Biennale de l’Image en Mouvement (Biennial of Moving Image) ’21: A Goodbye Letter, A Love Song, A Wake-Up Call, curated by DIS and Andrea Bellini

References

1. BIM’21 ( 2021), press release, Centre d’Art Contemporain Genève;.
2. Boyle, Lauren. ( 2019), ‘ Thumbs that type and swipe: The DIS Edutainment Network’, lecture, Institut für Kunst und Kunsttheorie;, Köln:, 13 November, https://vimeo.com/399297966. Accessed 2 December 2021.
   [Google Scholar]
3. Davies-Crook, Susanna. ( 2012;), ‘ FRIEZE WEEK: DIS Magazine. ’, DazedDigital, 16 October, https://www.dazeddigital.com/artsandculture/article/14869/1/frieze-week-dis-magazine. Accessed 2 December 2021.
   [Google Scholar]
4. Gardner, Eriq. ( 2021;), ‘ In copyright case, judge evaluates use of 9/11 footage in 16 films. ’, Hollywood Reporter, 5 August, https://www.hollywoodreporter.com/business/business-news/9-11-footage-copyright-lawsuit-1234993277/. Accessed 2 December 2021.
   [Google Scholar]
5. Grigorjeva, Kristina. ( 2018;), ‘ Questionnaire: Andrea Bellini. ’, On Curating, 39, June, https://www.on-curating.org/issue-39-reader/questionnaire-andrea-belliniasked-by-kristina-grigorjeva.html#.YrMeJHbMJD9. Accessed 27 December 2021.
   [Google Scholar]
6. Gunning, Tom. ( 2006;), ‘ The cinema of attraction[s]‌: Early film, its spectator and the avant-garde. ’, in W. Strauven. (ed.), The Cinema of Attractions Reloaded, Amsterdam:: Amsterdam University Press;, pp. 381–88.
   [Google Scholar]
7. Pine II, B. Joseph, and Gilmore, James H.. ( 1999), The Experience Economy, Boston, MA:: Harvard Business School Press;.
   [Google Scholar]
8. Quaintance, Morgan. ( 2015;), ‘ Right shift. ’, Art Monthly, 387, June, pp. 5–8.
   [Google Scholar]