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Traces of Solidarity and Breakdown: Domestic Collection in Post-Yugoslav Hip Hop Fanzines and Mixtapes

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Traces of Solidarity and Breakdown: Domestic Collection in Post-Yugoslav Hip Hop Fanzines and Mixtapes
Intellect , 169 (2023); https://doi.org/10.1386/9781789388428_10
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References

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References

  1. Abazović, Dino , and Mitja Velikonja . (eds) ( 2014), Post-Yugoslavia: New Cultural and Political Perspectives, New York:: Palgrave Macmillan;.
     [Google Scholar]
  2. Alim, H. Samy . ( 2006), Roc the Mic Right: The Language of Hip Hop Culture, New York:: Routledge;.
     [Google Scholar]
  3. Baker, Catherine . ( 2010), Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991, Farnham:: Ashgate;.
     [Google Scholar]
  4. Baker, Catherine . ( 2018), Race and the Yugoslav Region: Postsocialist, Post-Conflict, Postcolonial?, Manchester:: Manchester University Press;.
     [Google Scholar]
  5. Baldwin, Davarian L. . ( 2020), In the Shadow of the Ivory Tower, New York:: Bold Type Books;.
     [Google Scholar]
  6. Bauman, Richard . ( 2016), “Projecting presence: Aura and oratory in William Jennings Bryan's presidential races,”. in E. Summerson Carr , and M. Lempert . (eds), Scale: Discourse and Dimensions of Social Life, Oakland:: University of California Press;, pp. 25–51.
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  7. Baym, Nancy K. . ( 2010), Personal Connections in the Digital Age, Cambridge:: Polity;.
     [Google Scholar]
  8. Beard, Danijela Š. , and Rasmussen Ljerka V. . (eds) ( 2020), Made in Yugoslavia: Studies in Popular Music, New York:: Routledge;.193
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  9. Beronja, Vlad , and Vervaet, Stijn . (eds) ( 2016), Post-Yugoslav Constellations, Boston:: De Gruyter;.
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  10. Bonilla, Yarimar , and Rosa, Jonathan . ( 2015;), “#Ferguson: Digital protest, hashtag ethnography, and the racial politics of social media in the United States,”. American Ethnologist, 42:1, pp. 4–17.
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  11. Bošković, Aleksandar . ( 2013;), “Yugonostalgia and Yugoslav cultural memory: Lexicon of Yu mythology,”. Slavic Review, 72:1, pp. 54–78.
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  12. Brubaker, Rogers . ( 2004), Ethnicity Without Groups, Cambridge:: Harvard University Press;.
     [Google Scholar]
  13. Burton, Antoinette . (ed.) ( 2005), “Introduction: Archive fever, archive stories,”. in Archive Stories: Facts, Fictions, and the Writing of History, Durham:: Duke University Press;, pp. 1–24.
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  14. Campbell, Mark V. . ( 2018;), “ Hip hop archives or an archive of hip hop? A remix impulse. ,” Public, 29:57, June, pp. 68–79.
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  15. Carr, E. Summerson . ( 2010;), “Enactments of expertise,”. Annual Review of Anthropology, 39:1, pp. 17–32.
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  16. Carr, E. Summerson , and Michael Lempert . (eds) ( 2016), Scale: Discourse and Dimensions of Social Life, Oakland:: University of California Press;.
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  17. Cvetanović, Dragana . ( 2016;), “Brothers after arms – Balkan rappers as public intellectuals,”. Baltic Worlds, 3, October, pp. 26–36.
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  18. Čvoro, Uroš . ( 2014), Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia, New York:: Routledge;.
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  19. Duda, Igor . ( 2010), Pronađeno blagostanje: Svakodnevni život i potrošačka kultura u Hrvatskoj 1970-ih i 1980-ih, Zagreb:: Srednja Europa;.
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  20. Enriquez, Falina . ( 2021), The Costs of the Gig Economy: Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil, unpublished manuscript.
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  21. Forman, Murray . ( 2014;), “Visualizing place, representing age in hip-hop: Converging themes in Scarface's ‘My Block,’. ” Continuum: Journal of Media & Cultural Studies, 28:3, pp. 300–13.
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  22. Gal, Susan . ( 2012), “Sociolinguistic regimes and the management of ‘diversity’,”. in A. Duchêne , and M. Heller. (eds), Language in Late Capitalism: Pride and Profit, New York:: Routledge;, pp. 22–41.
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  23. Gaunt, Kyra D. . ( 2015;), “YouTube, twerking & you: Context collapse and the handheld co-presence of Black girls and Miley Cyrus,”. Journal of Popular Music Studies, 27:3, pp. 244–73.
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  24. Gilbert, Andrew . ( 2019;), “Beyond nostalgia: Other historical emotions,”. History and Anthropology, 30:3, pp. 293–312.
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  25. Gordy, Eric D. . ( 1999), The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives, University Park:: Pennsylvania State University Press;.
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  26. Gray, Briahna Joy . ( 2021;), “Are progressives FINALLY ready to pressure Biden over infrastructure? w/David Sirota,”. Bad Faith, June 25, https://www.youtube.com/watch?v=7T4PCmj8EkY.
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  27. Grgić, Velimir . ( 2007), Hrvatski hip hop...rokane rime 2, Koprivnica:: Šareni dučan;.
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  28. Hutchby, Ian . ( 2001;), “Technologies, texts and affordances,”. Sociology, 35:2, pp. 441–56.194
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  29. Jansen, Stef . ( 2015), Yearnings in the Meantime: Normal Lives and the State in a Sarajevo Apartment Complex, New York:: Berghahn Books;.
     [Google Scholar]
  30. Jašarević, Larisa . ( 2015;), “The thing in a jar: Mushrooms and ontological speculations in post-Yugoslavia,”. Cultural Anthropology, 30:1, pp. 36–64.
     [Google Scholar]
  31. Kohl, Owen N. . ( 2018), “Were the Balkans made for rap? Semiosis within the homemade hip hop imaginary,”. Ph.D. dissertation, Chicago: University of Chicago:.
     [Google Scholar]
  32. Li, Darryl . ( 2020), The Universal Enemy: Jihad, Empire, and the Challenge of Solidarity, Stanford:: Stanford University Press;.
     [Google Scholar]
  33. Lock, Margaret , and Judith Farquhar . (eds) ( 2007), Beyond the Body Proper: Reading the Anthropology of Material Life, Durham:: Duke University Press;.
     [Google Scholar]
  34. Marcetic, Branko . ( 2020), Yesterday's Man: The Case Against Joe Biden, London:: Verso;.
     [Google Scholar]
  35. Morgan, Marcyliena . ( 2004;), “Preserving hip hop culture,”. Socialism and Democracy, 18:2, pp. 207–14.
     [Google Scholar]
  36. My People Magazine (n.d.), “About us,” https://mypeople.in.rs/o-nama/.
  37. My People Magazine ( 2012), Issue 22, May, https://issuu.com/mypeople/docs/mypeople22/56.
  38. My People Show ( 2018), “Koncerti koji su obelezili 30 godina hip hopa kod nas” (“Concerts with the impact on domestic hip hop during last 30 years”), My People Magazine, https://www.mixcloud.com/mypeopleshow/my-people-show-22-09-2018-tema-koncerti-koji-su-obelezili-30-godina-hip-hopa-kod-nas/.
  39. Nye, David E. . ( 1996), American Technological Sublime, Cambridge:: The MIT Press;.
     [Google Scholar]
  40. Patterson, Patrick Hyder . ( 2011), Bought and Sold: Living and Losing the Good Life in Socialist Yugoslavia, Ithaca:: Cornell University Press;.
     [Google Scholar]
  41. Pennycook, Alastair , and Mitchell Tony . ( 2009), “Hip hop as dusty foot philosophy: Engaging locality,”. in Global Linguistic Flows, New York:: Routledge;, pp. 25–42.
     [Google Scholar]
  42. Pogačar ,, Martin . ( 2016), “Digital afterlife: Ex-Yugoslav pop culture icons and social media,”. in V. Beronja , and S. Vervaet . (eds), Post-Yugoslav Constellations, Boston:: De Gruyter;.
     [Google Scholar]
  43. Polić, Ivana . ( 2021;), “Three decades on, war's legacy still overshadows Croatia,”. Balkan Insight, March 31, https://balkaninsight.com/2021/03/31/three-decades-on-wars-legacy-still-overshadows-croatia/.
     [Google Scholar]
  44. Radiosarajevo.ba . ( 2018), “Intervju: DJ Borka,” Radio Sarajevo, April 4, https://radiosarajevo.ba/radio/aktuelno/intervju-dj-borka/295910…
  45. Ralph, Michael ,, Jesús, Aisha Beliso-De ,, and Palmié, Stephan . ( 2017;), “Saint Tupac,”. Transforming Anthropology, 25:2, pp. 90–102.
     [Google Scholar]
  46. Rasmussen, Ljerka V. . ( 2002), Newly Composed Folk Music of Yugoslavia, New York:: Routledge;.
     [Google Scholar]
  47. Razsa, Maple . ( 2015), Bastards of Utopia: Living Radical Politics after Socialism, Bloomington:: Indiana University Press;.
     [Google Scholar]
  48. Reed Jr., Adolph . ( 2001), Class Notes: Posing As Politics and Other Thoughts on the American Scene, New York:: The New Press;.195
     [Google Scholar]
  49. Rose, Tricia . ( 2008), The Hip-Hop Wars: What We Talk About When We Talk About Hip-Hop--and Why It Matters, New York:: Basic Civitas Books;.
     [Google Scholar]
  50. Ristić, Ivan . ( 2009;a), “Intervju ELEMENTAL,”. My People, January 11, pp. 52–59, https://issuu.com/mypeople/docs/mypeople11.
     [Google Scholar]
  51. Ristić, Ivan . ( 2009;b), “Recenzija Drama, Dječaci,”. My People, February and March. p. 25, https://issuu.com/mypeople/docs/mypeople1213.
     [Google Scholar]
  52. Ristić, Ivan . ( 2010;), “Intervju Sajsi MC,”. My People, June, pp. 34–41, https://issuu.com/mypeople/docs/mypeople17.
     [Google Scholar]
  53. Šentevska, Irena . ( 2017), “La Haine et Les Autres Crimes: Ghettocentric Imagery in Serbian Hip Hop Videos,”. in A. N. Helbig , and M. Miszczynski . (eds), Hip Hop at Europe's Edge: Music, Agency, and Social Change, Bloomington:: Indiana University Press;, pp. 245–66.
     [Google Scholar]
  54. Sharpe, Christina . ( 2016), In the Wake: On Blackness and Being, Durham:: Duke University Press;.
     [Google Scholar]
  55. Silverstein, Michael . ( 2006;), “Old wine, new ethnographic lexicography,”. Annual Review of Anthropology, 35:1, pp. 481–96.
     [Google Scholar]
  56. Snorton, C. Riley . ( 2014;), “On the question of ‘Who's Out in Hip Hop,’”. Souls, 16, pp. 283–302.
     [Google Scholar]
  57. Stuart, Forrest . ( 2020), Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy, Princeton:: Princeton University Press;.
     [Google Scholar]
  58. Trouillot, Michel-Rolph . ( 1995), Silencing the Past: Power and the Production of History, Boston:: Beacon Press;.
     [Google Scholar]
  59. Yurchak, Alexei . ( 2006), Everything Was Forever, Until It Was No More: The Last Soviet Generation, Princeton:: Princeton University Press;.
     [Google Scholar]
  60. Zubak, Marko . ( 2017;), “Plastika se pretvara u znoj i endorfine – Interview: David Blažević aka dr. Smeđi Šećer, crate digger,”. XXZ Portal, April 26, https://www.xxzmagazin.com/plastika-se-pretvara-u-znoj-i-endorfine.
     [Google Scholar]

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