As We Walk through the Archived Files of All Styles: Archival Practices and Cultural Memory on Battle Rap Forums

References

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References

1. Alim, H. Samy ,, Jooyoung, Lee ,, and Lauren Mason, Carris . ( 2011;), “Moving the crowd, ‘crowding’ the emcee: The coproduction and contestation of Black normatively in freestyle rap battles,”. Discourse Society, 22:4, pp. 422–39.94
   [Google Scholar]
2. Battle Rap . ( 2015;), “Erik Foreman on battling, being an early uploader of rap battles, luke, seasoning. ,” YouTube, November 5, https://www.youtube.com/watch?v=zxEYst3dz2U.
   [Google Scholar]
3. Bennett, Andy , and Peterson, Richard . ( 2004), “Introduction. ,” in A. Bennett , and R. Peterson . (eds), Music Scenes: Local, Translocal, and Virtual, Nashville:: Vanderbilt University Press;, pp. 1–16.
   [Google Scholar]
4. Cutler, Cecilia . ( 2007;), “The co-construction of Whiteness in an MC battle. ,” Pragmatics, 17:1, pp. 9–22.
   [Google Scholar]
5. De Kosnik, Abigail . ( 2016), Rogue Archives. Digital Cultural Memory and Media Fandom, Cambridge:: MIT Press;.
   [Google Scholar]
6. Derrida, Jacques . ( 1995), Archive Fever: A Freudian Impression (trans. E. Prenowitz), Chicago and London:: University of Chicago Press;.
   [Google Scholar]
7. Fleetwood, Travis . ( 2016), “Organik,” telephone interview, March 24.
8. Fogarty, Mary . ( 2012;), “Breaking expectations: Imagined affinities in mediated youth cultures. ,” Continuum: Journal of Media and Cultural Studies, 26:3, pp. 449–62.
   [Google Scholar]
9. Habermas, Jürgen . ( 2006;), “Political communication in media society: Does democracy still enjoy an epistemic dimension? The impact of normative theory on empirical research. ,” Communication Theory, 16, pp. 411–26.
   [Google Scholar]
10. Johnson, Imani Kai . ( 2009), “Dark matter in B-boying cyphers: Race and global connection in Hip Hop. ,” Ph.D. thesis, Los Angeles:: University of Southern California;.
    [Google Scholar]
11. Kolko, Beth E. . ( 2000), “Erasing @race: Going White in the (Inter)Face. ,” in B. E. Kolko ,, L. Nakamura ,, and G. Rodman . (eds), Race in Cyberspace, London, New York:: Routledge;, pp. 213–32.
    [Google Scholar]
12. KOTD - ‘TalkBack’ - Official Battle Discussion Group ( 2019a), “About,” Facebook, https://www.facebook.com/groups/KOTDTalkBack/about/.
13. KOTD - ‘TalkBack’ - Official Battle Discussion Group ( 2019b), “Members,” Facebook, https://www.facebook.com/groups/KOTDTalkBack/members/.
14. Larson, Peter . ( 2010), “The grey area: A rough guide: Television fans, internet forums, and the cultural public sphere,”. in J. Gripsrud , and D. Morley . (eds), Relocating Television: Television in the Digital Context, New York:: Routledge;.
    [Google Scholar]
15. Lee, Jooyoung . ( 2016), Blowin’ Up: Rap Dreams in South Central, Chicago:: University of Chicago Press;.
    [Google Scholar]
16. Minnesota Luke . ( 2016;), “Battle rappers ‘Jumping In’—A look at a trend,”. YouTube, February 9, https://www.youtube.com/watch?v=OJplgCbtQ00&t=437s.
    [Google Scholar]
17. Minnesota Luke . ( 2016;), “Lost, unreleased, rare and vaulted battles in battle rap—Part 1. ,” YouTube, March 19, https://www.youtube.com/watch?v=chfmaOTqtL8&t=151s.
    [Google Scholar]
18. Minnesota Luke . ( 2017), “Crowds—The psychology of battle rap,” YouTube, July 13, https://www.youtube.com/watch?v=GCFm40ew8Ds&t=635s.
19. O'Leary, Ryan . ( 2018), telephone interview, August 10.
20. Scott, Anna B. . ( 2010), “What's it worth to ya? Adaptation and anachronism. ,” in A. Carter , and J. O'Shea . (eds), Routledge Dance Studies Reader, , 2nd. ed., London and New York:: Routledge;, pp. 97–108.95
    [Google Scholar]
21. Shank, Barry . ( 1994), Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas, Hanover:: Wesleyan University Press;.
    [Google Scholar]
22. Straw, Will . ( 1991;), “Systems of articulation, logics of change: Communities and scenes in popular music. ,” Cultural Studies, 5:3, pp. 368–88.
    [Google Scholar]
23. Straw, Will . ( 2014;), “Scènes: ouvertes et restreintes. ,” Cahiers de recherche sociologique, 57, pp. 17–32.
    [Google Scholar]
24. Taylor, Diana . ( 2003), The Archive and the Repertoire: Performing Cultural Memory in the Americas, Durham:: Duke University Press;.
    [Google Scholar]
25. Worsley, Shawan M. . ( 2010), Audience, Agency and Identity in Black Popular Culture, London, New York:: Routledge;.
    [Google Scholar]