Childhood and nature in the Iranian post-war film Willow and Wind (Talebi 1999) | Intellect Skip to content
1981
Volume 19, Issue 1-2
  • ISSN: 1474-2756
  • E-ISSN: 2040-0578

Abstract

Mohammad-Ali Talebi’s forgotten masterpiece () (1999) is an Iranian children film written by Abbas Kiarostami, that pays tribute to the children of the post-war generation. As in other children’s films of the period, the young hero has a mission, which he stubbornly pursues. Set in a village in Northern Iran, the story follows the boy’s efforts to repair a broken glass during very stormy weather. This article will examine the visual motives of (a boy climbing a hill, single trees, wind, rain) paying particular attention to the interaction with nature. The tree and the wind alluded to in the title underline the struggle and determination of Iranian children. In line with the children’s films produced by the Center for the Intellectual Development of Children and Young Adults (CIDCYA, aka Kanoon), it applauds the willpower of a generation with enormous responsibilities, while placing his protagonist as a role model for audiences of all ages. However, by rejecting the happy ending, the film opposes the predominant narrative model of Iranian educational films of the 1980s and 1990s while criticizing adults’ treatment of boys in post-revolutionary Iran. In this moral tale, Talebi stresses the dignity and resourcefulness of rural Iran but condemns the solitude of children, and the distance between the worlds of adults and children setting a precedent for future Iranian children’s films.

Funding
This study was supported by the:
  • ‘Childhood and Nation in World Cinema. Borders and Encounters since 1980’
Loading

Article metrics loading...

/content/journals/10.1386/ncin_00023_1
2023-02-13
2024-04-27
Loading full text...

Full text loading...

References

  1. Abecassis, Michaël. ( 2011;), ‘ Iranian war cinema: Between reality and fiction. ’, Iranian Studies, 44:3, pp. 38794.
    [Google Scholar]
  2. Anon. ( 2011;), ‘ The graphics of revolution and war: Iranian poster arts. ’, The University of Chicago Library, Special Collections Research Center, 15 October, https://www.lib.uchicago.edu/collex/exhibits/graphics-revolution-and-war-iranian-poster-arts/women-and-children. Accessed 1 June 2022.
    [Google Scholar]
  3. Beizai, Bahram. ( 1985), Bashu, Gharibeh-ye Kuchak (Bashu, The Little Stranger).
    [Google Scholar]
  4. Boroomand, Marzieh, and Talebi, Mohammad-Ali. ( 1985), Shahr-e mooshha (City of Mice).
    [Google Scholar]
  5. Bradshaw, Peter. ( 2014;), ‘ Willow and Wind review: A unique childhood fable from Iran. ’, The Guardian, 10 April, https://www.theguardian.com/film/2014/apr/10/willow-and-wind-review-iran-child-film. Accessed 1 June 2022.
    [Google Scholar]
  6. Cousins, Mark, and Talebi, Mohammad-Ali. ( 2014;), ‘ Mark Cousins and Mohammad Ali-Talebi in conversation. ’, BFI Player, http://player.bfi.org.uk/film/watch-mark-cousins-mohammad-ali-talebi-in-conversation-2014. Accessed 10 May 2015.
    [Google Scholar]
  7. Elena, Alberto. ( 1995;), ‘ La década prodigiosa: Cine iraní 1983–1993. ’, Archivos de la Filmoteca, 19, pp. 1627.
    [Google Scholar]
  8. Forouzesh, Ebrahim. ( 1987), Kelid (The Key).
    [Google Scholar]
  9. Hemelryk Donald, Stephanie,, Wilson, Emma, and Wright, Sarah. ( 2017;), ‘ Introduction: Nation, film, child. ’, in S. Hemelryk Donald,, E. Wilson, and S. Wright. (eds), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, New York:: Bloomsbury;, pp. 111.
    [Google Scholar]
  10. Jalili, Abolfazl. ( 1986), Bahar (Spring).
    [Google Scholar]
  11. Jalili, Abolfazl. ( 1998), Raghs-e khak (Dance of Dust).
    [Google Scholar]
  12. Khoshbakht, Ehsan. ( 2020;), ‘ Willow and Wind, an overlooked gem scripted by Abbas Kiarostami. ’, Notes on Cinematography, 11 June, https://notesoncinematograph.blogspot.com/2015/03/willow-and-wind.html. Accessed 1 June 2022.
    [Google Scholar]
  13. Kiarostami, Abbas. ( 1987), Khaneh-ye Dust Kojast? (Where Is the Friend’s House?).
    [Google Scholar]
  14. Kiarostami, Abbas. ( 1992), Zandegi va digar hich (And Life Goes on…).
    [Google Scholar]
  15. Langford, Michelle. ( 2019), Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance, London:: Bloomsbury Academic;.
    [Google Scholar]
  16. Lury, Karen. ( 2010;), ‘ Children in an open world: Mobility as ontology in new Iranian and Turkish cinema. ’, Feminist Theory, 11:3, pp. 28394.
    [Google Scholar]
  17. Majidi, Majid. ( 1997), Bachehha-ye Aseman (Children of Heaven).
    [Google Scholar]
  18. Majidi, Majid. ( 1999), Rang khoda.
    [Google Scholar]
  19. Makhmalbaf, Mohsen. ( 1998), Sokout (Silence).
    [Google Scholar]
  20. McGlone, Neil. ( 2014;), ‘ To the wonder. ’, Vérité, 8 July, pp. 2629, https://issuu.com/veritefilmmagazine/docs/verite_july_2014. Accessed 18 November 2022.
    [Google Scholar]
  21. Meleiro, Alessandra. ( 2006), O novo cinema iraniano: Arte e intervenção social, São Paulo:: Escrituras Editora e Distribuidora de Livros;.
    [Google Scholar]
  22. Moradabbasi, Mazda. ( 2014), Keep Your Dreams: Analysis of Mohammad Ali Talebi’s Children and Youth Film, Teheran:: Fors Publishers;.
    [Google Scholar]
  23. Muir, Kate. ( 2014;), ‘ Willow and Wind. ’, The Times, 11 April, https://www.thetimes.co.uk/article/willow-and-wind-6vnkvlh3c3b. Accessed 1 June 2022.
    [Google Scholar]
  24. Naderi, Amir. ( 1984), Davandeh (The Runner).
    [Google Scholar]
  25. Naderi, Amir. ( 1988), Ab, bad, khak (Water, Wind, Dust).
    [Google Scholar]
  26. Naficy, Hamid. ( 2012), A Social History of Iranian Cinema, Volume 4: The Globalizating Era 1984–2000, Durham, NC:: Duke University Press;.
    [Google Scholar]
  27. Nojoumian, Amir Ali. ( 2019;), ‘ Constructing childhood in modern Iranian children’s cinema: A cultural history. ’, in C. Hermansson, and J. Zepernick. (eds), The Palgrave Handbook of Children’s Film and Television, London:: Palgrave Macmillan;.
    [Google Scholar]
  28. Panahi, Jafar. ( 1995), Badkonake sefid (The White Balloon).
    [Google Scholar]
  29. Panahi, Jafar. ( 1997), Ayneh (The Mirror).
    [Google Scholar]
  30. Panahi, Jafar. ( 2011), In film nist (This Is Not a Film).
    [Google Scholar]
  31. Rabbani, Darian Soheil Rahnamaye, and Aquino, Julio Groppa. ( 2019;), ‘ A infância no cinema de Abbas Kiarostami. ’, Childhood & Philosophy, 15 January, pp. 128.
    [Google Scholar]
  32. Sadr, Hamid Reza. ( 2002;), ‘ Children in contemporary Iranian cinema. ’, in R. Tapper. (ed.), The New Iranian Cinema: Politics, Representation and Identity, London and New York:: I.B. Tauris Publishers;, pp. 22737.
    [Google Scholar]
  33. Saheed-Vafa, Mehrnaz. ( 2002;), ‘ Location (physical space) and cultural identity in Iranian films. ’, in R. Tapper. (ed.), The New Iranian Cinema: Politics, Representation and Identity, London and New York:: I. B. Tauris Publishers;, pp. 20014.
    [Google Scholar]
  34. Saless, Sohrab Shahid. ( 1973), Yek Etefaq-e Sadeh (A Simple Event).
    [Google Scholar]
  35. Sayed, Yusef. ( 2018;), ‘ The long and windy road. ’, Underline, 2, February, pp. 2329.
    [Google Scholar]
  36. Talebi, Mohammad-Ali. ( 1993), Chakmeh (The Boot).
    [Google Scholar]
  37. Talebi, Mohammad-Ali. ( 1996), Kise-ye Berenj (The Bag of Rice).
    [Google Scholar]
  38. Talebi, Mohammad-Ali. ( 1999), Beed-o Baad (Willow and Wind), Iran and Japan:: Sima Film and NHK;.
    [Google Scholar]
  39. Talebi, Mohammad-Ali. ( 2014), Winds of Fall, Tehran:: Mohammad-Ali Talebi;.
    [Google Scholar]
  40. Talebi, Mohammad-Ali,, Meucci, Gaia, and Khoshbakht, Ehsan. ( 2014;), ‘ Willow and Wind director’s Q&A. ’, The Cinema of Childhood, Watershed, Bristol:, https://www.watershed.co.uk/audio-video/willow-and-wind-directors-qa. Accessed 1 June 2022.
    [Google Scholar]
  41. Thoraval, Yves. ( 1995;), ‘ El nuevo cine iraní: héroe positivo y tentación estética. ’, Archivos de la Filmoteca, 19, pp. 615.
    [Google Scholar]
  42. Zahedi, Farshad. ( 2012;), ‘ Los niños errantes del cine iraní del mito a la historia. ’, Revista de Comunicación Vivat Academia, 14, pp. 117993.
    [Google Scholar]
  43. Merás, Lidia. ( 2021;), ‘ Childhood and nature in the Iranian post-war film Willow and Wind (Talebi 1999). ’, New Cinemas: Journal of Contemporary Film, 19:1&2, pp. 3952, https://doi.org/10.1386/ncin_00023_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/ncin_00023_1
Loading
/content/journals/10.1386/ncin_00023_1
Loading

Data & Media loading...

  • Article Type: Article
Keyword(s): boyhood; children’s films; Iranian cinema; Kanoon; Kiarostami; school
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error