oa (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway

References

1. Brah, Avtar (1996), Cartographies of Diaspora: Contesting Identities, London: Routledge.
   [Google Scholar]
2. Brophy Bookings: The Leading Solo Agency (Official Website) (2019), ‘Old Irish Pub Music Booking’, http://www.brophybookings.com/index.php/en/contact/job-application/old-irish-pub. Accessed 20 December 2021 (no longer available).
3. Dillane, Aileen (2013), ‘Nostalgic songlines and the performance of Irish identity’, Béaloideas, 81, pp. 19–36.
   [Google Scholar]
4. Dunn, Nick (2016), Dark Matters: A Manifesto for the Nocturnal City, Winchester: Zero Books.
   [Google Scholar]
5. Finnegan, Ruth (1989), The Hidden Musicians: Music-Making in an English Town, Cambridge: Cambridge University Press.
   [Google Scholar]
6. Gjerstad, Leif (1988), ‘Morsmelk-musikk fra Irland’ (‘Breastmilk music from Ireland’), Bergens Tidende, 20 November 1988, n. pag.
7. Hall, Stuart (1990), ‘Cultural identity and diaspora’, in J. Rutherford (ed.), Identity: Community, Culture, Difference, London: Lawrence and Wishart, pp. 222–37.
   [Google Scholar]
8. Kenny, Ailbhe (2016), Communities of Musical Practice, New York: Routledge.
   [Google Scholar]
9. Leonard, Marion (2005), ‘Performing identities: Music and dance in the Irish communities of Coventry and Liverpool’, Social & Cultural Geography, 6:4, pp. 515–29.
   [Google Scholar]
10. Mangaoang, Áine (2019), ‘Music and tourism: Mapping popular music from St. Patrick's College’, in J. Buckley and J. O'Flynn (eds), Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875–2016, Oxford: Peter Lang, pp. 205–21.
    [Google Scholar]
11. Mangaoang, Áine , O'Flynn, John and Ó Briain, Lonán (eds) (2020), Made in Ireland: Studies in Popular Music, New York: Routledge.
    [Google Scholar]
12. McLoughlin, Noel and McLoone, Martin (2000), ‘Hybridity and national musics: The case of Irish rock music’, Popular Music, 19:2, pp. 181–99.
    [Google Scholar]
13. O'Flynn, John (2009), The Irishness of Irish Music, Farnham: Ashgate.
    [Google Scholar]
14. Slobin, Mark (1994), ‘Music in diaspora: The view from Euro-America’, Diaspora, 3:1, pp. 243–52.
    [Google Scholar]
15. Slomonski, Tes (2020), Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music, Middletown: Wesleyan University Press.
    [Google Scholar]
16. Small, Christopher (1998), Musicking: The Meanings of Performing and Listening, Hanover: University Press of New England.
    [Google Scholar]
17. The Old Irish Pub (Official Website) (2021), ‘Om Puben’ (‘About the Pub’), https://oldirishpub.no/pub/oslo/. Accessed 20 December 2019 .
18. Western, Tom (2020), ‘Listening with displacement: Sound, citizenship, and disruptive representations of migration’, Migration & Society: Advances in Research, 3, pp. 294–309.
    [Google Scholar]
19. Williams, Sean (2020), Focus: Irish Traditional Music, 2nd ed., New York: Routledge.
    [Google Scholar]

References

1. Brah, Avtar (1996), Cartographies of Diaspora: Contesting Identities, London: Routledge.
   [Google Scholar]
2. Brophy Bookings: The Leading Solo Agency (Official Website) (2019), ‘Old Irish Pub Music Booking’, http://www.brophybookings.com/index.php/en/contact/job-application/old-irish-pub. Accessed 20 December 2021 (no longer available).
3. Dillane, Aileen (2013), ‘Nostalgic songlines and the performance of Irish identity’, Béaloideas, 81, pp. 19–36.
   [Google Scholar]
4. Dunn, Nick (2016), Dark Matters: A Manifesto for the Nocturnal City, Winchester: Zero Books.
   [Google Scholar]
5. Finnegan, Ruth (1989), The Hidden Musicians: Music-Making in an English Town, Cambridge: Cambridge University Press.
   [Google Scholar]
6. Gjerstad, Leif (1988), ‘Morsmelk-musikk fra Irland’ (‘Breastmilk music from Ireland’), Bergens Tidende, 20 November 1988, n. pag.
7. Hall, Stuart (1990), ‘Cultural identity and diaspora’, in J. Rutherford (ed.), Identity: Community, Culture, Difference, London: Lawrence and Wishart, pp. 222–37.
   [Google Scholar]
8. Kenny, Ailbhe (2016), Communities of Musical Practice, New York: Routledge.
   [Google Scholar]
9. Leonard, Marion (2005), ‘Performing identities: Music and dance in the Irish communities of Coventry and Liverpool’, Social & Cultural Geography, 6:4, pp. 515–29.
   [Google Scholar]
10. Mangaoang, Áine (2019), ‘Music and tourism: Mapping popular music from St. Patrick's College’, in J. Buckley and J. O'Flynn (eds), Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875–2016, Oxford: Peter Lang, pp. 205–21.
    [Google Scholar]
11. Mangaoang, Áine , O'Flynn, John and Ó Briain, Lonán (eds) (2020), Made in Ireland: Studies in Popular Music, New York: Routledge.
    [Google Scholar]
12. McLoughlin, Noel and McLoone, Martin (2000), ‘Hybridity and national musics: The case of Irish rock music’, Popular Music, 19:2, pp. 181–99.
    [Google Scholar]
13. O'Flynn, John (2009), The Irishness of Irish Music, Farnham: Ashgate.
    [Google Scholar]
14. Slobin, Mark (1994), ‘Music in diaspora: The view from Euro-America’, Diaspora, 3:1, pp. 243–52.
    [Google Scholar]
15. Slomonski, Tes (2020), Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music, Middletown: Wesleyan University Press.
    [Google Scholar]
16. Small, Christopher (1998), Musicking: The Meanings of Performing and Listening, Hanover: University Press of New England.
    [Google Scholar]
17. The Old Irish Pub (Official Website) (2021), ‘Om Puben’ (‘About the Pub’), https://oldirishpub.no/pub/oslo/. Accessed 20 December 2019 .
18. Western, Tom (2020), ‘Listening with displacement: Sound, citizenship, and disruptive representations of migration’, Migration & Society: Advances in Research, 3, pp. 294–309.
    [Google Scholar]
19. Williams, Sean (2020), Focus: Irish Traditional Music, 2nd ed., New York: Routledge.
    [Google Scholar]