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Music:Leeds – Supporting a Regionalized Music Sector and Scene

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References

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  16. Homan, Shane (2008), ‘A portrait of the politician as a young pub rocker: Live music venue reform in Australia’, Popular Music, 27:2, pp. 243–56.
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  20. Hracs, Brian J. (2009), ‘Beyond bohemia: Geographies of everyday creativity for musicians in Toronto’ in T. Edensor, D. Leslie, S. Millington and N. Rantisi (eds), Spaces of Vernacular Creativity: Rethinking the Cultural Economy, London: Routledge, pp. 75–88.
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  26. Nashville Next City Plan (2015), Arts and Cultural Land Use Planning including Music Row, http://www.nashvillenext.net. Accessed 2 December 2019.
  27. Nashville Music Council (2016), http://www.nashville.gov/Mayors-Office/Priorities/Economic-Development/Programs-and-Services/Music-City-Music-Council.aspx. Accessed 2 December 2019.
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  29. Pratt, Andy C. (2008), ‘Creative cities: The cultural industries and the creative class’, Human Geography, 90:2, pp. 107–17.
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  30. Ross, Sara (2017), ‘Making a music city: The commodification of culture in Toronto's urban redevelopment, tensions between use-value and exchange-value, and the counterproductive treatment of alternative cultures within municipal legal frameworks’, Journal of Law and Social Policy, 27, pp. 116–53.
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  31. Scott, Allen J. (2006), ‘Creative cities: Conceptual issues and policy questions’, Journal of Urban Affairs, 28:1, pp. 1–17.
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  32. Scott, Michael (2013), Making New Zealand's Pop Renaissance: State, Markets, Musicians, Abington: Routledge.
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  33. Strong, Catherine, Cannizzo, Fabian and Rogers, Ian (2017), ‘Aesthetic cosmopolitan, national and local popular music heritage in Melbourne's music laneways’, International Journal of Heritage Studies, 2:2, pp. 83–96.
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  34. Terrill, Amy, Hogarth, Don, Clement, Alex and Francis, Roxanne (2015), Mastering of a Music City, http://www.ifpi.org/downloads/The-Mastering-of-a-Music-City.pdf. Accessed 2 December 2019.
  35. UKMusic (2018), ‘Measuring music’, https://www.ukmusic.org/news/measuring-music-2018. Accessed 2 December 2019.278
  36. UNESCO (2016), Culture Urban Future Summary – Global Report on Culture for Sustainable Development, https://unesdoc.unesco.org/ark:/48223/pf000024629. Accessed 8 March 2023.
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  37. Van der Hoeven, Arno and Hitters, Erik (2019), ‘The social and cultural values of live music: Sustaining urban live music ecologies’, Cities, 90, pp. 263–71.
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  38. Vivant, Elsa (2013), ‘Creatives in the city: Urban contradictions of the creative city’, City, Culture and Society, 4:2, pp. 57–63.
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  39. Zukin, Sharon (1987), ‘Gentrification: Culture and capital in the urban core’, Annual Review of Sociology, 1:1, pp. 129–47.
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References

  1. Atkinson, Roland and Easthope, Hazel (2009), ‘The consequences of the creative class: The pursuit of creativity strategies in Australia's cities’, International Journal of Urban and Regional Research, 33:1, pp. 64–79.
     [Google Scholar]
  2. Baird, Paul and Scott, Michael (2018), ‘Towards an ideal typical live music city’, City, Culture and Society, https://doi.org/10.1016/j.ccs.2018.03.003. Accessed 2 December 2019.
  3. Baker, Andréa Jean (2017), ‘Algorithms to assess music cities: Case study – Melbourne as a music capital’, SAGE Open, 7:1, pp. 1–12.
     [Google Scholar]
  4. Behr, Adam, Brennan, Matt, Cloonan, Martin, Frith, Simon and Webster, Emma (2016), ‘Live concert performance: An ecological approach’, Rock Music Studies, 3:1, pp. 5–23.
     [Google Scholar]
  5. Brisbane City Council (2004), Valley Music Harmony Plan, https://www.brisbane.qld.gov.au/sites/default/files/valley-music-harmony-plan.pdf. Accessed 8 March 2023.
  6. Burke, Matthew and Schmidt, Amy (2013), ‘How should we plan and regulate live music in Australian cities? Learnings from Brisbane’, Australian Planner, 50:1, pp. 68–78.
     [Google Scholar]
  7. City of Toronto Strategic Plan (2016), http://www.toronto.ca/legdocs/mmis/2016/ed/bgrd/backgroundfile-90615.pdf. Accessed 2 December 2019.
  8. Cohen, Sara (2013), ‘From the big dig to the big gig: Live music, urban regeneration and social change in the European Capital of Culture 2008’, in C. Wergin and F. Holt (eds.), Musical Performance and the Changing City: Post-Industrial Contexts in Europe and the United States, New York: Routledge, pp. 27–51.
     [Google Scholar]
  9. Complete Music Update (2018), https://completemusicupdate.com/. Accessed 2 December 2019.
  10. The District (2015), http://thedistrictnashville.org. Accessed 2 December 2019.
  11. Evans, Graeme (2009), ‘Creative cities, creative spaces and urban policy’, Urban Studies, 46:5&6, pp. 1003–40.
     [Google Scholar]
  12. Gibson, Chris and Homan, Shane (2004), ‘Urban redevelopment, live and public space: Cultural performance and the re-making of Marrickville’, International Journal of Cultural Policy, 10:1, pp. 67–84.
     [Google Scholar]
  13. Gibson, Lisanne and Stevenson, Deborah (2004), ‘Urban space and the uses of culture’, International Journal of Cultural Policy, 10:1, pp. 1–4.
     [Google Scholar]
  14. Holt, Fabian (2010), ‘The economy of live music in the digital age’, European Journal of Cultural Studies, 13:2, pp. 243–61.
     [Google Scholar]
  15. Holt, Fabian and Wergin, Carsten (2013), ‘Introduction: Musical performance and the changing city’, in F. Holt and C. Wergin (eds), Musical Performance and the Changing City: Post-Industrial Contexts in Europe and the United States, New York: Routledge, pp. 1–24.
     [Google Scholar]
  16. Homan, Shane (2008), ‘A portrait of the politician as a young pub rocker: Live music venue reform in Australia’, Popular Music, 27:2, pp. 243–56.
     [Google Scholar]
  17. Homan, Shane (2010), ‘Governmental as anything: Live music and law and order in Melbourne’, Perfect Beat, 11:2, pp. 103–18.
     [Google Scholar]
  18. Homan, Shane (2014), ‘Liveability and creativity: The case for Melbourne music precincts’, City, Culture and Society, 5:3, pp. 149–55.277
     [Google Scholar]
  19. Homan, Shane (2017), ‘“Lockout” laws or “Rock out” laws? Governing Sydney's night-time economy and implications for the Music City’, International Journal of Cultural Policy, 25:4, pp. 500–14.
     [Google Scholar]
  20. Hracs, Brian J. (2009), ‘Beyond bohemia: Geographies of everyday creativity for musicians in Toronto’ in T. Edensor, D. Leslie, S. Millington and N. Rantisi (eds), Spaces of Vernacular Creativity: Rethinking the Cultural Economy, London: Routledge, pp. 75–88.
     [Google Scholar]
  21. Hudson, Ray (2006), ‘Regions and place: Music, identity and place’, Progress in Human Geography, 30:5, pp. 626–34.
     [Google Scholar]
  22. Hutton, Thomas A. (2004). ‘The new economy of the inner city’, Cities, 21:2. pp. 89–108.
     [Google Scholar]
  23. Hutton, Thomas A. (2009), The New Economy of the Inner City: Restructuring, Regeneration and Dislocation in the 21st century Metropolis, London: Routledge.
     [Google Scholar]
  24. Koefoed, Oleg (2013), ‘European capitals of culture and cultures of sustainability: The case of Guimaraes 2012’, City, Culture and Society, 4:3, pp. 153–62.
     [Google Scholar]
  25. Music Canada (2016), The Mastering of a Music City – Key Elements, Effective Strategies and Why it's Worth Pursuing, March, https://musiccanada.com/wp-content/uploads/2015/06/The-Mastering-of-a-Music-City.pdf. Accessed 2 December 2019.
  26. Nashville Next City Plan (2015), Arts and Cultural Land Use Planning including Music Row, http://www.nashvillenext.net. Accessed 2 December 2019.
  27. Nashville Music Council (2016), http://www.nashville.gov/Mayors-Office/Priorities/Economic-Development/Programs-and-Services/Music-City-Music-Council.aspx. Accessed 2 December 2019.
  28. O'Connor, Justin and Shaw, Kate (2014), ‘What next for the creative city?’, City, Culture and Society, 5:3, pp. 165–70.
     [Google Scholar]
  29. Pratt, Andy C. (2008), ‘Creative cities: The cultural industries and the creative class’, Human Geography, 90:2, pp. 107–17.
     [Google Scholar]
  30. Ross, Sara (2017), ‘Making a music city: The commodification of culture in Toronto's urban redevelopment, tensions between use-value and exchange-value, and the counterproductive treatment of alternative cultures within municipal legal frameworks’, Journal of Law and Social Policy, 27, pp. 116–53.
     [Google Scholar]
  31. Scott, Allen J. (2006), ‘Creative cities: Conceptual issues and policy questions’, Journal of Urban Affairs, 28:1, pp. 1–17.
     [Google Scholar]
  32. Scott, Michael (2013), Making New Zealand's Pop Renaissance: State, Markets, Musicians, Abington: Routledge.
     [Google Scholar]
  33. Strong, Catherine, Cannizzo, Fabian and Rogers, Ian (2017), ‘Aesthetic cosmopolitan, national and local popular music heritage in Melbourne's music laneways’, International Journal of Heritage Studies, 2:2, pp. 83–96.
     [Google Scholar]
  34. Terrill, Amy, Hogarth, Don, Clement, Alex and Francis, Roxanne (2015), Mastering of a Music City, http://www.ifpi.org/downloads/The-Mastering-of-a-Music-City.pdf. Accessed 2 December 2019.
  35. UKMusic (2018), ‘Measuring music’, https://www.ukmusic.org/news/measuring-music-2018. Accessed 2 December 2019.278
  36. UNESCO (2016), Culture Urban Future Summary – Global Report on Culture for Sustainable Development, https://unesdoc.unesco.org/ark:/48223/pf000024629. Accessed 8 March 2023.
     [Google Scholar]
  37. Van der Hoeven, Arno and Hitters, Erik (2019), ‘The social and cultural values of live music: Sustaining urban live music ecologies’, Cities, 90, pp. 263–71.
     [Google Scholar]
  38. Vivant, Elsa (2013), ‘Creatives in the city: Urban contradictions of the creative city’, City, Culture and Society, 4:2, pp. 57–63.
     [Google Scholar]
  39. Zukin, Sharon (1987), ‘Gentrification: Culture and capital in the urban core’, Annual Review of Sociology, 1:1, pp. 129–47.
     [Google Scholar]
  40. Zukin, Sharon (1995), The Cultures of Cities, Oxford: Blackwell.
     [Google Scholar]

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