How to approach collecting music on streaming services

References

1. Appadurai, A.. ( 1994;), ‘ Commodities and the politics of value. ’, in S. Pearce. (ed.), Interpreting Objects and Collections, New York:: Routledge;, pp. 76–91.
   [Google Scholar]
2. Belk, R. W.. ( 1994;), ‘ Collectors and collecting. ’, in S. Pearce. (ed.), Interpreting Objects and Collections, New York:: Routledge;, pp. 317–26.
   [Google Scholar]
3. Bergman, O., and Whittaker, S.. ( 2016), The Science of Managing Our Digital Stuff, Cambridge, MA:: The MIT Press;.
   [Google Scholar]
4. Beşer, M.. ( 2016), Yoldan Çıkmıs Simalar, Istanbul:: Iletişim;.
   [Google Scholar]
5. Bolter, J., and Grusin, R.. ( 1998), Remediation, Cambridge, MA:: MIT Press;.
   [Google Scholar]
6. Burkart, P.. ( 2008;), ‘ Trends in digital music archiving. ’, The Information Society, 24:4, pp. 246–50.
   [Google Scholar]
7. DeNora, T.. ( 2004), Music in Everyday Life, Cambridge:: Cambridge University Press;.
   [Google Scholar]
8. Fitzgerald, T.. ( 1993), Metaphors of Identity: A Culture-Communication Dialogue, Albany, NY:: State University of New York Press;.
   [Google Scholar]
9. Fleischer, R.. ( 2015;), ‘ Towards a postdigital sensibility: How to get moved by too much music. ’, Culture Unbound: Journal of Current Cultural Research, 7:2, pp. 255–69.
   [Google Scholar]
10. Foster, P., and Marshall, W.. ( 2015;), ‘ Tales of the tape: Cassette culture, community radio, and the birth of rap music in Boston. ’, Creative Industries Journal, 8:2, pp. 164–76.
    [Google Scholar]
11. Hagen, A.. ( 2015;), ‘ The playlist experience: Personal playlists in music streaming services. ’, Popular Music and Society, 38:5, pp. 625–45.
    [Google Scholar]
12. Hayes, D.. ( 2006;), ‘ “Take those old records off the shelf”: Youth and music consumption in the postmodern age. ’, Popular Music and Society, 29:1, pp. 51–68.
    [Google Scholar]
13. Jones, W.. ( 2007;), ‘ Personal information management. ’, Annual Review of Information Science and Technology, 41:1, pp. 453–504, https://doi.org/10.1002/aris.2007.1440410117. Accessed 18 February 2020.
    [Google Scholar]
14. Larsen, G.,, Lawson, R., and Todd, S.. ( 2009;), ‘ The consumption of music as self-representation in social interaction. ’, Australasian Marketing Journal, 17:1, pp. 16–26.
    [Google Scholar]
15. Larsen, G.,, Lawson, R., and Todd, S.. ( 2010;), ‘ The symbolic consumption of music. ’, Journal of Marketing Management, 26:7&8, pp. 671–85.
    [Google Scholar]
16. Magaudda, P.. ( 2011;), ‘ When materiality “bites back”: Digital music consumption practices in the age of dematerialization. ’, Journal of Consumer Culture, 11:1, pp. 15–36.
    [Google Scholar]
17. McCourt, T.. ( 2006;), ‘ Collecting music in the digital realm. ’, Popular Music and Society, 28:2, pp. 249–52.
    [Google Scholar]
18. McLuhan, M.. ( 1964), Understanding Media, Berkeley, CA:: Gingko Press;.
    [Google Scholar]
19. Molteni, L., and Ordanini, A.. ( 2003;), ‘ Consumption patterns, digital technology and music downloading. ’, Long Range Planning: International Journal of Strategic Management, 36:4, pp. 389–406, https://doi.org/10.1016/S0024-6301(03)00073-6. Accessed 18 February 2020.
    [Google Scholar]
20. Morris, J., and Powers, D.. ( 2015;), ‘ Control, curation and musical experience in streaming music services. ’, Creative Industries Journal, 8:2, pp. 106–22.
    [Google Scholar]
21. O’Hara, K., and Brown, B.. ( 2010), Consuming Music Together, Dordrecht:: Springer;.
    [Google Scholar]
22. Pareles, J.. ( 1998;), ‘ Music; with a click, a new era of music dawns. ’, New York Times, 15 November, https://www.nytimes.com/1998/11/15/arts/music-with-a-click-a-new-era-of-music-dawns.html. Accessed 21 July 2019.
    [Google Scholar]
23. Pearce, S.. ( 2006), Interpreting Objects and Collections, London:: Routledge;.
    [Google Scholar]
24. Pierce, J. L.,, Kostova, T., and Dirks, K. Y.. ( 2003;), ‘ The state of psychological ownership: Integrating and extending a century of research. ’, Review of General Psychology, 7:1, pp. 84–107.
    [Google Scholar]
25. Ruud, E.. ( 1997;), ‘ Music and identity. ’, Nordic Journal of Music Therapy, 6:1, pp. 3–13.
    [Google Scholar]
26. Sesigür, O.. ( 2019;), ‘ A study of personal streaming playlists through digital curation. ’, Ph.D. dissertation, Istanbul:: Istanbul Bilgi University.
    [Google Scholar]
27. Shepherd, J.. ( 1986;), ‘ Music consumption and cultural self-identities: Some theoretical and methodological reflections. ’, Media, Culture & Society, 8:3, pp. 305–30.
    [Google Scholar]
28. Shuker, R.. ( 2016), Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice, New York:: Routledge;.
    [Google Scholar]
29. Sinclair, G., and Tinson, J.. ( 2017;), ‘ Psychological ownership and music streaming consumption. ’, Journal of Business Research, 7:1, pp. 1–9.
    [Google Scholar]
30. Snickars, P.. ( 2016;), ‘ More music is better music. ’, in P. Wikström, and R. DeFillippi. (eds), Business Innovation and Disruption in the Music Industry, Cheltenham:: Edward Elgar Publishing Limited;, pp. 191–210, https://doi.org/10.4337/9781783478156. Accessed 21 July 2019.
    [Google Scholar]
31. Sterne, J.. ( 2012), The Meaning of a Format MP3, Durham, NC:: Duke University Press;.
    [Google Scholar]
32. Sullivan, M., and Hibbert, S. A.. ( 2011;), ‘ The music collector. ’, in A. Bradshaw,, C. Hackley, and P. Maclaran. (eds), European Advances in Consumer Research, vol. 9, Duluth, MN:: Association for Consumer Research;, pp. 285–91.
    [Google Scholar]
33. Sesigür, Onur. ( 2020;), ‘ How to approach collecting music on streaming services. ’, Interactions: Studies in Communication & Culture, 11:1, pp. 65–74, doi: https://doi.org/10.1386/iscc_00006_1
    [Google Scholar]