Weaving Fragments Together: Narrative and the Korsakow-Based Film

References

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References

1. Bal M. . ( 2009). Narratology: Introduction to the theory of narrative (3rd ed.). University of Toronto Press.
2. Brasier H. . ( 2018). Attunings: Multiple ways of thinking about, making with, and sensing the world. [Doctoral dissertation, RMIT University, Melbourne].
   [Google Scholar]
3. Coover R. . ( 2019). Interview: Connections and coincidences in the end. Death in seven colours: A conversation with David Clark. In The digital imaginary: Literature and cinema of the database (pp. 11–28). Bloomsbury Academic:.
4. Frankham B. . ( 2013). A poetic approach to documentary: Discomfort of form, rhetorical strategies and aesthetic experience. [Doctoral dissertation, University of Technology, Sydney].
   [Google Scholar]
5. Gibson R. . ( 2017). The Omitted Centre. Ross Gibson is in Wild Air. https://mailchi.mp/ccf592e1c549/ross-gibson-is-in-wild-air
6. Gibson R. ,, Crea T. ,, & Chamber G. . ( 2018). ‘ Narration and Dramaturgy in Emergency Situations. ’, Axon 8(2), http://axonjournal.com.au/issue-15/narration-and-dramaturgy-emergency-situations.
   [Google Scholar]
7. Haraway D. . ( 2003). The companion species manifesto: Dogs, people, and significant otherness. Prickly Paradigm Press LLC.;
   [Google Scholar]
8. Kuzniar Alice D. . ( 2006). Melancholia's dog: Reflections on our animal kinship. The University of Chicago Press;.
   [Google Scholar]
9. Miles A. . ( 2014). Interactive documentary and affective ecologies. . In K. Nash ,, C. Hight ,, & C. Summerhayes . (Eds.), New documentary ecologies: emerging platforms, practices and discourses (pp. 67–82). Palgrave MacMillan;.
   [Google Scholar]
10. Miles A. . ( 2016;). I'm sorry I don't have a story: An essay involving documentary, Bristol and Hypertext. . View, 5 (10). https://doi.org/10.18146/2213-0969.2016.jethc113 198
    [Google Scholar]
11. Nash K. . ( 2014). An interview with Florian Thalhofer, media artist and documentary maker. . In K. Nash, C. Hight, & C. Summerhayes (Eds.), New documentary ecologies: Emerging platforms, practices and discourses. Palgrave MacMillan;.
    [Google Scholar]
12. Rascaroli L. . ( 2008;). The essay film: Problems, definitions, textual commitments. . Framework 49 , 2(Fall), 24–47. https://cpb-ap-se2.wpmucdn.com/mediafactory.org.au/dist/0/168/files/2014/04/05Rascaroli.pdf
    [Google Scholar]
13. Rascaroli L. . ( 2017). How the essay film thinks. Oxford University Press;.
    [Google Scholar]
14. Soar M. . ( 2014). Making in the Korsakow system: Database documentaries as articulation and assemblage. . In K. Nash ,, C. Hight ,, & C. Summerhayes . (Eds.), New documentary ecologies: Emerging platforms practices and discourses (pp. 154–173). Palgrave MacMillan;.
    [Google Scholar]
15. Tumer G. . ( 2017). The Monkey Drowns – 8 questions about non-linear storytelling and Korsakow. http://pha.de/texte/the-monkey-drowns-an-interview-with-florian-thalhofer-about-nonlinear-storytelling-and-korsakow/
16. Weidle F. . ( 2020). Of trees and clouds: Software-mediated visions in documentary and ethnographic filmmaking practices. Vandenhoeck & Ruprecht GmbH & Co.;
    [Google Scholar]
17. Wiehl A. . ( 2016;). Database aesthetics, modular storytelling, and the intimate small worlds of korsakow documentaries. . Necsus: European Journal of Media Studies, Spring, 5 (1), 177–197. https://necsus-ejms.org/korsakow-documentaries/
    [Google Scholar]