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- Volume 1, Issue 3, 2003
Technoetic Arts - Volume 1, Issue 3, 2003
Volume 1, Issue 3, 2003
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Logic, art and transdisciplinarity: A new logic for the new reality
More LessThe philosophical logic of Stéphane Lupasco, based on the principles of dynamic opposition and a law of the included middle, offers a needed alternative to the still quasi-exclusive application of classical, binary logic to post-classical natural and social sciences, art theory and political and social action. The system of Lupasco, extended by Basarab Nicolescu by the principle of levels of reality, is grounded in the major discoveries in quantum physics, biology, mathematics and systems science of the twentieth century. It leads to a conception of the unity of knowledge and to a rigorous description of the dynamics of the highest human faculties of consciousness, art and social justice. As one of the ‘pillars’ of transdisciplinarity, this logic provides an interpretation of the fundamental modes of functioning of the physical and mental universes and the emergence of the new reality of ‘cyber-space-time’. The argument is made that an understanding of the underlying logic is essential to the transdisciplinary perspective, practice and attitude. The concepts of Lupasco and Nicolescu are thus relevant to issues discussed in Technoetic Arts.
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Iboga's Travel: questions raised by shamanic experience as a project of artistic exploration
More LessIboga's Travel is the title of a global project which was conceived after a Gabonese initiation into ‘Bwiti’. The Bwiti is one of the few secret shamanic practices forced to open itself to the outside world by the disappearance of the Equatorial forest. Its traditions remain alive in Gabon, but it has to adapt to the changes brought by cultural globalization. The Bwiti is a rite in which the sacred and revealing plant called ‘iboga’ plays a central role. It leads to visions supposed to widen the power of consciousness. Iboga's Travel can be analysed both in its political and spiritual dimensions. What questions the current globalization process is the author's very unusual presence in the Bwiti, and also when she obtained access to their traditional knowledge. This globalization has contradictory aspects, since it endangers the forest-based healing and initiation traditions on the one hand, and opens it up to the outside world on the other. This experience turned out to be a lot more than the political act that it was in the beginning. It showed us another way of comprehending our world. Making art about it was the author's own way of documenting this experience.
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A post-digital universe
By Michael PuntThe underlying claim of this essay is that we live in a multiverse, that is a universe of many universes that occupy the same space and time, not as an exotic excursion into the realms of science fiction, but as an everyday necessity that affects our social and economic interchange. Faced with such instability, the convenient way that this was managed was through an arbitrary division of labour that assigned the rational to the ‘real’ and the irrational to the ‘imagined’. Recent speculation in cosmology and the science of consciousness studies has obliged us to reconsider the concept of reality as an ‘absolute given’ from which all laws can be verified. In string theory in particular, the dispute now hinges on the existence of ten or eleven dimensions in rippling membranes that discharge energy at the point of contact. In consciousness studies, similar models have appeared in order to embrace what might be understood as an apparent moment of enchantment essential to turn consciousness into awareness. The inevitable realization in scientific circles that the reality of the imagined has as an equivalent epistemological significance to the reality of the material, raises fascinating questions as it invites a sceptical reconsideration of the essential basis of knowledge and a revision of procedures. While the radical shift in scientific thought provides the moment of profound satisfaction for those artists, designers and scientists who have long argued for a transdisciplinary world-view, it also provides a moment of great challenge as we begin to consider how knowledge might be extended, codified and distributed in a multiverse, and begin to reflect on the relationships between text and world when any given world is only defined by the temporary consensus dependent on an arbitrary episteme.
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The Architectures of Iannis Xenakis
More LessIannis Xenakis (1922–2001), composer, architect, engineer and media artist, designed together with Le Corbusier the Philips-pavilion for the 1958 Brussels World Fair. This pavilion is an early example of (“hybrid”) combined media and architectural space as it contained a Poème Électronique, an electronic synthesis of visual projections (conceived by Le Corbusier ) and acoustic events (composed by Varèse). The pavilion's architecture with its hyperbolic-paraboloid shells had a dynamic expression. Xenakis continued this research into complex material architectural forms. He also worked on the complex ephemeral architectures of light and sound events. What is specific to Xenakis is the way he used forms in different fields and transferred them from one field to another, from engineering to music, from music to architecture and visual events. This experience of working simultaneously and applying the same (mental) structures in different fields opened him the way (partly supported by the universal computer instrument) for the practice of transferring mathematical-scientific structures into artistic production. In this context Xenakis pleads for the development of a “General Morphology”, a research concerned with the understanding of form and its generation. Xenakis's ‘material’ architectural work is to be seen in continuity with his architectures of music and light.
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From simulations to hybrid space: how nomadic technologies change the real
More LessThis paper states that the concept of real is modified by the emergence of nomadic technology devices, which are responsible for creating a hybrid reality that merges physical and digital spaces. The concept of virtual space is analysed from the perspective of arts and science fiction. The first section shows how the concept of virtual space as a mindspace has been developed. The idea of cyberspace as a place for the mind emphasizes the traditional Cartesian doubt, that is, does the mental image correspond to the real? In the second section, the paper argues that the concept of virtual changes, since it can no longer be considered a disjoint from physical space; rather, it belongs to it. Finally, the movies The Thirteenth Floor (Rusnak 1999) and The Matrix (Wachowski and Wachowski 1999) are case studies that illustrate how the idea of inhabiting a virtual space has changed from the traditional notion of virtual space as a place for the mind to a hybrid space that is part of our lives. As a result, it amplifies the notion of what the real can be.
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Communicating vessels: The 'pataphysical exceptions of reflexive architecture
By Neil SpillerSince the mid Nineties the impact of virtual technology has rapidly changed the architectural profession. This change has altered even the most mundane normative practice. Also it has drastically altered the nature of the architectural avant-garde. Its direction has progressed from the affected nihilism of the ‘deconstructive’ era of the eighties to paradigms of responsiveness. The basic premise of this work is that objects and events can be made to respond to the specifics of sites, the evolutionary emergent imperative, users and viewers, manufacturing processes and virtual tectonics. This notion gives rise to six fundamental paradigms that responsive architecture with any virtual component must deal with. The impact of virtuality and advanced remote sensing devices should lead architects to reassess Surrealist and Pataphysical concepts of space. There are many similarities between these modes of creativity and the way an architect might perceive, interact and make connections between their architecture and the myriad machinic and natural ecologies that constitute the sites of our contemporary architecture.
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DVD Review
More LessTakahiko iimura Seeing/Hearing/Speaking ISBN 4-901181-06-8, $200, Multimedia DVD distributed by Heure Exquise! (E-mail: [email protected])
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Index – Volume 1
This page shows a reference list of all the articles that have appeared in this volume of the journal.
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Volumes & issues
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Volume 21 (2023)
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Volume 20 (2022)
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Volume 19 (2021)
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Volume 18 (2020)
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Volume 17 (2019)
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Volume 16 (2018)
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Volume 15 (2017)
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Volume 14 (2016)
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Volume 13 (2015)
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Volume 12 (2014)
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Volume 11 (2013)
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Volume 10 (2012)
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Volume 9 (2011 - 2012)
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Volume 8 (2010 - 2011)
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Volume 7 (2009)
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Volume 6 (2008 - 2009)
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Volume 5 (2007)
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Volume 4 (2006)
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Volume 3 (2005)
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Volume 2 (2004)
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Volume 1 (2003)