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This article discusses the complexities around movement dynamics and how the term ‘dynamic archive’ is understood in dance. Drawing from Andre Lepecki’s ‘The body as archive’ (2010), Rudolf Laban and F. C. Lawrence’s Effort theory (1947) and a choreological perspective to investigate the complexities of dynamics as an embodied phenomenon, I discuss the body as a dynamic archive of embodied experience. This article provides debate about how dynamics are learnt and recalled for the purposes of re-staging and how movement dynamics are stored by the dancer as a dynamic archive.
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https://doi.org/10.1386/dmas_00049_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.