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Leeds Punk through a Feminist Lens

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References

  1. Ahmed, Sara (2010), ‘Happy objects’, in M. Gregg and G. J. Seigworth (eds), The Affect Theory Reader, Durham: Duke University Press, pp. 29–51.
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  2. Ambrosch, Gerfried (2018), ‘“Guilty of Being White”: Punk's ambivalent relationship with race and racism’, The Journal of Popular Culture, 51:4, pp. 902–22.
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  3. Andrews, Travis M. (2017), ‘Neo-Nazis have rock bands, too – They've been around for decades’, Chicago Tribune, 23 August, https://www.chicagotribune.com/entertainment/ct-neo-nazi-rock-bands-20170823-story.html. Accessed 20 February 2020.
  4. Angio, Joe (2015), Revenge of the Mekons, USA: Music Box Films.
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  5. Barnett, David (2016), ‘Loved the music, hated the bigots’, Independent, 19 July, https://www.independent.co.uk/arts-entertainment/music/features/loved-the-music-hated-the-bigots-7138621.html. Accessed 15 February 2020.
  6. British Culture Archive (2021), ‘Rock Against Racism Northern Carnival, 1978 | Thomas Blower’, 21 April, https://britishculturearchive.co.uk/thomas-blower-rock-against-racism-alexandra-park-1978/. Accessed 10 February 2022.
  7. Burnham, Hugo (1981), ‘Interviewed by J. Bach, “Gang of Four Hugo”’, Damaged Goods, 1:4, pp. 6–7.
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  8. Delta 5 (1979), Mind Your Own Business, composed by A. L. Riggs, B. Peters, J. Sale, K. E. Knight, R. Allen and S. Best, vinyl, London: Rough Trade.
     [Google Scholar]
  9. Gang of Four (1979a), ‘Damaged Goods’, composed by D. Allen, H. Burnham, A. Gill and J. King, Entertainment!, vinyl, London: EMI Records.
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  10. Gang of Four (1979b), ‘It's Her Factory’, composed by D. Allen, H. Burnham, A. Gill and J. King, Entertainment!, vinyl, London: EMI Records.
     [Google Scholar]
  11. Goldman, Vivien (2019), ‘A mosh pit of one's own’, The Paris Review, 19 May, https://www.theparisreview.org/blog/2019/05/16/a-mosh-pit-of-ones-own/. Accessed 14 February 2020.
  12. Kickboy (1977), ‘Albums’, Slash, 1:4, pp. 26–29.
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  13. King, Jon, Burnham, Hugo, Gill, Andy and Allen, Dave (1979), ‘Interviewed by Anon: “The Gang of Four Interview”’, Slash, 2:10, pp. 20–21.
     [Google Scholar]
  14. Klorman-Eraqi, Na'ama (2021), ‘Radical feminism and punk: Visual cultures of affect and disruption’, Photographies, 14:2, pp. 357–78.
     [Google Scholar]
  15. Langford, Jon, White, Mark, Lycett, Kevin and Corrigan, Andy (2018), Interviewed by R. Bestley, ‘Still fighting the cuts: An interview with Mekons 77’, Punk & Post Punk, 7:1, pp. 103–15.
     [Google Scholar]
  16. Mackay, Finn (2015), Radical Feminism: Feminist Activism in Movement, New York: Palgrave MacMillan.
     [Google Scholar]
  17. O'Brien, Lucy (1999), ‘The woman punk made me’, in R. Sabin (ed.), Punk Rock: So What? London: Routledge, pp. 186–98.
     [Google Scholar]
  18. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’ Punk & Post-Punk, 1:1, pp. 27–40.
     [Google Scholar]
  19. Reddington, Helen (2007), The Lost Women of Rock Music: Female Musicians of the Punk Era, Burlington: Ashgate Publishing Company.143
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  20. Reynolds, Simon (2006), ‘Militant entertainment: Gang of Four, the Mekons, and the Leeds Scenes’, in Rip It Up and Start Again: Postpunk 1978–1984, London: Penguin Books.
     [Google Scholar]
  21. Sabin, Roger (1999), ‘“I Won't Let That Dago By”: Rethinking punk and racism’, in R. Sabin (ed.), Punk Rock: So What? London: Routledge, pp. 199–218.
     [Google Scholar]
  22. Shaffer, Ryan (2013), ‘The soundtrack of neo-fascism: Youth and music in the national front’, Patterns of Prejudice, 17:4&5, pp. 458–82.
     [Google Scholar]
  23. Simpson, Dave (2019), ‘Pubs, disco and fighting Nazis: How Leeds nurtured British post-punk’, The Guardian, 19 April, https://www.theguardian.com/music/2019/apr/19/pubs-disco-and-fighting-nazis-how-leeds-nurtured-british-post-punk. Accessed 1 February 2020.
  24. Sioux, Siouxsie, Morris, Kenny, McKay, John and Severin, Steve (1979), ‘Interviewed by J. Garcia, “Siouxsie and the Banshees”’, Slash, 2:9, pp. 26–27.
     [Google Scholar]
  25. Smith, Joan ([1989] 2013), Misogynies, London: The Westbourne Press Archive, Saqi Books, https://www.perlego.com/book/569371/misogynies-pdf. Accessed 17 November 2021.
     [Google Scholar]
  26. Socialist Workers Party (1976), Socialist Worker, 2 October, https://www.marxists.org/history/etol/newspape/sw-gb/1976/496-2-oct-1976.pdf. Accessed 2 December 2021.
  27. The Damned (1977), ‘Interviewed by Anon., “Exclusive Interview: The Damned”’, Slash, 1:1, pp. 5–7.
     [Google Scholar]
  28. The Mekons (1978), ‘Never been in a riot’, in Never Been in a Riot/32 Weeks/Heart and Soul, vinyl, Edinburgh: Fast Product.
     [Google Scholar]
  29. The Mekons (1979), ‘Rosanne’, in The Quality of Mercy Is Not Strnen, vinyl, London: Virgin Records.
     [Google Scholar]
  30. Trowell, Ian (2015), ‘Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983’, Popular Music History, 10:1, pp. 62–81.
     [Google Scholar]
  31. Wattis, Louise (2017a), ‘Exploring gender and fear retrospectively: Stories of women's fear during the “Yorkshire Ripper” murders’, A Journal of Feminist Geography, 24:8, pp. 1071–89.
     [Google Scholar]
  32. Wattis, Louise (2017b), ‘Revisiting the Yorkshire ripper murders: Interrogating gender violence, sex work, and justice’, Feminist Criminology, 12:1, pp. 3–21.
     [Google Scholar]
  33. Worley, Matthew (2012), ‘Shot by both sides: Punk, politics, and the end of consensus’, Contemporary British History, 226:3, pp. 333–54.
     [Google Scholar]

References

  1. Ahmed, Sara (2010), ‘Happy objects’, in M. Gregg and G. J. Seigworth (eds), The Affect Theory Reader, Durham: Duke University Press, pp. 29–51.
     [Google Scholar]
  2. Ambrosch, Gerfried (2018), ‘“Guilty of Being White”: Punk's ambivalent relationship with race and racism’, The Journal of Popular Culture, 51:4, pp. 902–22.
     [Google Scholar]
  3. Andrews, Travis M. (2017), ‘Neo-Nazis have rock bands, too – They've been around for decades’, Chicago Tribune, 23 August, https://www.chicagotribune.com/entertainment/ct-neo-nazi-rock-bands-20170823-story.html. Accessed 20 February 2020.
  4. Angio, Joe (2015), Revenge of the Mekons, USA: Music Box Films.
     [Google Scholar]
  5. Barnett, David (2016), ‘Loved the music, hated the bigots’, Independent, 19 July, https://www.independent.co.uk/arts-entertainment/music/features/loved-the-music-hated-the-bigots-7138621.html. Accessed 15 February 2020.
  6. British Culture Archive (2021), ‘Rock Against Racism Northern Carnival, 1978 | Thomas Blower’, 21 April, https://britishculturearchive.co.uk/thomas-blower-rock-against-racism-alexandra-park-1978/. Accessed 10 February 2022.
  7. Burnham, Hugo (1981), ‘Interviewed by J. Bach, “Gang of Four Hugo”’, Damaged Goods, 1:4, pp. 6–7.
     [Google Scholar]
  8. Delta 5 (1979), Mind Your Own Business, composed by A. L. Riggs, B. Peters, J. Sale, K. E. Knight, R. Allen and S. Best, vinyl, London: Rough Trade.
     [Google Scholar]
  9. Gang of Four (1979a), ‘Damaged Goods’, composed by D. Allen, H. Burnham, A. Gill and J. King, Entertainment!, vinyl, London: EMI Records.
     [Google Scholar]
  10. Gang of Four (1979b), ‘It's Her Factory’, composed by D. Allen, H. Burnham, A. Gill and J. King, Entertainment!, vinyl, London: EMI Records.
     [Google Scholar]
  11. Goldman, Vivien (2019), ‘A mosh pit of one's own’, The Paris Review, 19 May, https://www.theparisreview.org/blog/2019/05/16/a-mosh-pit-of-ones-own/. Accessed 14 February 2020.
  12. Kickboy (1977), ‘Albums’, Slash, 1:4, pp. 26–29.
     [Google Scholar]
  13. King, Jon, Burnham, Hugo, Gill, Andy and Allen, Dave (1979), ‘Interviewed by Anon: “The Gang of Four Interview”’, Slash, 2:10, pp. 20–21.
     [Google Scholar]
  14. Klorman-Eraqi, Na'ama (2021), ‘Radical feminism and punk: Visual cultures of affect and disruption’, Photographies, 14:2, pp. 357–78.
     [Google Scholar]
  15. Langford, Jon, White, Mark, Lycett, Kevin and Corrigan, Andy (2018), Interviewed by R. Bestley, ‘Still fighting the cuts: An interview with Mekons 77’, Punk & Post Punk, 7:1, pp. 103–15.
     [Google Scholar]
  16. Mackay, Finn (2015), Radical Feminism: Feminist Activism in Movement, New York: Palgrave MacMillan.
     [Google Scholar]
  17. O'Brien, Lucy (1999), ‘The woman punk made me’, in R. Sabin (ed.), Punk Rock: So What? London: Routledge, pp. 186–98.
     [Google Scholar]
  18. O'Brien, Lucy (2012), ‘Can I have a taste of your ice cream?’ Punk & Post-Punk, 1:1, pp. 27–40.
     [Google Scholar]
  19. Reddington, Helen (2007), The Lost Women of Rock Music: Female Musicians of the Punk Era, Burlington: Ashgate Publishing Company.143
     [Google Scholar]
  20. Reynolds, Simon (2006), ‘Militant entertainment: Gang of Four, the Mekons, and the Leeds Scenes’, in Rip It Up and Start Again: Postpunk 1978–1984, London: Penguin Books.
     [Google Scholar]
  21. Sabin, Roger (1999), ‘“I Won't Let That Dago By”: Rethinking punk and racism’, in R. Sabin (ed.), Punk Rock: So What? London: Routledge, pp. 199–218.
     [Google Scholar]
  22. Shaffer, Ryan (2013), ‘The soundtrack of neo-fascism: Youth and music in the national front’, Patterns of Prejudice, 17:4&5, pp. 458–82.
     [Google Scholar]
  23. Simpson, Dave (2019), ‘Pubs, disco and fighting Nazis: How Leeds nurtured British post-punk’, The Guardian, 19 April, https://www.theguardian.com/music/2019/apr/19/pubs-disco-and-fighting-nazis-how-leeds-nurtured-british-post-punk. Accessed 1 February 2020.
  24. Sioux, Siouxsie, Morris, Kenny, McKay, John and Severin, Steve (1979), ‘Interviewed by J. Garcia, “Siouxsie and the Banshees”’, Slash, 2:9, pp. 26–27.
     [Google Scholar]
  25. Smith, Joan ([1989] 2013), Misogynies, London: The Westbourne Press Archive, Saqi Books, https://www.perlego.com/book/569371/misogynies-pdf. Accessed 17 November 2021.
     [Google Scholar]
  26. Socialist Workers Party (1976), Socialist Worker, 2 October, https://www.marxists.org/history/etol/newspape/sw-gb/1976/496-2-oct-1976.pdf. Accessed 2 December 2021.
  27. The Damned (1977), ‘Interviewed by Anon., “Exclusive Interview: The Damned”’, Slash, 1:1, pp. 5–7.
     [Google Scholar]
  28. The Mekons (1978), ‘Never been in a riot’, in Never Been in a Riot/32 Weeks/Heart and Soul, vinyl, Edinburgh: Fast Product.
     [Google Scholar]
  29. The Mekons (1979), ‘Rosanne’, in The Quality of Mercy Is Not Strnen, vinyl, London: Virgin Records.
     [Google Scholar]
  30. Trowell, Ian (2015), ‘Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983’, Popular Music History, 10:1, pp. 62–81.
     [Google Scholar]
  31. Wattis, Louise (2017a), ‘Exploring gender and fear retrospectively: Stories of women's fear during the “Yorkshire Ripper” murders’, A Journal of Feminist Geography, 24:8, pp. 1071–89.
     [Google Scholar]
  32. Wattis, Louise (2017b), ‘Revisiting the Yorkshire ripper murders: Interrogating gender violence, sex work, and justice’, Feminist Criminology, 12:1, pp. 3–21.
     [Google Scholar]
  33. Worley, Matthew (2012), ‘Shot by both sides: Punk, politics, and the end of consensus’, Contemporary British History, 226:3, pp. 333–54.
     [Google Scholar]

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