Hip Hop Dance and the Circulation of Breaking Footage | Intellect Skip to content
1981
  1. Home
  2. Books
  3. Hip-Hop Archives
  4. Chapter

Hip Hop Dance and the Circulation of Breaking Footage

image of Hip Hop Dance and the Circulation of Breaking Footage
Preview this chapter:
Preview Magnify
Hardback ISBN: 9781789388428
Loading full text...

Full text loading...

References

  1. Aprahamian, Serouj . ( 2020;), “‘There were females that danced too’: Uncovering the role of women in breaking history,”. Dance Research Journal, 58:2, pp. 41–58.
     [Google Scholar]
  2. Banes, Sally . ( 1985), “ Breaking,”. in N. George ,, S. Banes ,, S. Flinker ,, and P. Romanowski . (eds), Fresh: Hip Hop Don't Stop, New York:: Random House;.
     [Google Scholar]
  3. Battle of the Year (1990–Present), organized by Thomas Hergenrother, https://youtu.be/SYUM_95e-aY. Accessed August 26 , 2022.
  4. B-Boy Summit ( 2000), organized by Nancy Wu (AsiaOne), https://youtu.be/I74Vtpo7Yz4. Accessed August 26 , 2022.
  5. Body Rock ( 1984), Marcelo Epstein (dir.), DVD, Atlanta: New World Pictures.
  6. Breakin’ ( 1984), Joel Silberg (dir.), DVD, Beverly Hills: MGM/UA Entertainment Group.
  7. Breakin’ 2: Electric Boogaloo (1984), Sam Firstenberg (dir.), DVD, Culver City: TriStar Pictures.
  8. Davis, Eisa . ( 2006), “Found in translation: The emergence of hip hop theater,”. in J. Chang . (ed.), Total Chaos: The Art and Aesthetics of Hip-Hop, New York:: Basic Civitas;, pp. 70–77.
     [Google Scholar]
  9. DeFrantz, Thomas F. . ( 2014), “Hip Hop in Hollywood: Encounter, community, resistance,”. in M. B. Borelli . (ed.), The Oxford Handbook of Dance and the Popular Screen, Oxford:: Oxford University Press;, pp. 113–31.
     [Google Scholar]
  10. Fogarty, Mary . ( 2010), “ Dance to the drummer's beat: Competing tastes in international B-boy/B-girl culture,” Ph.D. dissertation, Edinburgh:: University of Edinburgh;.
     [Google Scholar]
  11. Fogarty, Mary . ( 2012a), “Each one teach one,”. in A. Bennett , and P. Hodkinson . (eds), Ageing and Youth Cultures: Music, Style and Identity, London:: Berg;, pp. 52–65.
     [Google Scholar]
  12. Fogarty, Mary . ( 2012b), “Breaking expectations: Imagined affinities in mediated youth cultures,”. Continuum: Mediated Youth Cultures, 26:3, June 1, pp. 449–62.
     [Google Scholar]
  13. Footwork Fundamentals ( 2006), Niels Robitzky (dir.) (Storm), DVD, Germany: Self-Distributed.
  14. Giersdorf, Jens Richard . ( 1998), “Dance studies in the international academy: Genealogy of a disciplinary formation,”. in A. Carter , and J. O’ Shea . (eds), The Routledge Dance Studies Reader, , 2nd. ed., New York:: Routledge;, pp. 219–334.
     [Google Scholar]
  15. Harrison, Anthony Kwame . ( 2014), “‘What happens in the cabin ...’: An arts-based autoethnography of underground hip hop song making,”. Journal of the Society for American Music, 8:1, pp. 1–27.
     [Google Scholar]
  16. Johnson, Imani Kai . ( 2014;), “From blues women to b-girls: Performing badass femininity,”. Women & Performance: A Journal of Feminist Theory, 24:1, pp. 15–28.
     [Google Scholar]
  17. Mukhtar, Saad ,, Fouché, Rayvon ,, and Lawton, Ben . ( 2018;), “Fading memories: Archiving and annotating underground VHS tapes in breaking culture. ,” Journal of Purdue Undergraduate Research, 8, pp. 32–41.
     [Google Scholar]
  18. Ng, Jason . ( 2019), ‘Connecting Asia-Pacific Hip-Hop – The role of the cross-cultural intermediary’, Ph.D. dissertation, Australia: Monash University.
  19. Nobody Knows My Name ( 1999), Rachel Raimist (dir.), film, New York: Women Make Movies.
  20. Osumare, Halifu . ( 2002), “Global breakdancing and the intercultural body,”. Dance Research Journal, 34:2, pp. 30–45.56
     [Google Scholar]
  21. Outbreak ( 2010–Present), organized by David Alvarado (Mex One) and the Legits, https://youtu.be/wBytKhHtbBI.
  22. Preston, V. K. . ( 2015), “‘ How do I touch this text?’ Or, the interdisciplines between: Dance and theater in early modern archives. ,” in N. George-Graves . (ed.), The Oxford Handbook of Dance and Theater, Oxford:: Oxford University Press;.
     [Google Scholar]
  23. Rivera, Raquel Z. . ( 2003), New York Ricans from the Hip Hop Zone, New York:: Palgrave Macmillan;.
     [Google Scholar]
  24. Rose, Tricia . ( 1994), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown:: Wesleyan University Press;.
     [Google Scholar]
  25. Sakalauskas, Marc “Scramblelock” ( 2022), “The Vault: Collecting and archiving street dance footage,”. in M. Fogarty , and I. K. Johnson . (eds), The Oxford Handbook of Hip Hop Dance Studies, Oxford:: Oxford University Press;.
     [Google Scholar]
  26. Schloss, Joseph . ( 2009), Foundation: B-boys, B-girls, and Hip-Hop Culture in New York, Oxford:: Oxford University Press;.
     [Google Scholar]
  27. Taylor, Diana . ( 2003), The Archive and the Repertoire: Performing Cultural Memory in the Americas, Durham:: Duke University Press;.
     [Google Scholar]

References

  1. Aprahamian, Serouj . ( 2020;), “‘There were females that danced too’: Uncovering the role of women in breaking history,”. Dance Research Journal, 58:2, pp. 41–58.
     [Google Scholar]
  2. Banes, Sally . ( 1985), “ Breaking,”. in N. George ,, S. Banes ,, S. Flinker ,, and P. Romanowski . (eds), Fresh: Hip Hop Don't Stop, New York:: Random House;.
     [Google Scholar]
  3. Battle of the Year (1990–Present), organized by Thomas Hergenrother, https://youtu.be/SYUM_95e-aY. Accessed August 26 , 2022.
  4. B-Boy Summit ( 2000), organized by Nancy Wu (AsiaOne), https://youtu.be/I74Vtpo7Yz4. Accessed August 26 , 2022.
  5. Body Rock ( 1984), Marcelo Epstein (dir.), DVD, Atlanta: New World Pictures.
  6. Breakin’ ( 1984), Joel Silberg (dir.), DVD, Beverly Hills: MGM/UA Entertainment Group.
  7. Breakin’ 2: Electric Boogaloo (1984), Sam Firstenberg (dir.), DVD, Culver City: TriStar Pictures.
  8. Davis, Eisa . ( 2006), “Found in translation: The emergence of hip hop theater,”. in J. Chang . (ed.), Total Chaos: The Art and Aesthetics of Hip-Hop, New York:: Basic Civitas;, pp. 70–77.
     [Google Scholar]
  9. DeFrantz, Thomas F. . ( 2014), “Hip Hop in Hollywood: Encounter, community, resistance,”. in M. B. Borelli . (ed.), The Oxford Handbook of Dance and the Popular Screen, Oxford:: Oxford University Press;, pp. 113–31.
     [Google Scholar]
  10. Fogarty, Mary . ( 2010), “ Dance to the drummer's beat: Competing tastes in international B-boy/B-girl culture,” Ph.D. dissertation, Edinburgh:: University of Edinburgh;.
     [Google Scholar]
  11. Fogarty, Mary . ( 2012a), “Each one teach one,”. in A. Bennett , and P. Hodkinson . (eds), Ageing and Youth Cultures: Music, Style and Identity, London:: Berg;, pp. 52–65.
     [Google Scholar]
  12. Fogarty, Mary . ( 2012b), “Breaking expectations: Imagined affinities in mediated youth cultures,”. Continuum: Mediated Youth Cultures, 26:3, June 1, pp. 449–62.
     [Google Scholar]
  13. Footwork Fundamentals ( 2006), Niels Robitzky (dir.) (Storm), DVD, Germany: Self-Distributed.
  14. Giersdorf, Jens Richard . ( 1998), “Dance studies in the international academy: Genealogy of a disciplinary formation,”. in A. Carter , and J. O’ Shea . (eds), The Routledge Dance Studies Reader, , 2nd. ed., New York:: Routledge;, pp. 219–334.
     [Google Scholar]
  15. Harrison, Anthony Kwame . ( 2014), “‘What happens in the cabin ...’: An arts-based autoethnography of underground hip hop song making,”. Journal of the Society for American Music, 8:1, pp. 1–27.
     [Google Scholar]
  16. Johnson, Imani Kai . ( 2014;), “From blues women to b-girls: Performing badass femininity,”. Women & Performance: A Journal of Feminist Theory, 24:1, pp. 15–28.
     [Google Scholar]
  17. Mukhtar, Saad ,, Fouché, Rayvon ,, and Lawton, Ben . ( 2018;), “Fading memories: Archiving and annotating underground VHS tapes in breaking culture. ,” Journal of Purdue Undergraduate Research, 8, pp. 32–41.
     [Google Scholar]
  18. Ng, Jason . ( 2019), ‘Connecting Asia-Pacific Hip-Hop – The role of the cross-cultural intermediary’, Ph.D. dissertation, Australia: Monash University.
  19. Nobody Knows My Name ( 1999), Rachel Raimist (dir.), film, New York: Women Make Movies.
  20. Osumare, Halifu . ( 2002), “Global breakdancing and the intercultural body,”. Dance Research Journal, 34:2, pp. 30–45.56
     [Google Scholar]
  21. Outbreak ( 2010–Present), organized by David Alvarado (Mex One) and the Legits, https://youtu.be/wBytKhHtbBI.
  22. Preston, V. K. . ( 2015), “‘ How do I touch this text?’ Or, the interdisciplines between: Dance and theater in early modern archives. ,” in N. George-Graves . (ed.), The Oxford Handbook of Dance and Theater, Oxford:: Oxford University Press;.
     [Google Scholar]
  23. Rivera, Raquel Z. . ( 2003), New York Ricans from the Hip Hop Zone, New York:: Palgrave Macmillan;.
     [Google Scholar]
  24. Rose, Tricia . ( 1994), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown:: Wesleyan University Press;.
     [Google Scholar]
  25. Sakalauskas, Marc “Scramblelock” ( 2022), “The Vault: Collecting and archiving street dance footage,”. in M. Fogarty , and I. K. Johnson . (eds), The Oxford Handbook of Hip Hop Dance Studies, Oxford:: Oxford University Press;.
     [Google Scholar]
  26. Schloss, Joseph . ( 2009), Foundation: B-boys, B-girls, and Hip-Hop Culture in New York, Oxford:: Oxford University Press;.
     [Google Scholar]
  27. Taylor, Diana . ( 2003), The Archive and the Repertoire: Performing Cultural Memory in the Americas, Durham:: Duke University Press;.
     [Google Scholar]

  • From This Site

    /content/books/9781789388428.c03
    dcterms_title,dcterms_subject,pub_keyword
    -contentType:Contributor -contentType:Concept -contentType:Institution
    10
    5
/content/books/9781789388428.c03
dcterms_title,dcterms_subject,pub_keyword
-contentType:Contributor -contentType:Concept -contentType:Institution
10
5
Chapter
content/books/9781789388428
Book
false
en
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error