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Mediating a pluralized ‘we’: Amateur first-person filmmaking in Gabriela Pichler’s Amateurs
- Source: Journal of Scandinavian Cinema, Volume 12, Issue Approaching Race and Ethnicity in Nordic Film Culture, Mar 2022, p. 29 - 36
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- 29 Apr 2021
- 18 Nov 2021
- 01 Mar 2022
Abstract
This article analyses the incorporation of amateur and first-person filmmaking in Gabriela Pichler’s comedy drama Amatörer (Amateurs) (2018) as a contradiction and alternative to the professional economies of media that tend to reinforce middle-class Swedish Whiteness and silence the experiences of minority populations of divergent races, ethnicities and social class.
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