Annette Arlander

References

1. Allsopp, Ric; Friedman, Ken & Smith, Owen 2002. Performance Research on Fluxus 7:3.
2. Arlander, Annette 2017. ‘Four Workshops - Four Approaches to Performance Art’. In Porkola, Pilvi (ed.) Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. University of the Arts Helsinki, Theatre Academy and New Performance Turku 2017, pp. 33–47.
   [Google Scholar]
3. Arlander, Annette 2011. ‘Is Performance Art Self-Portraiture – Me or Other People as Medium’ in Arlander, Annette (ed.) Converging Perspectives – Writings on Performance Art. Episodi 3. Teak. 8-25. https://helda.helsinki.fi/handle/10138/40291 Accessed 13^th April 2021.
4. Arlander, Annette 2011. ‘Is Performance Art Self-Portraiture – Me or Other People as Medium’ in Benedicte Clementsen, Karen Kipphoff and Agnes Nedregard (eds.) Never? Now? Performance Art! Berlin: Never or Now, Bergen & Revolver Publishing, pp. 34–47.
   [Google Scholar]
5. Arsem, Marilyn 2011. ‘Manifesto: THIS Is Performance Art.’ Venice: Infraction http://www.performanceart.ca/index.php?m=pubarticle&id=38 Accessed 24^th June 2011.
6. Berridge, David 2008. ‘Still Making a Salad: Ecology, Yoko Ono and the Fluxus Score’ http://umintermediai501.blogspot.com/2010/03/still-making-salad-ecology-yoko-ono-and.html Accessed 13th April 2021.
7. Brotherus, Elina 2018. Regle de Jeu, Galleria Haino, Helsinki, 7th January - 4th February 2018.
8. Dezeuze, A. 2002. Origins of the Fluxus Score. Performance Research 7: 3, pp.78–94.
   [Google Scholar]
9. Friedman, Ken 1990. Fluxus Workbook. Oslo: El Djarida.84
   [Google Scholar]
10. Friedman, Ken; Smith, Owen and Sawchyn, Lauryn (eds.) 2002. The Fluxus Workbook. A Performance Research e-publication https://monoskop.org/File:Friedman_Smith_Sawchyn_eds_The_Fluxus_Performance_Workbook.pdf Accessed 12^th April 2021.
    [Google Scholar]
11. Higgins, H. 2002. Fluxus Experience. Berkeley: University of California Press.
    [Google Scholar]
12. Hoffmann, Jens and Joan Jonas 2005. Art Works: Perform. New York: Thames & Hudson.
    [Google Scholar]
13. Howell, Anthony 1999. The Analysis of Performance Art: A Guide to its Theory and Practice. Amsterdam: Harwood Academic Publishers.
    [Google Scholar]
14. Iles, C. 1997. ‘Yoko Ono’, in Yoko Ono: Have You Seen the Horizon Lately, Oxford: Museum of Modern Art, Oxford.
    [Google Scholar]
15. Järvinen, Hanna 2017. ‘A Short History of the Score in 5091 Words’, in Pilvi Porkola (ed.) Performance Artist's Work Book. On teaching and learning performance art - essays and exercises. pp. 49–60 Helsinki: University of the Arts.
    [Google Scholar]
16. Kaprow, A. 2003. Essays on the Blurring of Art and Life. Berkeley: University of California Press.
    [Google Scholar]
17. Kirby, Michael 1965. Happenings New York: E.P. Dutton & Co.
    [Google Scholar]
18. Maciunas, G. 1965. Fluxmanifesto on Fluxamusement, available at http://georgemaciunas.com/exhibitions/flux-labyrinth-fluxus-gag/fluxmanifesto-fluxamusement-1965/ Accessed 13^th April 2021.
19. Nauha, Tero 2017. ‘Performance art can't be taught’, in Pilvi Porkola (ed.) Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. pp. 61–70. Helsinki: University of the Arts.
    [Google Scholar]
20. Ono, Yoko 2000/1964. Grapefruit: A Book of Instruction and Drawings. New York: Simon& Shuster.85
    [Google Scholar]
21. Porkola, Pilvi (ed.) 2017. Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. Helsinki: University of the Arts.
    [Google Scholar]
22. Robinson, J.E. 2002. ‘The Brechtian Event Score – A Structure in Fluxus’, Performance Research 7: 3, pp. 111–123.
    [Google Scholar]
23. Smith, O.F. 1998. ‘Chapter 1’ of Fluxus: The History of An Attitude. San Diego State University Press. Available at http://www.thing.net/~grist/ld/smith-fl.htm Accessed 29th September 2009.

References

1. Allsopp, Ric; Friedman, Ken & Smith, Owen 2002. Performance Research on Fluxus 7:3.
2. Arlander, Annette 2017. ‘Four Workshops - Four Approaches to Performance Art’. In Porkola, Pilvi (ed.) Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. University of the Arts Helsinki, Theatre Academy and New Performance Turku 2017, pp. 33–47.
   [Google Scholar]
3. Arlander, Annette 2011. ‘Is Performance Art Self-Portraiture – Me or Other People as Medium’ in Arlander, Annette (ed.) Converging Perspectives – Writings on Performance Art. Episodi 3. Teak. 8-25. https://helda.helsinki.fi/handle/10138/40291 Accessed 13^th April 2021.
4. Arlander, Annette 2011. ‘Is Performance Art Self-Portraiture – Me or Other People as Medium’ in Benedicte Clementsen, Karen Kipphoff and Agnes Nedregard (eds.) Never? Now? Performance Art! Berlin: Never or Now, Bergen & Revolver Publishing, pp. 34–47.
   [Google Scholar]
5. Arsem, Marilyn 2011. ‘Manifesto: THIS Is Performance Art.’ Venice: Infraction http://www.performanceart.ca/index.php?m=pubarticle&id=38 Accessed 24^th June 2011.
6. Berridge, David 2008. ‘Still Making a Salad: Ecology, Yoko Ono and the Fluxus Score’ http://umintermediai501.blogspot.com/2010/03/still-making-salad-ecology-yoko-ono-and.html Accessed 13th April 2021.
7. Brotherus, Elina 2018. Regle de Jeu, Galleria Haino, Helsinki, 7th January - 4th February 2018.
8. Dezeuze, A. 2002. Origins of the Fluxus Score. Performance Research 7: 3, pp.78–94.
   [Google Scholar]
9. Friedman, Ken 1990. Fluxus Workbook. Oslo: El Djarida.84
   [Google Scholar]
10. Friedman, Ken; Smith, Owen and Sawchyn, Lauryn (eds.) 2002. The Fluxus Workbook. A Performance Research e-publication https://monoskop.org/File:Friedman_Smith_Sawchyn_eds_The_Fluxus_Performance_Workbook.pdf Accessed 12^th April 2021.
    [Google Scholar]
11. Higgins, H. 2002. Fluxus Experience. Berkeley: University of California Press.
    [Google Scholar]
12. Hoffmann, Jens and Joan Jonas 2005. Art Works: Perform. New York: Thames & Hudson.
    [Google Scholar]
13. Howell, Anthony 1999. The Analysis of Performance Art: A Guide to its Theory and Practice. Amsterdam: Harwood Academic Publishers.
    [Google Scholar]
14. Iles, C. 1997. ‘Yoko Ono’, in Yoko Ono: Have You Seen the Horizon Lately, Oxford: Museum of Modern Art, Oxford.
    [Google Scholar]
15. Järvinen, Hanna 2017. ‘A Short History of the Score in 5091 Words’, in Pilvi Porkola (ed.) Performance Artist's Work Book. On teaching and learning performance art - essays and exercises. pp. 49–60 Helsinki: University of the Arts.
    [Google Scholar]
16. Kaprow, A. 2003. Essays on the Blurring of Art and Life. Berkeley: University of California Press.
    [Google Scholar]
17. Kirby, Michael 1965. Happenings New York: E.P. Dutton & Co.
    [Google Scholar]
18. Maciunas, G. 1965. Fluxmanifesto on Fluxamusement, available at http://georgemaciunas.com/exhibitions/flux-labyrinth-fluxus-gag/fluxmanifesto-fluxamusement-1965/ Accessed 13^th April 2021.
19. Nauha, Tero 2017. ‘Performance art can't be taught’, in Pilvi Porkola (ed.) Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. pp. 61–70. Helsinki: University of the Arts.
    [Google Scholar]
20. Ono, Yoko 2000/1964. Grapefruit: A Book of Instruction and Drawings. New York: Simon& Shuster.85
    [Google Scholar]
21. Porkola, Pilvi (ed.) 2017. Performance Artist's Work Book: On Teaching and Learning Performance Art - Essays and Exercises. Helsinki: University of the Arts.
    [Google Scholar]
22. Robinson, J.E. 2002. ‘The Brechtian Event Score – A Structure in Fluxus’, Performance Research 7: 3, pp. 111–123.
    [Google Scholar]
23. Smith, O.F. 1998. ‘Chapter 1’ of Fluxus: The History of An Attitude. San Diego State University Press. Available at http://www.thing.net/~grist/ld/smith-fl.htm Accessed 29th September 2009.