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Volume 11, Issue 1
  • ISSN: 2045-6298
  • E-ISSN: 2045-6301

Abstract

, curated by DIS and Andrea Bellini

Centre d’Art Contemporain Genève, Geneva, 12 November 2021–20 February 2022

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/content/journals/10.1386/miraj_00087_5
2022-04-01
2024-05-29
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References

  1. BIM’21 ( 2021), press release, Centre d’Art Contemporain Genève;.
  2. Boyle, Lauren. ( 2019), ‘ Thumbs that type and swipe: The DIS Edutainment Network’, lecture, Institut für Kunst und Kunsttheorie;, Köln:, 13 November, https://vimeo.com/399297966. Accessed 2 December 2021.
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  4. Gardner, Eriq. ( 2021;), ‘ In copyright case, judge evaluates use of 9/11 footage in 16 films. ’, Hollywood Reporter, 5 August, https://www.hollywoodreporter.com/business/business-news/9-11-footage-copyright-lawsuit-1234993277/. Accessed 2 December 2021.
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  6. Gunning, Tom. ( 2006;), ‘ The cinema of attraction[s]‌: Early film, its spectator and the avant-garde. ’, in W. Strauven. (ed.), The Cinema of Attractions Reloaded, Amsterdam:: Amsterdam University Press;, pp. 38188.
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  7. Pine II, B. Joseph, and Gilmore, James H.. ( 1999), The Experience Economy, Boston, MA:: Harvard Business School Press;.
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