Decolonial expressions in non-theatrical films of 1970s East Los Angeles

References

1. Anon. ( 1970a;), ‘ KNBC editorial: Were deputies mousetrapped?. ’, 2 September, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Chicano Moratorium March, Television and Radio Coverage;, Box 4, Folder 57 .
   [Google Scholar]
2. Anon. ( 1970b;), ‘ Of concern to all. ’, 3 September, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Chicano Moratorium March, Television and Radio Coverage;, Box 4, Folder 58 .
   [Google Scholar]
3. Anon. ( 1970c), Teletype of unknown source, 29 August, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Salazar Files, News Service;, Box 4, Folder 35 .
   [Google Scholar]
4. Betasamosake Simpson, L.. ( 2017), As We Have Always Done: Indigenous Freedom Through Radical Resistance, Minneapolis, MN:: University of Minnesota Press;.
   [Google Scholar]
5. Bunker, E.. ( 1970), Typescript of ‘KFI Editorial’, 8 November, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Salazar Files, Television and Radio commentary;, Box 4, Folder 59 .
   [Google Scholar]
6. Deming, B.. ( 1970), Typescript of ‘Another President Spoke…’, 6 September, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Salazar Files, Chicano Moratorium March News clippings;, Box 4, Folder 11 .
   [Google Scholar]
7. Escobar, E.. ( 1993;), ‘ The dialectics of repression: The Los Angeles Police Department and the Chicano Movement, 1968–1971. ’, The Journal of American History, 79:4, pp. 1483–514.
   [Google Scholar]
8. Gordon, M.. ( 2012;), ‘ “A Decent and Orderly Society”: Race relations in riot-era educational films, 1966-1970. ’, in D. Orgeron,, M. Gordon, and D. Streible. (eds), Learning with the Lights Off: Educational Film in the United States, Oxford:: Oxford University Press;, pp. 424–41.
   [Google Scholar]
9. Gunckel, C.. (ed.) ( 2020), La Raza, Los Angeles, CA:: UCLA Chicano Studies Research Center Press;.
   [Google Scholar]
10. Gunckel, C.. ( 2019;), ‘ Charles and Ray Eames’s Day of the Dead (1957): Mexican folk art, educational film, and Chicana/O art. ’, in A. Field, and M. Gordon. (eds), Screening Race in American Nontheatrical Film, Durham, NC:: Duke University Press;, pp. 136–56.
    [Google Scholar]
11. Londoño, J.. ( 2020), Abstract Barros: The Crises of Latinx Visibility in Cities, Durham, NC:: Duke University Press;.
    [Google Scholar]
12. Mexican-Americans: Viva La Raza ( 1971), USA:: McGraw-Hill Films, University of Southern California Hugh M. Hefner Foundation Moving Image Archive, Los Angeles Public Library Film Collection;.
    [Google Scholar]
13. Mitchell, G.. ( 1976), Chicano, USA:: BFA Educational Media, University of Southern California;.
    [Google Scholar]
14. Hugh, M.. ( 1981), Hugh M. Hefner Foundation Moving Image Archive, Los Angeles, CA:: Public Library Film Collection;.
    [Google Scholar]
15. Noriega, C., and López, A.. (eds) ( 1996), Ethnic Eye: Latino Media Arts, Minneapolis, MN:: University of Minnesota Press;, pp. ix–xxii.
    [Google Scholar]
16. Noriega, C.. ( 2000), Shot in America: Television, the State, and the Rise of Chicano Cinema, Minneapolis, MN:: University of Minnesota Press;.
    [Google Scholar]
17. Oropeza, L.. ( 2005), ¡Raza Sí! ¡Guerra No!: Chicano Protest and Patriotism during the Viet Nam War Era, Berkeley, CA:: University of California Press;.
    [Google Scholar]
18. Pitchess, P.. ( 1970;), Typescript of ‘Intelligence Report. ’, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Salazar Files, Intelligence Investigation of ELA Chicano Moratorium March and riot of August 29, 1970;, Box 5, Folder 15 .
    [Google Scholar]
19. Rivera, H., and Howell, H.. ( 1976), The Murals of East Los Angeles: A Museum without Walls, USA:: RKO Pictures, University of Southern California Hugh M. Hefner Foundation Moving Image Archive, Los Angeles Public Library Film Collection;.
    [Google Scholar]
20. Rossi-Snook, E.. ( 2012;), ‘ Continuing ed: Educational film collections in libraries and archives. ’, in D. Orgeron,, M. Gordon, and D. Streible. (eds), Learning with the Lights Off: Educational Film in the United States, Oxford:: Oxford University Press;, pp. 457–77.
    [Google Scholar]
21. Serna, L.. ( 2019;), ‘ Government-sponsored film and latinidad: Voice of La Raza (1971). ’, in A. Field, and M. Gordon. (eds), Screening Race in American Nontheatrical Film, Durham, NC:: Duke University Press;, pp. 313–32.
    [Google Scholar]
22. Tuck, E., and Yang, K.. ( 2012;), ‘ Decolonization is not a metaphor. ’, Decolonization: Indigeneity, Education and Society, 1:1, pp. 1–40.
    [Google Scholar]
23. Valdez, L.. ( 1969), Yo soy Joaquín, USA:: El Teatro Campesino, University of Southern California Hugh M. Hefner Moving Image Archive and Los Angeles Public Library Film Collection;.
    [Google Scholar]
24. Ward, B.. ( 1970), Typescript of televised statement, 31 August, Los Angeles, CA:: University of Southern California Doheny Memorial Library Special Collections, Los Angeles County Sheriff’s Department Salazar Files, Television and Radio Coverage;, Box 4, Folder 55 .
    [Google Scholar]
25. Turcios, Michael Anthony. ( 2022;), ‘ Decolonial expressions in non-theatrical films of 1970s East Los Angeles. ’, Studies in Spanish & Latin American Cinemas, 19:1, pp. 19–34, https://doi.org/10.1386/slac_00065_1
    [Google Scholar]