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1981
Volume 1, Issue 2
  • ISSN: 2045-5836
  • E-ISSN: 2045-5844

Abstract

This article examines the variant of remembering exhibitions that adopts a documentary approach rather than attempting to replicate, riff on, or reprise the remembered exhibition. Case studies focus on examples that remember more than one exhibition. Discussions of Stationen der Moderne, Telling Histories, Parallel Chronologies, L'Attico and Recollections present the interplay between their celebratory functions and political import in relation to institutional, geographic and temporal considerations. In addition, the archival remembering exhibition is positioned in relation to the archive as it appears in recent contemporary art exhibition practices.

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/content/journals/10.1386/jcs.1.2.159_1
2012-06-13
2024-10-15
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