‘Everything Is Brilliant in Leeds’: Venues in the Leeds Indie Scene 1992–2012

By Dan Lomax
Source: Popular Music in Leeds , pp 57-69
Publication Date: November 2023
DOI: https://doi.org/10.1386/9781789388053_5
Language: English

Preview this chapter:

Full text loading...

References

Bennett, Andy and Peterson, Richard A. (eds) (2004), Music Scenes: Local, Translocal, and Virtual, Nashville: Vanderbilt University Press.
[Google Scholar]
Cohen, Sara (1999), ‘Scenes’, in B. Horner and T. Swiss (eds), Key Terms in Popular Music and Culture, Malden: Blackwell, pp. 239–50.
[Google Scholar]
Dale, Pete (2008), ‘It was easy, it was cheap, so what? Reconsidering the DIY principle of punk and indie music’, Popular Music History, 3:2, pp. 171–93.
[Google Scholar]
Davies, Paul (2013), Nightclubs – UK – May 2013, London: Mintel, https://reports.mintel.com/display/664809/. Accessed 1 December 2021.
[Google Scholar]
Foster, Pacey, Borgatti, Stephen P. and Jones, Candace (2011), ‘Gatekeeper search and selection strategies: Relational and network governance in a cultural market’, Poetics, 39:4, pp. 247–65.
[Google Scholar]
Gallan, Ben (2012), ‘Gatekeeping night spaces: The role of booking agents in creating “local” live music venues and scenes’, Australian Geographer, 43:1, pp. 35–50.69
[Google Scholar]
Hitters, Erik (2018), Live Music Ecologies and Value Creation for Musicians, Industries and Cities, Rotterdam: Erasmus University Rotterdam, https://www.poplive.nl/wp-content/uploads/2018/09/Hitters-VMBRD16x9.pdf. Accessed 29 October 2021.
[Google Scholar]
Millward, Peter, Widdop, Paul and Halpin, Michael (2017), ‘A “different class”? Homophily and heterophily in the social class networks of Britpop’, Cultural Sociology, 11:3, pp. 318–36.
[Google Scholar]
Robinson, Roxy (2015), Music Festivals and the Politics of Participation, London: Ashgate.
[Google Scholar]
Spracklen, Karl, Richter, Anna and Spracklen, Beverley (2013), ‘The eventization of leisure and the strange death of alternative Leeds’, City, 17:2, pp. 164–78.
[Google Scholar]
Whiting, Sam (2021), ‘The value of small live music venues: Alternative forms of capital and niche spaces of cultural production’, Cultural Sociology, 15:4, pp. 558–78.
[Google Scholar]

References

Bennett, Andy and Peterson, Richard A. (eds) (2004), Music Scenes: Local, Translocal, and Virtual, Nashville: Vanderbilt University Press.
[Google Scholar]
Cohen, Sara (1999), ‘Scenes’, in B. Horner and T. Swiss (eds), Key Terms in Popular Music and Culture, Malden: Blackwell, pp. 239–50.
[Google Scholar]
Dale, Pete (2008), ‘It was easy, it was cheap, so what? Reconsidering the DIY principle of punk and indie music’, Popular Music History, 3:2, pp. 171–93.
[Google Scholar]
Davies, Paul (2013), Nightclubs – UK – May 2013, London: Mintel, https://reports.mintel.com/display/664809/. Accessed 1 December 2021.
[Google Scholar]
Foster, Pacey, Borgatti, Stephen P. and Jones, Candace (2011), ‘Gatekeeper search and selection strategies: Relational and network governance in a cultural market’, Poetics, 39:4, pp. 247–65.
[Google Scholar]
Gallan, Ben (2012), ‘Gatekeeping night spaces: The role of booking agents in creating “local” live music venues and scenes’, Australian Geographer, 43:1, pp. 35–50.69
[Google Scholar]
Hitters, Erik (2018), Live Music Ecologies and Value Creation for Musicians, Industries and Cities, Rotterdam: Erasmus University Rotterdam, https://www.poplive.nl/wp-content/uploads/2018/09/Hitters-VMBRD16x9.pdf. Accessed 29 October 2021.
[Google Scholar]
Millward, Peter, Widdop, Paul and Halpin, Michael (2017), ‘A “different class”? Homophily and heterophily in the social class networks of Britpop’, Cultural Sociology, 11:3, pp. 318–36.
[Google Scholar]
Robinson, Roxy (2015), Music Festivals and the Politics of Participation, London: Ashgate.
[Google Scholar]
Spracklen, Karl, Richter, Anna and Spracklen, Beverley (2013), ‘The eventization of leisure and the strange death of alternative Leeds’, City, 17:2, pp. 164–78.
[Google Scholar]
Whiting, Sam (2021), ‘The value of small live music venues: Alternative forms of capital and niche spaces of cultural production’, Cultural Sociology, 15:4, pp. 558–78.
[Google Scholar]

From This Site

/content/books/9781789388053.c04

dcterms_title,dcterms_subject,pub_keyword

-contentType:Contributor -contentType:Concept -contentType:Institution

10

5