Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry, Suzanne Scott (2019)

References

1. Adorno, Theodor W., and Horkheimer, Max. ( [1944] 2012;), ‘ The culture industry: Enlightenment as mass deception. ’, in M. G. Durham, and D. M. Kellner. (eds), Media and Cultural Studies: Keyworks, Malden, MA:: Wiley-Blackwell;, pp. 53–74.
   [Google Scholar]
2. Banet-Weiser, Sarah. ( 2018), Empowered: Popular Feminism and Popular Misogyny, Durham, NC and London:: Duke University Press;.
   [Google Scholar]
3. Gray, Jonathan. ( 2003;), ‘ New audiences, new textualities: Anti-fans and non-fans. ’, International Journal of Cultural Studies, 6:1, pp. 64–81.
   [Google Scholar]
4. Jenkins, Henry. ( 2006), Convergence Culture: Where Old and New Media Collide, New York and London:: New York University Press;.
   [Google Scholar]
5. Jenkins, Henry,, Ford, Sam, and Green, Joshua. ( 2013), Spreadable Media: Creating Value and Meaning in a Networked Culture, New York and London:: New York University Press;.
   [Google Scholar]