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1981
Cine-Lit: Mujer y Genero/Women and Genre
  • ISSN: 2050-4837
  • E-ISSN: 2050-4845

Abstract

Review of: , Deborah Martin (2016)

Manchester: Manchester University Press, 160 pp.,

ISBN 978-0-71909-034-9, h/bk, £80.00

ISBN 978-1-52613-942-9, p/bk, £20.00

ISBN 978-1-78499-792-2, e-book, £18.24

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/content/journals/10.1386/slac_00089_5
2022-12-21
2026-04-16

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References

  1. Gutiérrez-Albilla, J. D. (2013), ‘Filming in the feminine: Subjective realism, social disintegration and bodily affection in Lucrecia Martel’s La ciénaga’, in P. Nair and J. D. Gutiérrez-Albilla (eds), Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference, Manchester: Manchester University Press, pp. 215–28.
     [Google Scholar]
  2. Rich, B. R. (2013), New Queer Cinema: The Director’s Cut, Durham, NC: Duke University Press.
     [Google Scholar]
  3. Shaw, D. (2013), ‘Sex, texts and money, funding and Latin American queer cinema: The cases of Martel’s La niña santa and Puenzo’s XXY’, Transnational Cinemas, 4:2, pp. 165–84.
     [Google Scholar]
/content/journals/10.1386/slac_00089_5
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  • Article Type: Book Review

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