Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics

References

1. Allen, R. , Hill E. , and Heaton P. (2009), ‘“Hath charms to soothe...”: An exploratory study of how high-functioning adults with ASD experience music’, Autism, 13:1, pp. 21–41.
   [Google Scholar]
2. American Psychological Association (2013), Diagnostic and Statistical Manual of Mental Disorders, Washington, DC: American Psychiatric Publishing.
   [Google Scholar]
3. Brown, A. (2015), ‘Explaining the naming of heavy metal from rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, 1:2, pp. 233–61.
   [Google Scholar]
4. Cope, A. (2010), Black Sabbath and the Rise of Heavy Metal Music, Farnham: Ashgate.
   [Google Scholar]
5. Elflein, D. (2010), ‘Slaying the pulse: Rhythmic organization and rhythmic interplay within heavy metal’, in N. W. R. Scott and I. Von Helden (eds), The Metal Void: First Gatherings, Oxford: Inter-Disciplinary Press, pp. 279–92.
   [Google Scholar]
6. Fessenden, J. (2020), ‘Autistic musicality: History, theory, and two case studies’, Ph.D. dissertation, New York: Stony Brook University.
7. Frith, U. (1970), ‘Studies in pattern detection in normal and autistic children: I. Immediate recall of auditory sequences’, Journal of Abnormal Psychology, 76:3, pp. 413–20.
   [Google Scholar]
8. Gracyk, T. (2016), ‘Heavy metal: Genre? Style? Subculture?’, Philosophy Compass, 11, pp. 775–85.37
   [Google Scholar]
9. Headlam, D. (2006), ‘Learning to hear autistically’, in N. Lerner and J. N. Straus (eds), Sounding off: Theorizing Disability in Music, London: Routledge, pp. 109–20.
   [Google Scholar]
10. Herbst, J. (2017), ‘Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music’, Metal Music Studies, 3:1, pp. 23–46.
    [Google Scholar]
11. Järvinen-Pasley, A. , Pasley J. , and Heaton P. (2008), ‘Is the linguistic content of speech less salient than its perceptual features in autism?’ Journal of Autism and Developmental Disorders, 38:2, pp. 239–48.
    [Google Scholar]
12. Kahn-Harris, K. (2007), Extreme Metal: Music and Culture on the Edge, Oxford: OUP.
    [Google Scholar]
13. Mottron, L. , Peretz I. , and Menard, E. (2000), ‘Local and global processing of music in high-functioning persons with autism: Beyond central coherence?’ Journal of Child Psychology and Psychiatry, 41:8, pp. 1057–65.
    [Google Scholar]
14. Nancy, J. L. (2007), Listening (trans. C. Mandell), New York: Fordham University Press.
    [Google Scholar]
15. Pillsbury, G. (2006), Damage Incorporated: Metallica and the Production of Musical Identity, London: Routledge.
    [Google Scholar]
16. Sinclair, J. (1993), ‘Don’t mourn for us’, Our Voice, 1, http://www.autreat.com/dont_mourn.html.
17. Smialek. E. (2015), ‘Genre and expression in extreme metal music, ca. 1990–2015’, Ph.D. thesis, McGill University.
18. Straus, J. N. (2011), Extraordinary Measures: Disability in Music, Oxford: Oxford University Press.
    [Google Scholar]
19. Walser, R. (1993), Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Middletown: Wesleyan University Press.
    [Google Scholar]
20. Weinstein, D. (2000), Heavy Metal: The Music and Its Culture, Cambridge: Da Capo Press.
    [Google Scholar]
21. Weinstein, D. (2014), ‘Just so stories: How heavy metal got its name – A cautionary tale’, Rock Music Studies, 1:1, pp. 36–51.
    [Google Scholar]

References

1. Allen, R. , Hill E. , and Heaton P. (2009), ‘“Hath charms to soothe...”: An exploratory study of how high-functioning adults with ASD experience music’, Autism, 13:1, pp. 21–41.
   [Google Scholar]
2. American Psychological Association (2013), Diagnostic and Statistical Manual of Mental Disorders, Washington, DC: American Psychiatric Publishing.
   [Google Scholar]
3. Brown, A. (2015), ‘Explaining the naming of heavy metal from rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, 1:2, pp. 233–61.
   [Google Scholar]
4. Cope, A. (2010), Black Sabbath and the Rise of Heavy Metal Music, Farnham: Ashgate.
   [Google Scholar]
5. Elflein, D. (2010), ‘Slaying the pulse: Rhythmic organization and rhythmic interplay within heavy metal’, in N. W. R. Scott and I. Von Helden (eds), The Metal Void: First Gatherings, Oxford: Inter-Disciplinary Press, pp. 279–92.
   [Google Scholar]
6. Fessenden, J. (2020), ‘Autistic musicality: History, theory, and two case studies’, Ph.D. dissertation, New York: Stony Brook University.
7. Frith, U. (1970), ‘Studies in pattern detection in normal and autistic children: I. Immediate recall of auditory sequences’, Journal of Abnormal Psychology, 76:3, pp. 413–20.
   [Google Scholar]
8. Gracyk, T. (2016), ‘Heavy metal: Genre? Style? Subculture?’, Philosophy Compass, 11, pp. 775–85.37
   [Google Scholar]
9. Headlam, D. (2006), ‘Learning to hear autistically’, in N. Lerner and J. N. Straus (eds), Sounding off: Theorizing Disability in Music, London: Routledge, pp. 109–20.
   [Google Scholar]
10. Herbst, J. (2017), ‘Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music’, Metal Music Studies, 3:1, pp. 23–46.
    [Google Scholar]
11. Järvinen-Pasley, A. , Pasley J. , and Heaton P. (2008), ‘Is the linguistic content of speech less salient than its perceptual features in autism?’ Journal of Autism and Developmental Disorders, 38:2, pp. 239–48.
    [Google Scholar]
12. Kahn-Harris, K. (2007), Extreme Metal: Music and Culture on the Edge, Oxford: OUP.
    [Google Scholar]
13. Mottron, L. , Peretz I. , and Menard, E. (2000), ‘Local and global processing of music in high-functioning persons with autism: Beyond central coherence?’ Journal of Child Psychology and Psychiatry, 41:8, pp. 1057–65.
    [Google Scholar]
14. Nancy, J. L. (2007), Listening (trans. C. Mandell), New York: Fordham University Press.
    [Google Scholar]
15. Pillsbury, G. (2006), Damage Incorporated: Metallica and the Production of Musical Identity, London: Routledge.
    [Google Scholar]
16. Sinclair, J. (1993), ‘Don’t mourn for us’, Our Voice, 1, http://www.autreat.com/dont_mourn.html.
17. Smialek. E. (2015), ‘Genre and expression in extreme metal music, ca. 1990–2015’, Ph.D. thesis, McGill University.
18. Straus, J. N. (2011), Extraordinary Measures: Disability in Music, Oxford: Oxford University Press.
    [Google Scholar]
19. Walser, R. (1993), Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Middletown: Wesleyan University Press.
    [Google Scholar]
20. Weinstein, D. (2000), Heavy Metal: The Music and Its Culture, Cambridge: Da Capo Press.
    [Google Scholar]
21. Weinstein, D. (2014), ‘Just so stories: How heavy metal got its name – A cautionary tale’, Rock Music Studies, 1:1, pp. 36–51.
    [Google Scholar]