Americana and Leeds: Narrating the American South with Northern Grit

References

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References

1. Abercrombie, Nicholas and Longhurst, Brian (1998), Audiences: A Sociological Theory of Performance and Imagination, London: Sage.
   [Google Scholar]
2. Chatterton, Paul and Hollands, Robert (2002), ‘Theorising urban playscapes: Producing, regulating and consuming youthful nightlife city spaces’, Urban Studies, 39:1, pp. 95–116.
   [Google Scholar]
3. Digby, Roger (2001), ‘English country music – A personal view’, Concertina, https//concertina.net/rd_ecm.html. Accessed 10 October 2021.
4. Eaton, Alex (1990), ‘Topic Folk Club: The 30th Anniversary – Memories of the very early days of The Topic’, transcribed from Tykes’ News (Summer, Autumn and Winter editions) by Trevor H. Charnock, http://nawaller.com/topicfc/History/alexeaton.html. Accessed 1 September 2021.
5. Foster, Dave (2021), e-mail correspondence and telephone conversations with author, 3–19 October 2021.
6. Giddens, Anthony (1991), Modernity and Self-identity: Self and Society in the Late Modern Age, Cambridge: Polity.
   [Google Scholar]
7. Jackson, Peter (1992), Maps of Meaning, New York: Routledge.
   [Google Scholar]
8. Knowles, Roger (2021), e-mail correspondence with author, 4 January–12 March 2021.
9. Lycett, Kevin (2021), e-mail correspondence with author, 7 July–25 August 2021.
10. Malone, Bill (2002), Country Music USA, 2nd rev. ed., Austin: University of Texas Press.
    [Google Scholar]
11. Mealiff, Tré (2021), e-mail correspondence with author, 4 July–2 August 2021.
12. MKNews (2021), ‘Mark Knopfler’, MKNews: The Official Mark Knopfler News Website https//mark-knopfler-news.co.uk/biogs/mark-knopfler/. Accessed 4 September 2021.
13. New Musical Express (NME) (unattributed) (1959), ‘Lonnie is a fan of the weavers’, 18 September, p. 2.
14. O'Brien, Lucy (2021), ‘Everybody hold on tight’, Leeds Alumni Online, https://alumni.leeds.ac.uk/post_punk. Accessed 5 September 2021 [link no longer available].158
15. Peterson, Richard and Bennett, Andy (2004), ‘Introducing music scenes’, in R. Peterson and A. Bennett (eds), Music Scenes: Local, Translocal, and Virtual, Nashville: Vanderbilt University Press, pp. 1–16.
    [Google Scholar]
16. Phillips, Steve (2021), e-mail correspondence and telephone conversation with author, 14–22 August.
17. Robinson, Dave (2019), ‘Austin and Americana music: Sites of protest, progress, and millennial cool’, in B. Lashua, S. Wagg, K. Spracklen and M. Selim Yavuz (eds), Sounds and the City: Volume 2, London: Palgrave MacMillan, pp. 389–411.
    [Google Scholar]
18. Seven Arts (2021) ‘About’, Sevenleeds, https//sevenleeds.co.uk/about/. Accessed 28 December 2021.
19. Shank, Barry (1994), Dissonant Identities: The Rock 'n’ Roll Scene in Austin, Texas, London: Wesleyan University Press.
    [Google Scholar]
20. Stradling, Rod (2000), ‘Review of English country music: Record no. 1’, Mustard, https//mustard.org.uk/reviews/ecm.htm. Accessed 10 October 2021.
21. Street, John (1986), Rebel Rock: The Politics of Popular Music, Oxford: Blackwell.
    [Google Scholar]