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1981
Volume 34, Issue 68
  • ISSN: 0845-4450
  • E-ISSN: 2048-6928

Abstract

This hybrid article offers a glimpse into a plurality of Indigenous worldviews in the context of the contemporary art exhibition that took place at the Power Plant in Toronto, Canada in 2022. The article highlights the important connections between knowledge and culture in artworks by artists who translate practice, materiality, and knowledgeways into contemporary interventions.

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/content/journals/10.1386/public_00171_1
2024-01-22
2024-06-14
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