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References

  1. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016), ‘The sound of music heritage: Curating popular music in music museums and exhibitions’, International Journal of Heritage Studies, 22:1, pp. 70–81.
     [Google Scholar]
  2. Baker, Sarah, Strong, Catherine, Istvandity, Lauren and Cantillon, Zelmarie (eds) (2018), The Routledge Companion to Popular Music History and Heritage, London: Routledge.
     [Google Scholar]
  3. Bennett, Andy (2022), Popular Music Heritage: Places, Objects, Images and Texts, Cham: Palgrave Macmillan.
     [Google Scholar]
  4. Brabazon, Tara and Mallinder, Stephen (2006), ‘Popping the museum: The cases of Sheffield and Preston’, Museum and Society, 4:2, pp. 96–112.
     [Google Scholar]
  5. Butt, Gavin (2022), No Machos or Pop Stars: When the Leeds Art Experiment Went Punk, Durham: Duke University Press.
     [Google Scholar]
  6. Cantillon, Zelmarie, Baker, Sarah and Nowak, Raphaël (2021), ‘Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, Australia’, in L. Mahoney and J. Schofield (eds), Music and Heritage: New Perspectives on Place-making and Sonic Identity, Abingdon: Routledge, pp. 103–13.
     [Google Scholar]
  7. Carr, Paul (2019), ‘Lost musical histories: Curating and documenting local popular music-making in the UK’, Popular Music History, 12:1, pp. 5–14.
     [Google Scholar]
  8. Chatterton, Paul and Hollands, Robert (2004), ‘The London of the North? Youth cultures, urban change and nightlife’, in R. Unsworth and J. Stilwell (eds), Twenty-first Century Leeds: Geographies of a Regional City, Leeds: Leeds University Press, pp. 265–91.
     [Google Scholar]
  9. Cohen, Sara (2007), Beyond the Beatles: Decline, Renewal and the City in Popular Music Culture, Aldershot: Ashgate.
     [Google Scholar]
  10. Cohen, Sara (2012), ‘Urban musicscapes: Mapping music-making in Liverpool’, in L. Roberts (ed.), Mapping Cultures, Basingstoke: Palgrave Macmillan, pp. 123–43.
     [Google Scholar]
  11. Cohen, Sara, Knifton, Rob, Leonard, Marion and Roberts, Les (eds) (2014), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge.
     [Google Scholar]
  12. Connell, John (2014), ‘Sport, leisure and the postmodern city’ (book review), Australian Geographer, 45:1, pp. 97–99.
     [Google Scholar]
  13. Connell, John and Gibson, Chris (2003), Sound Tracks: Popular Music Identity and Place, London: Routledge.
     [Google Scholar]
  14. Crawhall, Nigel (2009), The Role of Participatory Cultural Mapping in Promoting Intercultural Dialogue – ‘We Are not Hyenas’: A Reflection Paper, United Nations Education Scientific and Cultural Organisation (UNESCO), http://www.iapad.org/wp-content/uploads/2015/07/nigel.crawhall.190753e.pdf. Accessed 1 August 2022.
  15. Draganova, Asya, Blackman, Shane and Bennett, Andy (eds) (2021), The Canterbury Sound in Popular Music, Bingley: Emerald Publishing.
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  16. Fry, Robbie W. (2017), Performing Nashville, Basingstoke: Palgrave.
     [Google Scholar]
  17. Gibson, Chris and Homan, Shane (2004), ‘Urban redevelopment, live and public space: Cultural performance and the re-making of Marrickville’, International Journal of Cultural Policy, 10:1, pp. 67–84.11
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  18. Hesmondhalgh, David (2013), Why Music Matters, New York: John Wiley & Sons.
     [Google Scholar]
  19. Homan, Shane (2014), ‘Liveability and creativity: The case for Melbourne music precincts’, City, Culture and Society, 5:3, pp. 149–55.
     [Google Scholar]
  20. Homan, Shane, O'Hanlan, Seamus, Catherine Strong and Tebbutt, John (2021), Music City Melbourne, London: Bloomsbury Publishing.
     [Google Scholar]
  21. Hutton, Thomas (2009), The New Economy of the Inner City: Restructuring, Regeneration and Dislocation in the 21st century Metropolis, London: Routledge.
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  22. Lashua, Brett (2019), Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, the Buzzard and the Battle for the Rock and Roll Hall of Fame, Bingley: Emerald.
     [Google Scholar]
  23. Lashua, Brett, Cohen, Sara and Schofield, John (2010), ‘Popular music, mapping and the characterisation of Liverpool’, Popular Music History, 4:2, pp. 127–46.
     [Google Scholar]
  24. Lashua, Brett and Skeldon, Gabby (2023), ‘Youth, music and the city: A mapping of Leeds in five scenes’, in A. Bennett (ed.), The Bloomsbury Handbook of Popular Music and Youth Culture, London: Bloomsbury, pp. 491–510.
     [Google Scholar]
  25. Lashua, Brett, Spracklen, Karl and Wagg, Stephen (eds) (2014), Sounds and the City: Popular Music, Place, and Globalization, Basingstoke: Palgrave Macmillan.
     [Google Scholar]
  26. Lashua, Brett, Wagg, Stephen, Spracklen, Karl and Yavuz, Selim (eds.) (2019), Sounds and the City: Volume 2, Cham: Palgrave Macmillan.
     [Google Scholar]
  27. Leyshon, Andrew, Matless, David and Revill, George (eds) (1998), The Place of Music, New York: Guilford Press.
     [Google Scholar]
  28. Long, Philip (2014), ‘Popular music, psychogeography, place identity and tourism: The case of Sheffield’, Tourist Studies, 14:1, pp. 48–65.
     [Google Scholar]
  29. Mahoney, Liam and Schofield, John (eds) (2021), Music and Heritage: New Perspectives on Place-Making and Sonic Identity, Abingdon: Routledge.
     [Google Scholar]
  30. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’, Punk & Post-Punk, 1:1, pp. 27–40.
     [Google Scholar]
  31. O'Connor, Justin and Shaw, Kate (2014), ‘What next for the creative city?’, City, Culture and Society, 5:3, pp. 165–70.
     [Google Scholar]
  32. Population UK (2022), ‘Leeds population 2022’, https://www.ukpopulation.org/leeds-population/. Accessed 17 February 2022.
  33. Riches, Gabby and Lashua, Brett (2014), ‘Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene’, International Journal of Community Music, 7:2, pp. 223–41.
     [Google Scholar]
  34. Roberts, Les and Cohen, Sara (2014), ‘Unauthorising popular music heritage: Outline of a critical framework’, International Journal of Heritage Studies, 20:3, pp. 241–61.
     [Google Scholar]
  35. Scott, Allen J. (2006), ‘Creative cities: Conceptual issues and policy questions’, Journal of Urban Affairs, 28:1, pp. 1–17.
     [Google Scholar]
  36. Smith, Laurajane (2006), Uses of Heritage, Abingdon: Routledge.
     [Google Scholar]
  37. Solnit, Rebecca (2010), Infinite City: A San Francisco Atlas, Berkeley: University of California Press.12
     [Google Scholar]
  38. Spracklen, Karl, Henderson, Steve and Procter, Dave (2016), ‘Imagining the scene and the memory of the F-Club: Talking about lost punk and post-punk spaces in Leeds’, Punk & Post-Punk, 5:2, pp. 147–62.
     [Google Scholar]
  39. Spracklen, Karl, Richter, Anna and Spracklen, Beverley (2013), ‘The eventization of leisure and the strange death of alternative Leeds’, City, 17:2, pp. 164–78.
     [Google Scholar]
  40. Strong, Catherine, Cannizzo, Fabian and Rogers, Ian (2017), ‘Aesthetic cosmopolitan, national and local popular music heritage in Melbourne's music laneways’, International Journal of Heritage Studies, 2:2, pp. 83–96.
     [Google Scholar]
  41. Thompson, Paul and Sam Nicholls (2021), ‘Music:Leeds – Supporting a regionalised music sector and scene’, in R. Hepworth-Sawyer, J. Paterson and R. Toulson (eds), Innovation in Music: Future Opportunities, Abingdon: Routledge, pp. 432–34.
     [Google Scholar]
  42. Unsworth, Rachel and Stilwell, John (eds) (2004), Twenty-First Century Leeds: Geographies of a Regional City, Leeds: Leeds University Press.
     [Google Scholar]
  43. Waxer, Lise A. (2002), The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia, Middletown: Wesleyan University Press.
     [Google Scholar]
  44. Whiteley, Sheila, Bennett, Andy and Hawkins, Stan (eds) (2004), Music, Space and Place: Popular Music and Cultural Identity, Aldershot: Ashgate.
     [Google Scholar]

References

  1. Baker, Sarah, Istvandity, Lauren and Nowak, Raphael (2016), ‘The sound of music heritage: Curating popular music in music museums and exhibitions’, International Journal of Heritage Studies, 22:1, pp. 70–81.
     [Google Scholar]
  2. Baker, Sarah, Strong, Catherine, Istvandity, Lauren and Cantillon, Zelmarie (eds) (2018), The Routledge Companion to Popular Music History and Heritage, London: Routledge.
     [Google Scholar]
  3. Bennett, Andy (2022), Popular Music Heritage: Places, Objects, Images and Texts, Cham: Palgrave Macmillan.
     [Google Scholar]
  4. Brabazon, Tara and Mallinder, Stephen (2006), ‘Popping the museum: The cases of Sheffield and Preston’, Museum and Society, 4:2, pp. 96–112.
     [Google Scholar]
  5. Butt, Gavin (2022), No Machos or Pop Stars: When the Leeds Art Experiment Went Punk, Durham: Duke University Press.
     [Google Scholar]
  6. Cantillon, Zelmarie, Baker, Sarah and Nowak, Raphaël (2021), ‘Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, Australia’, in L. Mahoney and J. Schofield (eds), Music and Heritage: New Perspectives on Place-making and Sonic Identity, Abingdon: Routledge, pp. 103–13.
     [Google Scholar]
  7. Carr, Paul (2019), ‘Lost musical histories: Curating and documenting local popular music-making in the UK’, Popular Music History, 12:1, pp. 5–14.
     [Google Scholar]
  8. Chatterton, Paul and Hollands, Robert (2004), ‘The London of the North? Youth cultures, urban change and nightlife’, in R. Unsworth and J. Stilwell (eds), Twenty-first Century Leeds: Geographies of a Regional City, Leeds: Leeds University Press, pp. 265–91.
     [Google Scholar]
  9. Cohen, Sara (2007), Beyond the Beatles: Decline, Renewal and the City in Popular Music Culture, Aldershot: Ashgate.
     [Google Scholar]
  10. Cohen, Sara (2012), ‘Urban musicscapes: Mapping music-making in Liverpool’, in L. Roberts (ed.), Mapping Cultures, Basingstoke: Palgrave Macmillan, pp. 123–43.
     [Google Scholar]
  11. Cohen, Sara, Knifton, Rob, Leonard, Marion and Roberts, Les (eds) (2014), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge.
     [Google Scholar]
  12. Connell, John (2014), ‘Sport, leisure and the postmodern city’ (book review), Australian Geographer, 45:1, pp. 97–99.
     [Google Scholar]
  13. Connell, John and Gibson, Chris (2003), Sound Tracks: Popular Music Identity and Place, London: Routledge.
     [Google Scholar]
  14. Crawhall, Nigel (2009), The Role of Participatory Cultural Mapping in Promoting Intercultural Dialogue – ‘We Are not Hyenas’: A Reflection Paper, United Nations Education Scientific and Cultural Organisation (UNESCO), http://www.iapad.org/wp-content/uploads/2015/07/nigel.crawhall.190753e.pdf. Accessed 1 August 2022.
  15. Draganova, Asya, Blackman, Shane and Bennett, Andy (eds) (2021), The Canterbury Sound in Popular Music, Bingley: Emerald Publishing.
     [Google Scholar]
  16. Fry, Robbie W. (2017), Performing Nashville, Basingstoke: Palgrave.
     [Google Scholar]
  17. Gibson, Chris and Homan, Shane (2004), ‘Urban redevelopment, live and public space: Cultural performance and the re-making of Marrickville’, International Journal of Cultural Policy, 10:1, pp. 67–84.11
     [Google Scholar]
  18. Hesmondhalgh, David (2013), Why Music Matters, New York: John Wiley & Sons.
     [Google Scholar]
  19. Homan, Shane (2014), ‘Liveability and creativity: The case for Melbourne music precincts’, City, Culture and Society, 5:3, pp. 149–55.
     [Google Scholar]
  20. Homan, Shane, O'Hanlan, Seamus, Catherine Strong and Tebbutt, John (2021), Music City Melbourne, London: Bloomsbury Publishing.
     [Google Scholar]
  21. Hutton, Thomas (2009), The New Economy of the Inner City: Restructuring, Regeneration and Dislocation in the 21st century Metropolis, London: Routledge.
     [Google Scholar]
  22. Lashua, Brett (2019), Popular Music, Popular Myth and Cultural Heritage in Cleveland: The Moondog, the Buzzard and the Battle for the Rock and Roll Hall of Fame, Bingley: Emerald.
     [Google Scholar]
  23. Lashua, Brett, Cohen, Sara and Schofield, John (2010), ‘Popular music, mapping and the characterisation of Liverpool’, Popular Music History, 4:2, pp. 127–46.
     [Google Scholar]
  24. Lashua, Brett and Skeldon, Gabby (2023), ‘Youth, music and the city: A mapping of Leeds in five scenes’, in A. Bennett (ed.), The Bloomsbury Handbook of Popular Music and Youth Culture, London: Bloomsbury, pp. 491–510.
     [Google Scholar]
  25. Lashua, Brett, Spracklen, Karl and Wagg, Stephen (eds) (2014), Sounds and the City: Popular Music, Place, and Globalization, Basingstoke: Palgrave Macmillan.
     [Google Scholar]
  26. Lashua, Brett, Wagg, Stephen, Spracklen, Karl and Yavuz, Selim (eds.) (2019), Sounds and the City: Volume 2, Cham: Palgrave Macmillan.
     [Google Scholar]
  27. Leyshon, Andrew, Matless, David and Revill, George (eds) (1998), The Place of Music, New York: Guilford Press.
     [Google Scholar]
  28. Long, Philip (2014), ‘Popular music, psychogeography, place identity and tourism: The case of Sheffield’, Tourist Studies, 14:1, pp. 48–65.
     [Google Scholar]
  29. Mahoney, Liam and Schofield, John (eds) (2021), Music and Heritage: New Perspectives on Place-Making and Sonic Identity, Abingdon: Routledge.
     [Google Scholar]
  30. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’, Punk & Post-Punk, 1:1, pp. 27–40.
     [Google Scholar]
  31. O'Connor, Justin and Shaw, Kate (2014), ‘What next for the creative city?’, City, Culture and Society, 5:3, pp. 165–70.
     [Google Scholar]
  32. Population UK (2022), ‘Leeds population 2022’, https://www.ukpopulation.org/leeds-population/. Accessed 17 February 2022.
  33. Riches, Gabby and Lashua, Brett (2014), ‘Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene’, International Journal of Community Music, 7:2, pp. 223–41.
     [Google Scholar]
  34. Roberts, Les and Cohen, Sara (2014), ‘Unauthorising popular music heritage: Outline of a critical framework’, International Journal of Heritage Studies, 20:3, pp. 241–61.
     [Google Scholar]
  35. Scott, Allen J. (2006), ‘Creative cities: Conceptual issues and policy questions’, Journal of Urban Affairs, 28:1, pp. 1–17.
     [Google Scholar]
  36. Smith, Laurajane (2006), Uses of Heritage, Abingdon: Routledge.
     [Google Scholar]
  37. Solnit, Rebecca (2010), Infinite City: A San Francisco Atlas, Berkeley: University of California Press.12
     [Google Scholar]
  38. Spracklen, Karl, Henderson, Steve and Procter, Dave (2016), ‘Imagining the scene and the memory of the F-Club: Talking about lost punk and post-punk spaces in Leeds’, Punk & Post-Punk, 5:2, pp. 147–62.
     [Google Scholar]
  39. Spracklen, Karl, Richter, Anna and Spracklen, Beverley (2013), ‘The eventization of leisure and the strange death of alternative Leeds’, City, 17:2, pp. 164–78.
     [Google Scholar]
  40. Strong, Catherine, Cannizzo, Fabian and Rogers, Ian (2017), ‘Aesthetic cosmopolitan, national and local popular music heritage in Melbourne's music laneways’, International Journal of Heritage Studies, 2:2, pp. 83–96.
     [Google Scholar]
  41. Thompson, Paul and Sam Nicholls (2021), ‘Music:Leeds – Supporting a regionalised music sector and scene’, in R. Hepworth-Sawyer, J. Paterson and R. Toulson (eds), Innovation in Music: Future Opportunities, Abingdon: Routledge, pp. 432–34.
     [Google Scholar]
  42. Unsworth, Rachel and Stilwell, John (eds) (2004), Twenty-First Century Leeds: Geographies of a Regional City, Leeds: Leeds University Press.
     [Google Scholar]
  43. Waxer, Lise A. (2002), The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia, Middletown: Wesleyan University Press.
     [Google Scholar]
  44. Whiteley, Sheila, Bennett, Andy and Hawkins, Stan (eds) (2004), Music, Space and Place: Popular Music and Cultural Identity, Aldershot: Ashgate.
     [Google Scholar]

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