Dance and Drink the Fenton: Fighting for Territory in Leeds’ Culture Wars

References

1. Anderson, Benedict (1983), Imagined Communities, London: Verso.
   [Google Scholar]
2. Anderson, Elijah (2002), ‘The ideologically driven critique’, American Journal of Sociology, 107:6, pp. 1533–50.29
   [Google Scholar]
3. Bottero, Wendy and Crossley, Nick (2011), ‘Worlds, fields and networks: Becker, Bourdieu and the structures of social relations’, Cultural Sociology, 5:1, pp. 99–119.
   [Google Scholar]
4. Bourdieu, Pierre (1973), ‘Cultural reproduction and social reproduction’, in R. Brown (ed.), Knowledge, Education and Cultural Change: Papers in the Sociology of Education, London: Tavistock.
   [Google Scholar]
5. Bourdieu, Pierre (1984), Distinction: A Social Critique of the Judgement of Taste (trans. R. Nice), Cambridge: Harvard University Press.
   [Google Scholar]
6. Branch, André (2014), ‘“Stop flexing your roots, man”: Reconversion strategies, consecrated heretics and the violence of UK first-wave punk’, Punk & Post-Punk, 3:1, pp. 21–39.
   [Google Scholar]
7. Carrington, Ben (2008), ‘“What's the footballer doing here?” Racialized performativity, reflexivity, and identity’, Cultural Studies ↔ Critical Methodologies, 8:4, pp. 423–452.
8. Carrington, Ben (2016), ‘Slow ethnography: A political and methodological manifesto’, Lecture delivered at the University of Leeds, Leeds, 1 June, https://www.eventbrite.co.uk/e/dr-ben-carrington-slow-ethnography-a-political-and-methodological-manifesto-tickets-25235897248?utm-medium=discovery&utm-campaign=social&utm-content=attendeeshare&aff=estw&utm-source=tw&utm-term=listing. Accessed 21 September 2022.
9. Connell, John and Gibson, Chris (2003), Sound Tracks: Popular Music, Identity and
10. Place, London: Routledge.
11. Dooley, James (2018), Red Set: A History Gang of Four, London: Watkins.
    [Google Scholar]
12. Fletcher, Thomas (2012), ‘All Yorkshiremen are from Yorkshire, but some are more “Yorkshire” than others: British Asians and the myths of Yorkshire cricket’, Sport in Society, 15:2, pp. 227–45.
    [Google Scholar]
13. Forbes, Robert and Stampton, Eddie (2015), The White Nationalist Skinhead Movement: UK & USA, 1979–1993, Port Townsend: Feral House.
    [Google Scholar]
14. Goldhammer, Rio (2019), ‘Provincial towns and Yorkshire cities: Post-punk sounds, suburban escape, and metro-hegemony’, in B. Lashua, S. Wagg, K. Spracklen and M. Yavuz (eds), Sounds and the City: Leisure Studies in a Global Era, Cham: Palgrave Macmillan.
    [Google Scholar]
15. Goldhammer, Rio (2021), ‘Authenticity in an insider-in ethnography of post-punk’, Punk & Post Punk, 10:3, pp. 439–61.
    [Google Scholar]
16. Google Maps (2021), ‘University of Leeds campus’, https://www.google.com/maps/place/The+Fenton/@53.806213,-1.5545522,17z/data=!4m5!3m4!1s0x48795c02582c1ea5:0xac00934b42db0895!8m2!3d53.8057246!4d-1.5495432. Accessed 1 December 2021.
17. Gramsci, Antonio (1971), Selections from Prison Notebooks, London: Lawrence and Wishart.
    [Google Scholar]
18. Grandia, Liza (2015), ‘Slow ethnography: A hut with a view’, Critique of Anthropology, 35:3, pp. 301–17.
    [Google Scholar]
19. Hall, Stuart (1993), ‘Culture, community, nation’, Cultural Studies, 7:3, pp. 349–63.
    [Google Scholar]
20. Hebdige, Dick (1979), Subculture: The Meaning of Style, London: Routledge.
    [Google Scholar]
21. Heylin, Clinton (2007), Babylon's Burning: From Punk to Grunge, London: Penguin.
    [Google Scholar]
22. Hodkinson, Paul (2002), Goth: Identity, Style and Subculture, Oxford: Berg.30
    [Google Scholar]
23. Hopps, David (2010), ‘Captain Andrew Gale would welcome return to Yorkshire-born tradition’, The Guardian, 19 April, https://www.theguardian.com/sport/2010/apr/19/andrew-gale-yorkshire-county-cricket. Accessed 10 November 2021.
24. Jarman, David, Theodoraki, Eleni, Hall, Hazel and Ali-Knight, Jane (2014), ‘Social network analysis and festival cities: An exploration of concepts, literature and methods’, International Journal of Event and Festival Management, 5:3, pp. 311–22.
    [Google Scholar]
25. Leeds Libraries (2019), ‘Rock against racism’, The Secret Library | Leeds Libraries Heritage Blog, 25 October, https://secretlibraryleeds.net/2019/10/25/rock-against-racism/. Accessed 10 November 2021.
26. Morrison, Eddie (2005), Memoirs of a Street Soldier: A Life in White Nationalism, London: British People's Party.
    [Google Scholar]
27. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’, Punk & Post Punk, 1:1, pp. 27–40.
    [Google Scholar]
28. Pickering, Michael and Keightley, Emily (2013), ‘Communities of memory and the problem of transmission’, European Journal of Cultural Studies, 16:1, pp. 115–31.
    [Google Scholar]
29. Rachel, Daniel (2016), Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge, London: Pan MacMillan.
    [Google Scholar]
30. Reynolds, Simon (2005), Rip It Up and Start Again: Post Punk 1978–84, London: Faber & Faber.
    [Google Scholar]
31. Reynolds, Simon (2010), Totally Wired: Post-punk Interviews and Overviews, New York: Soft Skull Press.
    [Google Scholar]
32. Simpson, Dave (2019), ‘Pubs, disco and fighting Nazis: How Leeds nurtured British post-punk’, The Guardian, 19 April, https://www.theguardian.com/music/2019/apr/19/pubs-disco-and-fighting-nazis-how-leeds-nurtured-british-post-punk. Accessed 10 October 2021.
33. Spracklen, Karl, Henderson, Stephen and Procter, David (2016), ‘Imagining the scene and the memory of the F-Club: Talking about lost punk and post-punk spaces in Leeds’, Punk & Post Punk, 5:2, pp. 147–62.
    [Google Scholar]
34. Spracklen, Karl and Spracklen, Beverley (2018), The Evolution of Goth Culture: The Origins and Deeds of the New Goths, Bingley: Emerald.
    [Google Scholar]
35. Stubbs, David (2014), Future Days: Krautrock and the Building of Modern Germany, London: Faber & Faber.
    [Google Scholar]
36. Sweeting, Adam (2020), ‘Andy Gill Obituary’, The Guardian, 2 February, https://www.theguardian.com/music/2020/feb/02/andy-gill-obituary. Accessed 10 November 2021.
37. Thornton, Sarah (1996), Club Cultures: Music, Media and Subcultural Capital, Middleton: Wesleyan University Press.
    [Google Scholar]
38. Trowell, Ian (2016), ‘Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983’, Popular Music History, 10:1, pp. 62–81.
    [Google Scholar]
39. Worley, Matthew and Copsey, Nigel (2016), ‘White youth: The far right, punk and British youth culture’, JOMEC Journal, 9:1, pp. 27–47.
    [Google Scholar]

References

1. Anderson, Benedict (1983), Imagined Communities, London: Verso.
   [Google Scholar]
2. Anderson, Elijah (2002), ‘The ideologically driven critique’, American Journal of Sociology, 107:6, pp. 1533–50.29
   [Google Scholar]
3. Bottero, Wendy and Crossley, Nick (2011), ‘Worlds, fields and networks: Becker, Bourdieu and the structures of social relations’, Cultural Sociology, 5:1, pp. 99–119.
   [Google Scholar]
4. Bourdieu, Pierre (1973), ‘Cultural reproduction and social reproduction’, in R. Brown (ed.), Knowledge, Education and Cultural Change: Papers in the Sociology of Education, London: Tavistock.
   [Google Scholar]
5. Bourdieu, Pierre (1984), Distinction: A Social Critique of the Judgement of Taste (trans. R. Nice), Cambridge: Harvard University Press.
   [Google Scholar]
6. Branch, André (2014), ‘“Stop flexing your roots, man”: Reconversion strategies, consecrated heretics and the violence of UK first-wave punk’, Punk & Post-Punk, 3:1, pp. 21–39.
   [Google Scholar]
7. Carrington, Ben (2008), ‘“What's the footballer doing here?” Racialized performativity, reflexivity, and identity’, Cultural Studies ↔ Critical Methodologies, 8:4, pp. 423–452.
8. Carrington, Ben (2016), ‘Slow ethnography: A political and methodological manifesto’, Lecture delivered at the University of Leeds, Leeds, 1 June, https://www.eventbrite.co.uk/e/dr-ben-carrington-slow-ethnography-a-political-and-methodological-manifesto-tickets-25235897248?utm-medium=discovery&utm-campaign=social&utm-content=attendeeshare&aff=estw&utm-source=tw&utm-term=listing. Accessed 21 September 2022.
9. Connell, John and Gibson, Chris (2003), Sound Tracks: Popular Music, Identity and
10. Place, London: Routledge.
11. Dooley, James (2018), Red Set: A History Gang of Four, London: Watkins.
    [Google Scholar]
12. Fletcher, Thomas (2012), ‘All Yorkshiremen are from Yorkshire, but some are more “Yorkshire” than others: British Asians and the myths of Yorkshire cricket’, Sport in Society, 15:2, pp. 227–45.
    [Google Scholar]
13. Forbes, Robert and Stampton, Eddie (2015), The White Nationalist Skinhead Movement: UK & USA, 1979–1993, Port Townsend: Feral House.
    [Google Scholar]
14. Goldhammer, Rio (2019), ‘Provincial towns and Yorkshire cities: Post-punk sounds, suburban escape, and metro-hegemony’, in B. Lashua, S. Wagg, K. Spracklen and M. Yavuz (eds), Sounds and the City: Leisure Studies in a Global Era, Cham: Palgrave Macmillan.
    [Google Scholar]
15. Goldhammer, Rio (2021), ‘Authenticity in an insider-in ethnography of post-punk’, Punk & Post Punk, 10:3, pp. 439–61.
    [Google Scholar]
16. Google Maps (2021), ‘University of Leeds campus’, https://www.google.com/maps/place/The+Fenton/@53.806213,-1.5545522,17z/data=!4m5!3m4!1s0x48795c02582c1ea5:0xac00934b42db0895!8m2!3d53.8057246!4d-1.5495432. Accessed 1 December 2021.
17. Gramsci, Antonio (1971), Selections from Prison Notebooks, London: Lawrence and Wishart.
    [Google Scholar]
18. Grandia, Liza (2015), ‘Slow ethnography: A hut with a view’, Critique of Anthropology, 35:3, pp. 301–17.
    [Google Scholar]
19. Hall, Stuart (1993), ‘Culture, community, nation’, Cultural Studies, 7:3, pp. 349–63.
    [Google Scholar]
20. Hebdige, Dick (1979), Subculture: The Meaning of Style, London: Routledge.
    [Google Scholar]
21. Heylin, Clinton (2007), Babylon's Burning: From Punk to Grunge, London: Penguin.
    [Google Scholar]
22. Hodkinson, Paul (2002), Goth: Identity, Style and Subculture, Oxford: Berg.30
    [Google Scholar]
23. Hopps, David (2010), ‘Captain Andrew Gale would welcome return to Yorkshire-born tradition’, The Guardian, 19 April, https://www.theguardian.com/sport/2010/apr/19/andrew-gale-yorkshire-county-cricket. Accessed 10 November 2021.
24. Jarman, David, Theodoraki, Eleni, Hall, Hazel and Ali-Knight, Jane (2014), ‘Social network analysis and festival cities: An exploration of concepts, literature and methods’, International Journal of Event and Festival Management, 5:3, pp. 311–22.
    [Google Scholar]
25. Leeds Libraries (2019), ‘Rock against racism’, The Secret Library | Leeds Libraries Heritage Blog, 25 October, https://secretlibraryleeds.net/2019/10/25/rock-against-racism/. Accessed 10 November 2021.
26. Morrison, Eddie (2005), Memoirs of a Street Soldier: A Life in White Nationalism, London: British People's Party.
    [Google Scholar]
27. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’, Punk & Post Punk, 1:1, pp. 27–40.
    [Google Scholar]
28. Pickering, Michael and Keightley, Emily (2013), ‘Communities of memory and the problem of transmission’, European Journal of Cultural Studies, 16:1, pp. 115–31.
    [Google Scholar]
29. Rachel, Daniel (2016), Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge, London: Pan MacMillan.
    [Google Scholar]
30. Reynolds, Simon (2005), Rip It Up and Start Again: Post Punk 1978–84, London: Faber & Faber.
    [Google Scholar]
31. Reynolds, Simon (2010), Totally Wired: Post-punk Interviews and Overviews, New York: Soft Skull Press.
    [Google Scholar]
32. Simpson, Dave (2019), ‘Pubs, disco and fighting Nazis: How Leeds nurtured British post-punk’, The Guardian, 19 April, https://www.theguardian.com/music/2019/apr/19/pubs-disco-and-fighting-nazis-how-leeds-nurtured-british-post-punk. Accessed 10 October 2021.
33. Spracklen, Karl, Henderson, Stephen and Procter, David (2016), ‘Imagining the scene and the memory of the F-Club: Talking about lost punk and post-punk spaces in Leeds’, Punk & Post Punk, 5:2, pp. 147–62.
    [Google Scholar]
34. Spracklen, Karl and Spracklen, Beverley (2018), The Evolution of Goth Culture: The Origins and Deeds of the New Goths, Bingley: Emerald.
    [Google Scholar]
35. Stubbs, David (2014), Future Days: Krautrock and the Building of Modern Germany, London: Faber & Faber.
    [Google Scholar]
36. Sweeting, Adam (2020), ‘Andy Gill Obituary’, The Guardian, 2 February, https://www.theguardian.com/music/2020/feb/02/andy-gill-obituary. Accessed 10 November 2021.
37. Thornton, Sarah (1996), Club Cultures: Music, Media and Subcultural Capital, Middleton: Wesleyan University Press.
    [Google Scholar]
38. Trowell, Ian (2016), ‘Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983’, Popular Music History, 10:1, pp. 62–81.
    [Google Scholar]
39. Worley, Matthew and Copsey, Nigel (2016), ‘White youth: The far right, punk and British youth culture’, JOMEC Journal, 9:1, pp. 27–47.
    [Google Scholar]