Roles and micro-chauvinism in youth: A semiotic analysis of expanded theatricalities | Intellect Skip to content
1981
Volume 11, Issue 2
  • ISSN: 2049-3010
  • E-ISSN: 2049-3029

Abstract

This article analyses the implementation of a theatrical performance for the prevention of micro-chauvinism violence and the promotion of equality created by vocational training students and aimed at secondary school students. Using a qualitative research methodology based on case studies and the use of narratological and semiotic models of theatrical reception, this work focuses on analysing the acting roles of the characters who represent situations of micro-chauvinism in adolescence, and understanding the theatrical performative characteristics of the artistic work. The results allow us to draw conclusions about the advantages of theatre applied to education to diagnose the current situation of youth micro-chauvinism; the orchestration of teaching with a gender perspective through the dramatization of micro-chauvinism among young adolescents; and the choreographies of learning for the promotion of gender equality through theatre applied to education.

Loading

Article metrics loading...

/content/journals/10.1386/atr_00080_1
2023-12-27
2024-05-03
Loading full text...

Full text loading...

References

  1. Albertín, P. (2017), ‘Abriendo puertas y ventanas a una perspectiva psicosocial feminista: Análisis sobre la violencia de género’, Psicoperspectivas. Individuo y Sociedad, 16:2, pp. 7990, https://dx.doi.org/10.5027/psicoperspectivas-Vol16-Issue2-fulltext-1021.
    [Google Scholar]
  2. Alonso, A. and Lombardo, E. (2018), ‘Gender equality and de-democratization processes: The case of Spain’, Politics and Governance, 6:3, pp. 7889, 10.17645/pag.v6i3.1419.
    [Google Scholar]
  3. Arrighi, G., Irvine, C., Joyce, B. and Haracz, K. (2018), ‘Reimagining “role” and “character”: An approach to acting training for role-play simulation in the tertiary education setting’, Applied Theatre Research, 6:2, pp. 89106, 10.1386/atr.6.2.89_1.
    [Google Scholar]
  4. Ballesteros, J. C., Sanmartín, A. and Tudela, P. (2018), Barómetro juvenil sobre Vida y Salud, Madrid: Centro Reina Sofía sobre Adolescencia y Juventud, 10.5281/zenodo.3537684.
    [Google Scholar]
  5. Balme, C. (2013), Introducción a los estudios teatrales, Madrid: Apuntes/Frontera Sur.
    [Google Scholar]
  6. Batjin, M. (1986), Problemas literarios y estéticos, Madrid: Arte y Literatura.
    [Google Scholar]
  7. Batthyány, K., Katzkowicz, S. and Scavino Solari, S. (2022), ‘Género y teletrabajo: El caso de las trabajadoras del programa Uruguay Crece Contigo’, Psicoperspectivas, 21:3, https://dx.doi.org/10.5027/psicoperspectivas-vol21-issue3-fulltext-2600.
    [Google Scholar]
  8. Baudrillard, J. (1983), Simulations, New York: Semiotext(e).
    [Google Scholar]
  9. Beth-Gonzalez, J. (2018), ‘Towards recognition and regard: Creating connectivity in theatre education through intentional wakefulness’, Youth Theatre Journal, 32:1, pp. 3044, 10.1080/08929092.2018.1445051.
    [Google Scholar]
  10. Bonino, L. (1996), ‘La violencia invisible en la pareja’, in Jornadas de género en la sociedad actual, Valencia: Generalitat Valenciana [En línea], pp. 2545.
    [Google Scholar]
  11. Cahill, H. and Dadvand, B. (2021), ‘Triadic labour in teaching for the prevention of gender-based violence’, Gender and Education, 33:2, pp. 25266, 10.1080/09540253.2020.1722070.
    [Google Scholar]
  12. Crabtree, R. D., Sapp, D. A. and Licona, A. C. (eds) (2009), Feminist Pedagogy: Looking Back to Move Forward, Baltimore, MD: Johns Hopkins University Press.
    [Google Scholar]
  13. Curnow, J. (2013), ‘Fight the power: Situated learning and conscientisation in a gendered community of practice’, Gender and Education, 25:7, pp. 83450, 10.1080/09540253.2013.845649.
    [Google Scholar]
  14. Denzin, N. K. (2018), ‘Staging resistance: Theatres of the oppressed’, in D. Beach, C. Bagley and S. Marques da Silva (eds), The Wiley Handbook of Ethnography of Education, Hoboken, NJ: Wiley-Blackwell, pp. 375401.
    [Google Scholar]
  15. Díaz-Aguado Jalón, M. J., Martínez Arias, R., Martín Babarro, J. and Falcón, L. (2021), La situación de la violencia contra las mujeres en la adolescencia en España, Madrid: Ministerio de Igualdad. Delegación del Gobierno contra la Violencia de Género, https://www.observatoriodelainfancia.es/ficherosoia/documentos/7357_d_Estudio_ViolenciaEnLaAdolescencia.pdf. Accessed 3 October 2023.
    [Google Scholar]
  16. Donoso Vázquez, T., Rubio Hurtado, M. J. and Vilà Baños, R. (2018), ‘La adolescencia ante la violencia de género 2.0: concepciones, conductas y experiencias’, Educación, 21:1, pp. 10933, 10.5944/educxx1.20180.
    [Google Scholar]
  17. Espinoza-Ibacache, J. A. and Íñiguez-Rueda, L. (2020), ‘Cotidianeidad, sexo/género y trabajo sexual: Las rutinas de Gabriela’, Psicoperspectivas, 19:3, https://dx.doi.org/10.5027/psicoperspectivas-vol19-issue3-fulltext-2058.
    [Google Scholar]
  18. Fernández, V. F. (2021), ‘Función actancial de los personajes en una narración: el modelo actancial de Greimas’, Revista Latinoamericana de Ciencias de la Comunicación, 20:36, http://revista.pubalaic.org/index.php/alaic/article/view/689. Accessed 2 October 2023.
    [Google Scholar]
  19. Fernández Consuegra, C. B. (2014), ‘Arte conceptual en movimiento: “Performance Art” en sus acepciones de “Body Art” y “Behavior Art”’, Anales de Historia del Arte, 24, pp. 183200, https://doi.org/10.5209/​rev_ANHA.2014.v24.47184.
    [Google Scholar]
  20. Fischer-Lichte, E. (2017), Estética de la Performativo, Madrid: ABADA Editores.
    [Google Scholar]
  21. Freebody, K. and Finneran, M. (2013), ‘Drama and social justice’, in M. Anderson and J. Dunn (eds), How Drama Activates Learning: Contemporary Research and Practice, London: Bloomsbury, pp. 4763.
    [Google Scholar]
  22. Freebody, K., Balfour, M., Finneran, M. and Anderson, M. (eds) (2018), Applied Theatre: Understanding Change, New York: Springer.
    [Google Scholar]
  23. Gallagher, K. and Sahni, U. (2019), ‘Performing care: Re-imagining gender, personhood, and educational justice’, Gender and Education, 31:5, pp. 63142, 10.1080/09540253.2019.1609652.
    [Google Scholar]
  24. García, A., Hidalgo, M., López, C. and Román, M. R. (2018), ‘Los micromachismos en los adolescentes. Su asociación con las relaciones de pareja y el modelo de maternidad y paternidad’, Cultura de los cuidados: Revista de Enfermería y Humanidades, 51, pp. 14453, 10.14198/cuid.2018.51.16.
    [Google Scholar]
  25. García-Huidobro Valdés, V. (2021), ‘Teatro aplicado y pedagogía teatral’, in L. d. Canto Fariña, V. García-Huidobro Valdés, A. Sedano Solís and Compañía la Balanza: Teatro y Educación (eds), Teatro Aplicado en Educación, Santiago: Universidad Católica de Chile, pp. 57112.
    [Google Scholar]
  26. Greimas, A. (1971), Semántica estructural, Madrid: Gredos.
    [Google Scholar]
  27. Korol, C. (2019), Feminismos territoriales: Hacia una pedagogía feminista, Santiago: Quimantú, https://pañuelosenrebeldia.com.ar/wp/wp-content/uploads/2020/05/Claudia-Korol-Feminismos-Territoriales.-Hacia-una-pedagog%C3%ADa-feminita-2019.pdf. Accessed 2 October 2023.
    [Google Scholar]
  28. Leiva, L., Mendoza, A., Torres-Cortés, B. and Antivilo-Bruna, A. (2021), ‘Relación entre sentido de comunidad, bienestar, salud mental y género en adolescentes escolarizados’, Psicoperspectivas, 20:2, https://dx.doi.org/​10.5027/psicoperspectivas-vol20-issue2-fulltext-2205.
    [Google Scholar]
  29. Lindberg, M., Forsberg, L. and Karlberg, H. (2015), ‘Gendered social innovation: A theoretical lens for analysing structural transformation in organisations and society’, International Journal of Social Entrepreneurship and Innovation, 3:6, pp. 47283, 10.1504/IJSEI.2015.073540.
    [Google Scholar]
  30. Martínez Jiménez, L. and Zurbano-Berenguer, B. (2019), ‘Posmachismo, violencia de género y dinámicas de opinión en los cibermedios. Aproximaciones a la realidad española a partir de la experiencia de eldiario.es’, Teknokultura. Revista de Cultura Digital y Movimientos Sociales, 16:2, pp. 21328, 10.5209/tekn.65173.
    [Google Scholar]
  31. McEwen, C. (2018), ‘Change and continuity in applied theatre: Lessons learnt from The Longest Night’, in K. Freebody, M. Balfour., M. Finneran and M. Anderson (eds), Applied Theatre: Understanding Change, Cham: Springer, pp. 95113, 10.1007/978-3-319-78178-5.
    [Google Scholar]
  32. Motos Teruel, T. and Ferrandis, D. (2015), Teatro aplicado. Teatro del oprimido, teatro playback, dramaterapia, Barcelona: Octaedro.
    [Google Scholar]
  33. Motos Teruel, T., Benlliure, V. A. and Fields, D. L. (2019), ‘The impact of theatrical experiences on young adults in Spain’, Research in Drama Education: The Journal of Applied Theatre and Performance, 24:2, pp. 192200,10.1080/13569783.2018.1494562.
    [Google Scholar]
  34. Neelands, J. (2007), ‘Taming the political: The struggle over recognition in the politics of applied theatre’, Research in Drama Education: The Journal of Applied Theatre and Performance, 12:3, 10.1080/13569780701560388. pp. 30517.
    [Google Scholar]
  35. O’Connor, P. (2013), ‘Drama as critical pedagogy: Re-imagining terrorism’, in M. Anderson. and J. Dunn (eds), How Drama Activates Learning: Contemporary Research and Practice, London: Bloomsbury, pp. 12534.
    [Google Scholar]
  36. Pacheco, P.A. (2013), ‘Sociología de la ciencia y semiótica. El esquema actancial en la teoría del actor-red y el programa constructivista’, Redes, 19:36, pp. 79103, http://ridaa.unq.edu.ar/handle/20.500.11807/634. Accessed 2 October 2023.
    [Google Scholar]
  37. Pradena-García, Y. (2021), ‘Performance teatral- IES FERRARI [Archivo vídeo]’, YouTube, 11 May, https://youtu.be/xMOHay1bQlU. Accessed 2 October 2023.
  38. Pradena-García, Y., Anguita-Martínez, R. and Fernández-Rodríguez, E. (2022), ‘Metodologías concientizadoras para la promoción de la igualdad de género a través del Teatro Aplicado en Educación’, Revista Izquierdas, 51, p. 4.
    [Google Scholar]
  39. Prendergast, M. and Shenfield, R. (2018), ‘From theatre to performance studies: Collaborating on curriculum change with secondary level dramatic arts teachers’, Research in Drama Education: The Journal of Applied Theatre and Performance, 24:2, pp. 11832, 10.1080/13569783.​2018.1551127.
    [Google Scholar]
  40. Román, R. and Faepb, A. A. (2017), ‘Juventud universitaria, micromachismos y relaciones de noviazgo’, REencuentro. Análisis de Problemas Universitarios, 28:74, pp. 14969, https://reencuentro.xoc.uam.mx/index.php/reencuentro/article/view/935/930. Accessed 2 October 2023.
    [Google Scholar]
  41. Sales Oliveira, C., Monteiro, A. A. and Ferreira, S. P. (2019), ‘Gender consciousness through applied theatre’, European Journal for Research on the Education and Learning of Adults, 10:1, pp. 7792, 10.3384/rela.2000-7426.OJS352.
    [Google Scholar]
  42. Sannino, A. and Engeström, Y. (2018), ‘Cultural-historical activity theory’, Cultural-Historical Psychology, 14:3, pp. 4356, 10.17759/chp.2018140304.
    [Google Scholar]
  43. Santos, B. (2017), Teatro del oprimido. Raíces y Ala. Una teoría de la praxis, Barcelona: Descontrol.
    [Google Scholar]
  44. Santos, B. (2020), Teatro de las oprimidas. Estéticas feministas para poéticas políticas, Madrid: Del Signo.
    [Google Scholar]
  45. Sedano Solís, A. (2021), ‘Antecedentes teóricos del teatro aplicado en educación’, in L. d. Canto Fariña, V. García-Huidobro Valdés, A. Sedano Solís and Compañía la Balanza: Teatro y Educación (eds), Teatro Aplicado en Educación, Santiago: Universidad Católica de Chile, pp. 1356.
    [Google Scholar]
  46. Stahl, S. (2018), ‘Acting out to call in: Practicing theatre of the oppressed with high school students’, The Educational Forum, 82:3, pp. 36973, 10.1080/00131725.2018.1457123.
    [Google Scholar]
  47. Stake, R. E. (2020), Investigación con estudio de casos, Madrid: Morata.
    [Google Scholar]
  48. Taylor, L. (2019), ‘Towards a concept of inefficiency in performance and dialogue practice’, Research in Drama Education: The Journal of Applied Theatre and Performance, 24:3, pp. 33351, 10.1080/13569783.​2019.1619449.
    [Google Scholar]
  49. Trupia, A. (2021), ‘Sobre Teatro Aplicado. Teoría y Práctica, de María Fukelman (Comp.)’, Exlibris, 10, pp. 36366, http://revistas.filo.uba.ar/index.php/exlibris/article/view/3551/2422. Accessed 2 October 2023.
    [Google Scholar]
  50. Vigo-Arrazola, M. B., Dieste-Gracia, B. and García-Goncet, D. (2019), ‘Formación de profesorado en y para la justicia social. Una investigación etnográfica’, Profesorado, Revista De Currículum Y Formación Del Profesorado, 23:4, pp. 88107, 10.30827/profesorado.v23i4.11415.
    [Google Scholar]
  51. Villanueva Vargas, M. C. (2019), ‘Opening spaces for critical pedagogy through drama in education in the Chilean classroom’, Ph.D. thesis, Trinity College Dublin, http://www.tara.tcd.ie/handle/2262/86151. Accessed 2 October 2023.
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/atr_00080_1
Loading
/content/journals/10.1386/atr_00080_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error