Rap Cubano in the Archive: The Immaterial Paradox | Intellect Skip to content
1981
  1. Home
  2. Books
  3. Hip-Hop Archives
  4. Chapter

Rap Cubano in the Archive: The Immaterial Paradox

image of Rap Cubano in the Archive: The Immaterial Paradox
Preview this chapter:
Preview Magnify
Hardback ISBN: 9781789388428
Loading full text...

Full text loading...

Rap Cubano in the Archive: The Immaterial Paradox
Intellect , 221 (2023); https://doi.org/10.1386/9781789388428_12
/content/books/9781789388428.c12
/content/books/9781789388428.c12
Loading

Data & Media loading...

References

  1. Herrera Veitia, Pablo D., . and Various Artists ( 2001), Cuban Hip-Hop All-Stars Vol. 1, Havana:: Papaya Records;.
     [Google Scholar]
  2. Herrera Veitia, Pablo D., . and Various Artists ( 2019), Habana Hiphop Volumen 2 – Limited Academic Edition (Vinyl & Booklet), Cambridge:: Habana Hiphop,; https://soundcloud.com/pablo_herrera/sets/habana-hiphop-volumen-2.
     [Google Scholar]
  3. Orishas . ( 1999), A Lo Cubano, Madrid:: Chrysalis;.
     [Google Scholar]
  4. Papa Humbertico . ( 2002), Denuncia Social, Havana: Real 70 Producciones.
  5. The Inventos Mixtape . ( 2003), California:: Clenched Fist Productions (in association with Boriken Libre).;
  6. Abimbo.ọla, Wándé . ( 1976), Ifá: an exposition of Ifá literary corpus. , Ibadan: Oxford University Press;.
     [Google Scholar]
  7. Abimbo.ọla, Wándé . ( 1997), Ifá will Mend Our Broken World: Thoughts on Yoruba Religion and Culture in Africa and the diaspora, Roxbury:: Aim Books;.
     [Google Scholar]
  8. Barcia, María Del Carmen . ( 2015;), “La historiografía cubana (siglo XX–XXI): Presencias y ausencias”. , Cuban Studies, 43:1, pp. 119–29.
     [Google Scholar]
  9. Baker, Geoff . ( 2011), Buena Vista in the Club, Durham, London:: Duke University Press;.
     [Google Scholar]
  10. Baker, Sarah . ( 2015;) “Do-it-yourself institutions of popular music heritage: The preservation of music's material past in community archives, museums, and halls of fame,”. Archives and Records, 37:2, pp. 170–87.
     [Google Scholar]
  11. Brandon, George . ( 2012;), “Lucumi divination, the mythic world and the management of misfortune: Good spirit, good medicine: religious foundations of healing in the Caribbean,”. Anthropologica, 54:2, pp. 167–88.
     [Google Scholar]
  12. Campbell, Mark V. . ( 2018;), “ Hip hop archives or an archive of hip hop? A remix impulse. ,” Public, 29:57, pp. 68–79.
     [Google Scholar]
  13. Castro Marino, Soraya M. . ( 2002;), “U.S.-Cuban relations during the Clinton administration,”. Latin American Perspectives, 29:4, pp. 47–76.
     [Google Scholar]
  14. Cros Sandoval, Mercedes . ( 2008), “Santería in the twenty-first century,”. in J. K. Olupona , and T. Rey . (eds), Orisa Devotion as World Religion: The Globalization of Yoruba Religious Culture, Madison:: The University of Wisconsin Press;, pp. 355–71.
     [Google Scholar]
  15. de La Fuente, Alejandro . ( 2008;) “The new Afro-Cuban cultural movement and the debate on race in contemporary Cuba,”. Journal of Latin American Studies, 40:4, pp. 697–720.
     [Google Scholar]
  16. Douglas, Mary . ( 1986), How Institutions Think, , 1st. ed., The Frank W. Abrams lectures, Syracuse:: Syracuse University Press;.
     [Google Scholar]
  17. Fantauzzi Eli Jacobs (dir.) . ( 2003), Inventos: hip hop Cubano, California:: Clenched Fist Productions;.246
     [Google Scholar]
  18. Ferrer, Ada . ( 2014), Freedom's Mirror: Cuba and Haiti in the Age of Revolution, Cambridge:: Cambridge University Press;.
     [Google Scholar]
  19. Fernandes, Sujatha . ( 2006), Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures, Durham:: Duke University Press;.
     [Google Scholar]
  20. Fernandes, Sujatha . ( 2011), Close to the Edge: In Search of the Global Hip Hop Generation, London and New York:: Verso;.
     [Google Scholar]
  21. Fernandes, Sujatha . ( 2020), The Cuban Hustle, Durham:: Duke University Press;.
     [Google Scholar]
  22. Fowler Calzada, Victor . ( 2021), Los Archivos de Rap Cubano, interview by Pablo D. Herrera Veitia;, May 23.
     [Google Scholar]
  23. Ghaddar, Jamila J. , and Caswell, Michele . ( 2019;), “‘To go beyond’: Towards a decolonial archival praxis,”. Archival Science, 19:2, pp. 71–85.
     [Google Scholar]
  24. Gosa, Travis L. . ( 2015), “The fifth element: Knowledge,”. in J. A. Williams . (ed.), The Cambridge Companion to Hip-Hop, Cambridge:: Cambridge University Press;, pp. 56–70.
     [Google Scholar]
  25. Guevara, Ernesto ‘Che’ . ( 2003), “Man and socialism,”. in A. Chomsky ,, B. Carr ,, and P. M. Smorkaloff . (eds), The Cuba Reader: History, Culture, Politics., Durham:: Duke University Press;, pp. 370–74.
     [Google Scholar]
  26. Hall, Stuart . ( 2001;), “Constituting an archive,”. Third Text, 15:54, pp. 89–92.
     [Google Scholar]
  27. Hartman, Saidiya V. . ( 2008;), “Venus in two acts,”. Small Axe: A Journal of Criticism, 26:26, pp. 1–14.
     [Google Scholar]
  28. Hernández Baguer, Grizel , and Junco Duffay, Malcoms . (eds) ( 2017), Contar el rap: Narraciones y testimonios, La Habana:: CIDMUC;.
     [Google Scholar]
  29. Hernandez, Esteban , and Smolarek, Walter . ( 2014), “Exposed: Three USAID plots to destabilize Cuba”, Liberation School, https://liberationschool.org/exposed-three-usaid-plots-to-destabilize-cuba/.
  30. Herrera Veitia, Pablo D. , and Fernandez Selier, Yesenia . ( 2003;), “ Rap Cubano: Nuevas posibilidades estéticas para la cancion popular cubana,”. Boletín Música, 11–12.
     [Google Scholar]
  31. Joffe, Margaux . ( 2005) “Reshaping the Revolution through rhyme: A literary analysis of Cuban hip-hop in the ‘Special Period, Working Paper 3”, http:/www.duke.edu/web/las/Council/wpapers/workingpaperJoffee.pdf%3e%20.
  32. Junco Duffay, Malcolms . ( 2021), The Beginning of Rap Cubano Archives, interview with author Pablo Herrera Veitia, January 20.
  33. Laurence, Peter . ( 2021), “Draft proposal hearing Afro-Cuban rap second stage”, e-mail with author Pablo Herrera Veitia, January 22.
  34. Mbembe, Achile . ( 2002), “The power of the archive and its limits,”. in C. Hamilton . (ed.), Refiguring the Archive, Cape Town:: David Philip;, pp. 18–26.
     [Google Scholar]
  35. Miller, Ivor . ( 2018;), “Aponte's legacy in Cuban popular culture,”. Afro – Hispanic Review, 37:2, Fall, pp. 126–51.
     [Google Scholar]
  36. Miller, Ivor . ( 2021), “El Archivo del Pueblo”, e-mail with Pablo D. Herrera Veitia, February 8.247
  37. Njoroge, Njoroge . ( 2007), “‘Chocolate Surrealism’: Music, movement, memory and history,” Ph.D. thesis, New York: New York University, https://discovered.ed.ac.uk/permalink/44UOE_INST/1viuo5v/cdi_proquest_journals_304841875.
  38. Perry, Marc D. . ( 2016), Negro Soy Yo, Durham:: Duke University Press;.
     [Google Scholar]
  39. Phillips, Mark S. . ( 2013), On Historical Distance, New Haven:: Yale University Press;.
     [Google Scholar]
  40. Porter-Szűcs, Brian . ( 2020;), “From Homo Sovieticus to Homo Economicus: The transformation of the human subject in Polish socialist economic thought,”. East European Politics and Societies, 34:3, pp. 546–70.
     [Google Scholar]
  41. Quintero, Tania . ( 1997), “The Cuba Free Press Project – El Proyecto Cuba Prensa Libre”, September 5, http://www.cubafreepress.org/art/cubap970905kk.html.
  42. Rodriguez, Linda M. , and Ada Ferrer . ( 2019), “Collaborating with Aponte: Digital humanities, art, and the archive,” Archipelagos: A Journal of Caribbean Digital Praxis, 3, July, pp. 1–16, https://archipelagosjournal.org/es/issue03/ferrer-rodriguez.html.
  43. Sangwand, T-Kay . ( 2018;), “Preservation is political: Enacting contributive justice and decolonizing transnational archival collaborations,”. KULA: Knowledge Creation, Dissemination, and Preservation Studies, 2:1, pp. 1–14.
     [Google Scholar]
  44. Saunders, Tanya L. . ( 2015), Cuban Underground Hip Hop: Black Thoughts, Black Revolution, Black Modernity, Austin:: University of Texas Press;.
     [Google Scholar]
  45. Sayre, Anamaria . ( 2021), “Explaining ‘Patria Y Vida,’ the song that's defined the uprising in Cuba,” Npr.org, July 21, https://www.npr.org/sections/altlatino/2021/07/19/1017887993/explaining-patria-y-vida-the-cuban-song-defying-an-evil-revolution.
  46. Scott, David . ( 2004), Conscripts of Modernity, Durham:: Duke University Press;.
     [Google Scholar]
  47. Thomas, Debra A. . ( 2013;), “Caribbean studies, archive building, and the problem of violence,”. Small Axe: A Journal of Criticism, 17:2, pp. 27–42.
     [Google Scholar]
  48. Trouillot, Michel . ( 1995), Silencing The Past: Power and The Production of History, Boston:: Beacon Press;.
     [Google Scholar]
  49. Tyszka, Krzysztof . ( 2009;), “Homo Sovieticus two decades later,”. Polish Sociological Review, 168:4, pp. 507–22.
     [Google Scholar]
  50. Vaughan, Umi , and Aldama, Carlos . ( 2012), Carlos Aldama's Life in Bata: Cuba, Diaspora, and the Drum, Bloomington:: Indiana University Press;.
     [Google Scholar]
  51. Weheliye, Alexander G. . ( 2005), Phonographies: Grooves in Sonic Afro-Modernity, Durham:: Duke University Press;.
     [Google Scholar]
  52. West-Duran, Alan . ( 2004;), “Rap's diasporic dialogues: Cuba's redefinition of Blackness,”. Journal of Popular Music Studies, 16:1, pp. 4–39.
     [Google Scholar]
  53. Wood, Stacy ,, Carbone, Kathy ,, Cifor, Marika ,, Gilliland, Anne, , and Punzalan, Ricky . ( 2014;), “Mobilizing records: Re-framing archival description to support human rights,”. Archival Science, 14, pp. 397–419.
     [Google Scholar]
  54. Zamora Montes, Alejandro . ( 2019), Librinsula – Entrevistas: Entrevista a Victor Fowler Calzada, Havana: Biblioteca Nacional de Cuba José Marti, http://librinsula.bnjm.cu/400/entrevistas/129/entrevista-a-victor-fowler-calzada.html.248
  55. Zamora Montes, Alejandro . ( 2020), Facebook Messenger interview with Pablo Herrera Vietia, September 24.
  56. Zinoviev, Aleksandr . ( 1985), Homo Sovieticus (trans. F. Hanson), New York:: The Atlantic Monthly;.
     [Google Scholar]
  57. Zurbano Torres, Roberto . ( 2013), “For Blacks in Cuba the revolution hasn't begun,” New York Times, March 23, https://www.nytimes.com/2013/03/24/opinion/sunday/for-blacks-in-cuba-the-revolution-hasnt-begun.html.

References

  1. Herrera Veitia, Pablo D., . and Various Artists ( 2001), Cuban Hip-Hop All-Stars Vol. 1, Havana:: Papaya Records;.
     [Google Scholar]
  2. Herrera Veitia, Pablo D., . and Various Artists ( 2019), Habana Hiphop Volumen 2 – Limited Academic Edition (Vinyl & Booklet), Cambridge:: Habana Hiphop,; https://soundcloud.com/pablo_herrera/sets/habana-hiphop-volumen-2.
     [Google Scholar]
  3. Orishas . ( 1999), A Lo Cubano, Madrid:: Chrysalis;.
     [Google Scholar]
  4. Papa Humbertico . ( 2002), Denuncia Social, Havana: Real 70 Producciones.
  5. The Inventos Mixtape . ( 2003), California:: Clenched Fist Productions (in association with Boriken Libre).;
  6. Abimbo.ọla, Wándé . ( 1976), Ifá: an exposition of Ifá literary corpus. , Ibadan: Oxford University Press;.
     [Google Scholar]
  7. Abimbo.ọla, Wándé . ( 1997), Ifá will Mend Our Broken World: Thoughts on Yoruba Religion and Culture in Africa and the diaspora, Roxbury:: Aim Books;.
     [Google Scholar]
  8. Barcia, María Del Carmen . ( 2015;), “La historiografía cubana (siglo XX–XXI): Presencias y ausencias”. , Cuban Studies, 43:1, pp. 119–29.
     [Google Scholar]
  9. Baker, Geoff . ( 2011), Buena Vista in the Club, Durham, London:: Duke University Press;.
     [Google Scholar]
  10. Baker, Sarah . ( 2015;) “Do-it-yourself institutions of popular music heritage: The preservation of music's material past in community archives, museums, and halls of fame,”. Archives and Records, 37:2, pp. 170–87.
     [Google Scholar]
  11. Brandon, George . ( 2012;), “Lucumi divination, the mythic world and the management of misfortune: Good spirit, good medicine: religious foundations of healing in the Caribbean,”. Anthropologica, 54:2, pp. 167–88.
     [Google Scholar]
  12. Campbell, Mark V. . ( 2018;), “ Hip hop archives or an archive of hip hop? A remix impulse. ,” Public, 29:57, pp. 68–79.
     [Google Scholar]
  13. Castro Marino, Soraya M. . ( 2002;), “U.S.-Cuban relations during the Clinton administration,”. Latin American Perspectives, 29:4, pp. 47–76.
     [Google Scholar]
  14. Cros Sandoval, Mercedes . ( 2008), “Santería in the twenty-first century,”. in J. K. Olupona , and T. Rey . (eds), Orisa Devotion as World Religion: The Globalization of Yoruba Religious Culture, Madison:: The University of Wisconsin Press;, pp. 355–71.
     [Google Scholar]
  15. de La Fuente, Alejandro . ( 2008;) “The new Afro-Cuban cultural movement and the debate on race in contemporary Cuba,”. Journal of Latin American Studies, 40:4, pp. 697–720.
     [Google Scholar]
  16. Douglas, Mary . ( 1986), How Institutions Think, , 1st. ed., The Frank W. Abrams lectures, Syracuse:: Syracuse University Press;.
     [Google Scholar]
  17. Fantauzzi Eli Jacobs (dir.) . ( 2003), Inventos: hip hop Cubano, California:: Clenched Fist Productions;.246
     [Google Scholar]
  18. Ferrer, Ada . ( 2014), Freedom's Mirror: Cuba and Haiti in the Age of Revolution, Cambridge:: Cambridge University Press;.
     [Google Scholar]
  19. Fernandes, Sujatha . ( 2006), Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures, Durham:: Duke University Press;.
     [Google Scholar]
  20. Fernandes, Sujatha . ( 2011), Close to the Edge: In Search of the Global Hip Hop Generation, London and New York:: Verso;.
     [Google Scholar]
  21. Fernandes, Sujatha . ( 2020), The Cuban Hustle, Durham:: Duke University Press;.
     [Google Scholar]
  22. Fowler Calzada, Victor . ( 2021), Los Archivos de Rap Cubano, interview by Pablo D. Herrera Veitia;, May 23.
     [Google Scholar]
  23. Ghaddar, Jamila J. , and Caswell, Michele . ( 2019;), “‘To go beyond’: Towards a decolonial archival praxis,”. Archival Science, 19:2, pp. 71–85.
     [Google Scholar]
  24. Gosa, Travis L. . ( 2015), “The fifth element: Knowledge,”. in J. A. Williams . (ed.), The Cambridge Companion to Hip-Hop, Cambridge:: Cambridge University Press;, pp. 56–70.
     [Google Scholar]
  25. Guevara, Ernesto ‘Che’ . ( 2003), “Man and socialism,”. in A. Chomsky ,, B. Carr ,, and P. M. Smorkaloff . (eds), The Cuba Reader: History, Culture, Politics., Durham:: Duke University Press;, pp. 370–74.
     [Google Scholar]
  26. Hall, Stuart . ( 2001;), “Constituting an archive,”. Third Text, 15:54, pp. 89–92.
     [Google Scholar]
  27. Hartman, Saidiya V. . ( 2008;), “Venus in two acts,”. Small Axe: A Journal of Criticism, 26:26, pp. 1–14.
     [Google Scholar]
  28. Hernández Baguer, Grizel , and Junco Duffay, Malcoms . (eds) ( 2017), Contar el rap: Narraciones y testimonios, La Habana:: CIDMUC;.
     [Google Scholar]
  29. Hernandez, Esteban , and Smolarek, Walter . ( 2014), “Exposed: Three USAID plots to destabilize Cuba”, Liberation School, https://liberationschool.org/exposed-three-usaid-plots-to-destabilize-cuba/.
  30. Herrera Veitia, Pablo D. , and Fernandez Selier, Yesenia . ( 2003;), “ Rap Cubano: Nuevas posibilidades estéticas para la cancion popular cubana,”. Boletín Música, 11–12.
     [Google Scholar]
  31. Joffe, Margaux . ( 2005) “Reshaping the Revolution through rhyme: A literary analysis of Cuban hip-hop in the ‘Special Period, Working Paper 3”, http:/www.duke.edu/web/las/Council/wpapers/workingpaperJoffee.pdf%3e%20.
  32. Junco Duffay, Malcolms . ( 2021), The Beginning of Rap Cubano Archives, interview with author Pablo Herrera Veitia, January 20.
  33. Laurence, Peter . ( 2021), “Draft proposal hearing Afro-Cuban rap second stage”, e-mail with author Pablo Herrera Veitia, January 22.
  34. Mbembe, Achile . ( 2002), “The power of the archive and its limits,”. in C. Hamilton . (ed.), Refiguring the Archive, Cape Town:: David Philip;, pp. 18–26.
     [Google Scholar]
  35. Miller, Ivor . ( 2018;), “Aponte's legacy in Cuban popular culture,”. Afro – Hispanic Review, 37:2, Fall, pp. 126–51.
     [Google Scholar]
  36. Miller, Ivor . ( 2021), “El Archivo del Pueblo”, e-mail with Pablo D. Herrera Veitia, February 8.247
  37. Njoroge, Njoroge . ( 2007), “‘Chocolate Surrealism’: Music, movement, memory and history,” Ph.D. thesis, New York: New York University, https://discovered.ed.ac.uk/permalink/44UOE_INST/1viuo5v/cdi_proquest_journals_304841875.
  38. Perry, Marc D. . ( 2016), Negro Soy Yo, Durham:: Duke University Press;.
     [Google Scholar]
  39. Phillips, Mark S. . ( 2013), On Historical Distance, New Haven:: Yale University Press;.
     [Google Scholar]
  40. Porter-Szűcs, Brian . ( 2020;), “From Homo Sovieticus to Homo Economicus: The transformation of the human subject in Polish socialist economic thought,”. East European Politics and Societies, 34:3, pp. 546–70.
     [Google Scholar]
  41. Quintero, Tania . ( 1997), “The Cuba Free Press Project – El Proyecto Cuba Prensa Libre”, September 5, http://www.cubafreepress.org/art/cubap970905kk.html.
  42. Rodriguez, Linda M. , and Ada Ferrer . ( 2019), “Collaborating with Aponte: Digital humanities, art, and the archive,” Archipelagos: A Journal of Caribbean Digital Praxis, 3, July, pp. 1–16, https://archipelagosjournal.org/es/issue03/ferrer-rodriguez.html.
  43. Sangwand, T-Kay . ( 2018;), “Preservation is political: Enacting contributive justice and decolonizing transnational archival collaborations,”. KULA: Knowledge Creation, Dissemination, and Preservation Studies, 2:1, pp. 1–14.
     [Google Scholar]
  44. Saunders, Tanya L. . ( 2015), Cuban Underground Hip Hop: Black Thoughts, Black Revolution, Black Modernity, Austin:: University of Texas Press;.
     [Google Scholar]
  45. Sayre, Anamaria . ( 2021), “Explaining ‘Patria Y Vida,’ the song that's defined the uprising in Cuba,” Npr.org, July 21, https://www.npr.org/sections/altlatino/2021/07/19/1017887993/explaining-patria-y-vida-the-cuban-song-defying-an-evil-revolution.
  46. Scott, David . ( 2004), Conscripts of Modernity, Durham:: Duke University Press;.
     [Google Scholar]
  47. Thomas, Debra A. . ( 2013;), “Caribbean studies, archive building, and the problem of violence,”. Small Axe: A Journal of Criticism, 17:2, pp. 27–42.
     [Google Scholar]
  48. Trouillot, Michel . ( 1995), Silencing The Past: Power and The Production of History, Boston:: Beacon Press;.
     [Google Scholar]
  49. Tyszka, Krzysztof . ( 2009;), “Homo Sovieticus two decades later,”. Polish Sociological Review, 168:4, pp. 507–22.
     [Google Scholar]
  50. Vaughan, Umi , and Aldama, Carlos . ( 2012), Carlos Aldama's Life in Bata: Cuba, Diaspora, and the Drum, Bloomington:: Indiana University Press;.
     [Google Scholar]
  51. Weheliye, Alexander G. . ( 2005), Phonographies: Grooves in Sonic Afro-Modernity, Durham:: Duke University Press;.
     [Google Scholar]
  52. West-Duran, Alan . ( 2004;), “Rap's diasporic dialogues: Cuba's redefinition of Blackness,”. Journal of Popular Music Studies, 16:1, pp. 4–39.
     [Google Scholar]
  53. Wood, Stacy ,, Carbone, Kathy ,, Cifor, Marika ,, Gilliland, Anne, , and Punzalan, Ricky . ( 2014;), “Mobilizing records: Re-framing archival description to support human rights,”. Archival Science, 14, pp. 397–419.
     [Google Scholar]
  54. Zamora Montes, Alejandro . ( 2019), Librinsula – Entrevistas: Entrevista a Victor Fowler Calzada, Havana: Biblioteca Nacional de Cuba José Marti, http://librinsula.bnjm.cu/400/entrevistas/129/entrevista-a-victor-fowler-calzada.html.248
  55. Zamora Montes, Alejandro . ( 2020), Facebook Messenger interview with Pablo Herrera Vietia, September 24.
  56. Zinoviev, Aleksandr . ( 1985), Homo Sovieticus (trans. F. Hanson), New York:: The Atlantic Monthly;.
     [Google Scholar]
  57. Zurbano Torres, Roberto . ( 2013), “For Blacks in Cuba the revolution hasn't begun,” New York Times, March 23, https://www.nytimes.com/2013/03/24/opinion/sunday/for-blacks-in-cuba-the-revolution-hasnt-begun.html.

  • From This Site

    /content/books/9781789388428.c12
    dcterms_title,dcterms_subject,pub_keyword
    -contentType:Contributor -contentType:Concept -contentType:Institution
    10
    5
/content/books/9781789388428.c12
dcterms_title,dcterms_subject,pub_keyword
-contentType:Contributor -contentType:Concept -contentType:Institution
10
5
Chapter
content/books/9781789388428
Book
false
en
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error