Continuum Generation by Generation: The representation of Chinese traditions at the China Pavilion of the 57th Venice Biennale

References

1. Ch'u Chai with Winberg Chai. (1980), I Ching: Book of Changes, (trans. James Legge.), Taipei:: Bookcase;.
   [Google Scholar]
2. Clark, John. (2005);, 'Between the worlds: Chinese art at biennales since 1993'. , Yishu Journal of Contemporary Chinese Art, 4:2, pp. 40-55.
   [Google Scholar]
3. Danzker, Jo-Anne Birnie. (2017);, '"On Continuum and radical disruption: The Venice gathering", Tang Nannan'. , Yishu Journal of Contemporary Chinese Art, 16:5, pp. 6-13.
   [Google Scholar]
4. De Nigris, Ornella. (2017);, 'Continuum-Generation by Generation: The continuation of artistic creation at the 57th Venice Biennale: A conversation with Tang Nannan'. , Yishu Journal of Contemporary Chinese Art, 16:5, pp. 14-27.
   [Google Scholar]
5. Gladston, Paul. (2014);, 'Somewhere (and nowhere) between modernity and tradition: Towards a critique of international and indigenous perspectives on the significance of contemporary Chinese art'. , Tate Papers, 21, Spring, https://bit.ly/2RDKzNO. Accessed 25 January 2019 .
   [Google Scholar]
6. Gladston, Paul, and Hill, Katie. (2012);, 'Contemporary Chinese art and criticality: From the general to the particular'. , Journal of Visual Art Practice, 11:2, pp. 99-116.
   [Google Scholar]
7. Hearn, K. Maxwell. (2013), Ink Art: Past as Present in Contemporary China, New York:: Metropolitan Museum of Art;.
   [Google Scholar]
8. Lin Yutang. (1967), The Chinese Theory of Art: Translations from the Masters of Chinese Art, London:: Heinemann;.
   [Google Scholar]
9. Qiu Zhijie. (ed.) (2017), Continuum-Generation by Generation: The 57th International Art Exhibition La Biennale di Venezia, Pavilion China, China Pavilion at the Venice Biennial, May-November 2017.
   [Google Scholar]
10. Qiu Zhijie. (ed.) (2019);, 'Keynote: An exhibition history of contemporary Chinese art'. , Yishu Journal of Contemporary Chinese Art, 18:2, pp. 92-101.
    [Google Scholar]
11. Thorp, Robert, and Vinograd, Richard Ellis. (2001), Chinese Art and Culture, New York:: Abran;.
    [Google Scholar]
12. Wang Meiqin. (2009);, 'Officialising the unofficial: Presenting new Chinese art to the world'. , Modern Chinese and Literature MCLC, 21:1, Spring, pp. 102-40.
    [Google Scholar]
13. Weisenfeld, Gennifer. (2007);, 'Reinscribing tradition in a transnational art world'. , in N. D. Vishakha. (ed.), Asian Art History in the Twenty-First Century, Williamstown, MA:: Sterling and Francine Clark Art Institute;, pp. 181-98.
    [Google Scholar]
14. De Nigris, O.. (2019);, 'Continuum Generation by Generation: The representation of Chinese traditions at the China Pavilion of the 57th Venice Biennale'. , Journal of Contemporary Chinese Art, 6:2+3, pp. 343-66, doi: 10.1386/jcca_00011_1
    [Google Scholar]