1981

Soundtrack, The - Online First

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- The Craftsman: The use of sound design to elicit emotions
  
  Authors: Neil Hillman and Sandra Pauletto
- Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema
  
  By Liz Greene
- Sonic motifs, structure and identity in Steve McQueen’s Hunger
  
  By Adam Melvin
- Palimpsest, porosity and subception: The heard and the unheard in Paul Winkler’s Bondi and Sydney Harbour Bridge
  
  By Steven Campbell
- Calls of the wild? ‘Fake’ sound effects and cinematic realism in BBC David Attenborough nature documentaries
  
  By Karen Collins
- Post-production sound: a new production model for interactive media
  
  By Rob Bridgett
- Enlarging the Diegetic Space: Uses of the Multi-channel Soundtrack in Cinematic Narrative
  
  Authors: Christos Manolas and Sandra Pauletto
- The edge of perception: sound in Tarkovsky's Stalker
  
  By Stefan Smith
- Editorial
  
  By Stephen Deutsch
- The sound of Coen comedy: music, dialogue and sound effects in Raising Arizona
  
  By Randall Barnes
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