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1981
Volume 23, Issue 45
  • ISSN: 0845-4450
  • E-ISSN: 2048-6928

Abstract

In February 2010, the public was part of the action. The Winter Olympic and Paralympic Games in Vancouver staged a plethora of cultural projects that called for involvement. During Vancouver 2010 forms of social practice art for both sanctioned and resistant aims co-mingled with the deliberate choreography of crowds and the ubiquitous use of interactive digital forms.

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/content/journals/10.1386/public.23.45.212_1
2012-06-22
2026-04-14

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