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Where You're From Where At: Connecting Voices, Generations and Place to Create a Leeds Hip Hop Archive

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Where You're From and Where They're At: Connecting Voices, Generations and Place to Create a Leeds Hip Hop Archive
Intellect , 235 (2023); https://doi.org/10.1386/9781789388053_17
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References

  1. Ahearn, Charlie (1983), WIldstyle, VHS, New York: Submarine Entertainment.
     [Google Scholar]
  2. Alim, H. Samy (2009), ‘Translocal style communities: Hip hop youth as cultural theorists of style, language, and globalization’, Pragmatics: Quarterly Publication of the International Pragmatics Association (IPrA), Special Issue: ‘Translocal style communities: Hip hop youth as cultural theorists of style, language, and globalization’, 19:1, pp. 103–27.
  3. Baker, Sarah (2017), Community Custodians of Popular Music's Past: A DIY Approach to Heritage, London: Routledge.
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  4. Baker, Sarah, Doyle, Peter and Homan, Shane (2016), ‘Special Issue: Historical records, national constructions: The contemporary popular music archive’, Popular Music and Society, 39:1, pp. 8–27.
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  5. Baker, Sarah and Huber, Alison (2013), ‘Special Issue: Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation’, European Journal of Cultural Studies, 16:5, pp. 513–30.
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  6. BBC (1987), Bad Meaning Good (1987) UK Hip Hop Documentary, DVD, extended ed., https://www.youtube.com/watch?v=r0ykYAAqLxc. Accessed 29 December 2021.
  7. BBC (2008), ‘Justified and not so ancient’, 29 December, https://www.bbc.co.uk/leeds/content/articles/2008/12/29/music_lyrically_justified_feature.shtml?fbclid=IwAR2Ftvr4AYOFh53Af4gbqy6qnZf154u2e5HGPmXIBuD-221GB5l6yQJ0hi4. Accessed 29 December 2021.
  8. Beate, Peter (2020), ‘Special Issue: Negotiating the co-curation of an online community popular music archive’, Popular Music History, 13.1–2, pp. 58–76.
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  9. Bennett, Andy (1999), ‘Special Issue: Rappin’ on the Tyne: White hip hop culture in Northeast England – an ethnographic study’, The Sociological Review, 47:1, pp. 1–24.
     [Google Scholar]
  10. Bennett, Andy and Peterson, Richard A. (2004), Music Scenes: Local, Translocal and Virtual, Nashville: Vanderbilt University Press.
     [Google Scholar]
  11. Bramwell, Richard (2015), UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of London's Rap Scenes, London: Routledge.
     [Google Scholar]
  12. Cohen, Sara, Knifton, Robert, Leonard, Marion and Roberts, Les (2014), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge.
     [Google Scholar]
  13. de Paor-Evans, Adam (2020), Provincial Headz: British Hip Hop and Critical Regionalism, Sheffield: Equinox Publishing.
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  14. de Paor-Evans, Adam and McNally, James (2021), ‘Project Cee ... in conversation with James McNally’, HEADZ-ZINe ‘REGIONS-UK’ SOUTH-WEST HEADZ, 1:2, pp. 151–65, http://clok.uclan.ac.uk/38572/1/SW.HEADZZINE.VOL.1.ISSUE.2.pdf. Accessed 29 December 2021.
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  15. Emery, Andrew (2017), ‘PA Posse feat. DJ Countdown, SADE & New Flesh 4 Old – drinking tea with the lads’, Wiggaz With Attitude, 31 August, https://www.wiggazwithattitude.com/pa-posse-feat-dj-countdown-sade-new-flesh-4-old-drinking-tea-lads/. Accessed 1 December 2021.
  16. Green, Tony (2021), in-person interview with S. Little and A. Stevenson, Leeds, 26 November.249
  17. Hesmondhalgh, David J. and Melville, Casper (2001), ‘Urban breakbeat culture – repercussions of hip-hop in the United Kingdom’, in T. Mitchell (ed.), Global Noise: Rap and Hip Hop Outside the USA, Middletown: Wesleyan University Press, pp. 86–110.
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  18. Ibrahim, Khadijah (2021), online video interview with S. Little and A. Stevenson, 18 November.
  19. Krims, Adam (2000), Rap Music and the Poetics of Identity, Cambridge: Cambridge University Press.
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  20. Lashua, Brett D. and Owusu, Yaw (2013), ‘Merseybeatz: Hip-hop in Liverpool’, in S. A. Nitzsche and W. Grünzweig (eds), Hip-Hop in Europe, Münster: LIT Verlag, pp. 191–206.
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  21. Little, Sarah (2019), ‘Cultural democracy: A hip hop-ological study’, Ph.D. thesis, Leeds: University of Leeds, http://etheses.whiterose.ac.uk/24638/. Accessed 29 December 2021.
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  22. Lotta, Harry (2021), online interview with S. Little and A. Stevenson, 24 November.
  23. Matter (2021), online interview with S. Little and A. Stevenson, 25 November.
  24. Monks (2021), telephone interview with S. Little and A. Stevenson, 16 December.
  25. Patton, Michael Quinn (2002), Qualitative Research & Evaluation Methods, London: Sage.
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  26. Prys (2021), online interview with S. Little and A. Stevenson, 24 November.
  27. Romaniszyn, Marek (2021), online video interview with S. Little and A. Stevenson, 15 November.
  28. Rose, Tricia (1994), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown: Wesleyan University Press.
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  29. Slack, Jason (2011), ‘How breakdancing promotes positive culture in inner city Leeds’, The Guardian, 29 March, https://www.theguardian.com/leeds/2011/mar/29/how-breakdance-is-promoting-positive-culture-in-leeds. Accessed 1 December 2021.
  30. Speers, Laura (2014), ‘Keepin’ it real: Negotiating authenticity in the London hip hop scene’, Ph.D. thesis, London: Kings College London.
     [Google Scholar]
  31. Stevenson, Alex (2017), ‘Hip-hop in the UK’, in Horn, David (ed.) Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, Bloomsbury Academic, 1st ed., Bloomsbury Publishing, pp. 394–8.
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  32. Testament (2021), online video interview with S. Little and A. Stevenson, 15 November.
  33. Weston, Paul (2021), online video interview with S. Little and A Stevenson, 10 October.
  34. Williams, Justin A. (2020), Brithop: The Politics of UK Rap in the New Century, Oxford: Oxford University Press.
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  35. Woods, Orlando (2019), ‘Special Issue: Sonic spaces, spiritual bodies: The affective experience of the roots reggae soundsystem’, Transactions of the Institute of British Geographers, 44:1, pp. 181–94.
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References

  1. Ahearn, Charlie (1983), WIldstyle, VHS, New York: Submarine Entertainment.
     [Google Scholar]
  2. Alim, H. Samy (2009), ‘Translocal style communities: Hip hop youth as cultural theorists of style, language, and globalization’, Pragmatics: Quarterly Publication of the International Pragmatics Association (IPrA), Special Issue: ‘Translocal style communities: Hip hop youth as cultural theorists of style, language, and globalization’, 19:1, pp. 103–27.
  3. Baker, Sarah (2017), Community Custodians of Popular Music's Past: A DIY Approach to Heritage, London: Routledge.
     [Google Scholar]
  4. Baker, Sarah, Doyle, Peter and Homan, Shane (2016), ‘Special Issue: Historical records, national constructions: The contemporary popular music archive’, Popular Music and Society, 39:1, pp. 8–27.
     [Google Scholar]
  5. Baker, Sarah and Huber, Alison (2013), ‘Special Issue: Notes towards a typology of the DIY institution: Identifying do-it-yourself places of popular music preservation’, European Journal of Cultural Studies, 16:5, pp. 513–30.
     [Google Scholar]
  6. BBC (1987), Bad Meaning Good (1987) UK Hip Hop Documentary, DVD, extended ed., https://www.youtube.com/watch?v=r0ykYAAqLxc. Accessed 29 December 2021.
  7. BBC (2008), ‘Justified and not so ancient’, 29 December, https://www.bbc.co.uk/leeds/content/articles/2008/12/29/music_lyrically_justified_feature.shtml?fbclid=IwAR2Ftvr4AYOFh53Af4gbqy6qnZf154u2e5HGPmXIBuD-221GB5l6yQJ0hi4. Accessed 29 December 2021.
  8. Beate, Peter (2020), ‘Special Issue: Negotiating the co-curation of an online community popular music archive’, Popular Music History, 13.1–2, pp. 58–76.
     [Google Scholar]
  9. Bennett, Andy (1999), ‘Special Issue: Rappin’ on the Tyne: White hip hop culture in Northeast England – an ethnographic study’, The Sociological Review, 47:1, pp. 1–24.
     [Google Scholar]
  10. Bennett, Andy and Peterson, Richard A. (2004), Music Scenes: Local, Translocal and Virtual, Nashville: Vanderbilt University Press.
     [Google Scholar]
  11. Bramwell, Richard (2015), UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of London's Rap Scenes, London: Routledge.
     [Google Scholar]
  12. Cohen, Sara, Knifton, Robert, Leonard, Marion and Roberts, Les (2014), Sites of Popular Music Heritage: Memories, Histories, Places, London: Routledge.
     [Google Scholar]
  13. de Paor-Evans, Adam (2020), Provincial Headz: British Hip Hop and Critical Regionalism, Sheffield: Equinox Publishing.
     [Google Scholar]
  14. de Paor-Evans, Adam and McNally, James (2021), ‘Project Cee ... in conversation with James McNally’, HEADZ-ZINe ‘REGIONS-UK’ SOUTH-WEST HEADZ, 1:2, pp. 151–65, http://clok.uclan.ac.uk/38572/1/SW.HEADZZINE.VOL.1.ISSUE.2.pdf. Accessed 29 December 2021.
     [Google Scholar]
  15. Emery, Andrew (2017), ‘PA Posse feat. DJ Countdown, SADE & New Flesh 4 Old – drinking tea with the lads’, Wiggaz With Attitude, 31 August, https://www.wiggazwithattitude.com/pa-posse-feat-dj-countdown-sade-new-flesh-4-old-drinking-tea-lads/. Accessed 1 December 2021.
  16. Green, Tony (2021), in-person interview with S. Little and A. Stevenson, Leeds, 26 November.249
  17. Hesmondhalgh, David J. and Melville, Casper (2001), ‘Urban breakbeat culture – repercussions of hip-hop in the United Kingdom’, in T. Mitchell (ed.), Global Noise: Rap and Hip Hop Outside the USA, Middletown: Wesleyan University Press, pp. 86–110.
     [Google Scholar]
  18. Ibrahim, Khadijah (2021), online video interview with S. Little and A. Stevenson, 18 November.
  19. Krims, Adam (2000), Rap Music and the Poetics of Identity, Cambridge: Cambridge University Press.
     [Google Scholar]
  20. Lashua, Brett D. and Owusu, Yaw (2013), ‘Merseybeatz: Hip-hop in Liverpool’, in S. A. Nitzsche and W. Grünzweig (eds), Hip-Hop in Europe, Münster: LIT Verlag, pp. 191–206.
     [Google Scholar]
  21. Little, Sarah (2019), ‘Cultural democracy: A hip hop-ological study’, Ph.D. thesis, Leeds: University of Leeds, http://etheses.whiterose.ac.uk/24638/. Accessed 29 December 2021.
     [Google Scholar]
  22. Lotta, Harry (2021), online interview with S. Little and A. Stevenson, 24 November.
  23. Matter (2021), online interview with S. Little and A. Stevenson, 25 November.
  24. Monks (2021), telephone interview with S. Little and A. Stevenson, 16 December.
  25. Patton, Michael Quinn (2002), Qualitative Research & Evaluation Methods, London: Sage.
     [Google Scholar]
  26. Prys (2021), online interview with S. Little and A. Stevenson, 24 November.
  27. Romaniszyn, Marek (2021), online video interview with S. Little and A. Stevenson, 15 November.
  28. Rose, Tricia (1994), Black Noise: Rap Music and Black Culture in Contemporary America, Middletown: Wesleyan University Press.
     [Google Scholar]
  29. Slack, Jason (2011), ‘How breakdancing promotes positive culture in inner city Leeds’, The Guardian, 29 March, https://www.theguardian.com/leeds/2011/mar/29/how-breakdance-is-promoting-positive-culture-in-leeds. Accessed 1 December 2021.
  30. Speers, Laura (2014), ‘Keepin’ it real: Negotiating authenticity in the London hip hop scene’, Ph.D. thesis, London: Kings College London.
     [Google Scholar]
  31. Stevenson, Alex (2017), ‘Hip-hop in the UK’, in Horn, David (ed.) Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe, Bloomsbury Academic, 1st ed., Bloomsbury Publishing, pp. 394–8.
     [Google Scholar]
  32. Testament (2021), online video interview with S. Little and A. Stevenson, 15 November.
  33. Weston, Paul (2021), online video interview with S. Little and A Stevenson, 10 October.
  34. Williams, Justin A. (2020), Brithop: The Politics of UK Rap in the New Century, Oxford: Oxford University Press.
     [Google Scholar]
  35. Woods, Orlando (2019), ‘Special Issue: Sonic spaces, spiritual bodies: The affective experience of the roots reggae soundsystem’, Transactions of the Institute of British Geographers, 44:1, pp. 181–94.
     [Google Scholar]

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