISBN: 978-3-03113-572-9, p/bk, £109.99

eBook ISBN: 978-3-031-13573-6, e-book, £87.50

Review of: Fashioning Submission: Documenting Fashion, Taste and Identity in WWII Italy through Bellezza Magazine, Silvia Vacirca (2023)

Sesto San Giovanni: Mimesis International, 219 pp.,

ISBN 978-8-86977-421-8, p/bk, £17.99

Review of: C’era una volta in America: Storia del cinema italiano negli Stati Uniti, 1946–2000, Damiano Garofalo (2023)

Soveria Mannelli: Rubbettino Editore, 246 pp.,

ISBN 978-8-84987-732-8, p/bk, €17.31

Review of: Italian Americans in Film: Establishing and Challenging Italian American Identities, Daniele Fioretti and Fulvio Orsitto (eds) (2023)

Cham: Palgrave Macmillan, 309 pp.,

ISBN 978-3-03106-464-7, p/bk, $149.17

Review of: Women’s Work in Post-War Italy: An Oral and Filmic History, Flora Derounian (2023)

Bristol: Intellect, xi+218 pp.,

ISBN 978-1-78938-812-1, h/bk, $134.95

Review of: Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology, Ivo Blom (2023)

Turin: Edizione Kaplan, 312 pp.,

ISBN 978-8-89955-966-3, p/bk, €40.00

Review of: Italian Gothic: An Edinburgh Companion, Marco Malvestio and Stefano Serafini (eds) (2023)

Edinburgh: Edinburgh University Press, 255 pp.,

ISBN 978-1-47449-016-0, h/bk, £90

ISBN 978-1-47449-018-4, e-book, £24.99

Review of: The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Catherine O’Rawe (2024)

London: Bloomsbury Academic, 249 pp.,

ISBN 978-1-50139-435-5, h/bk, £90

Review of: Queering Italian Media, Sole Anatrone and Julia Heim (eds) (2020)

Lanham, MD: Lexington Books, 174 pp.,

ISBN 978-1-79361-610-4, h/bk, $105.00

Review of: Realist Film Theory and Bicycle Thieves, Hilary Neroni (2023)

London: Bloomsbury, 173 pp.,

ISBN 978-1-50137-859-1, p/bk, £14.99

Review of: Egisto Macchi: The Assassination of Trotsky: Sources of the Creative Process, Marco Cosci (2023)

Turnhout: Brepols Publishers, 156 pp.,

ISBN 978-2-503-59351-7, h/bk, €90.00

Review of: Film Festivals, Ideology and Italian Art Cinema: Politics, Histories and Cultural Value, Rachel Johnson (2024)

Amsterdam: Amsterdam University Press, 670 pp.,

ISBN 978-9-46372-036-6, p/bk, €124.00

Review of: Ariosto in the Machine Age, Alessandro Giammei (2024)

Toronto: University of Toronto Press, 410 pp.,

ISBN 978-1-48754-679-3, h/bk, $70.00

Review of: Cinema Is the Strongest Weapon: Race-making and Resistance in Fascist Italy, Lorenzo Fabbri (2023)

Minneapolis, MN: University of Minnesota Press, xiii + 299 pp.,

ISBN 978-1-51791-084-6, p/bk, £22.60

Review of: Fellini/Trubbiani: E la nave va (1983–2023), Simone Dubrovic (ed.) (2023)

Rimini: Raffaelli Editore, 75 pp.,

ISBN 978-8-86792-425-7, p/bk, €18.00