Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice

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References

1. Adorno, T. (1941), ‘On popular music: Theory about the listener’, Studies in Philosophy and Social Science, IX, pp. 17–18.
   [Google Scholar]
2. Braidotti, R. (2011), Nomadic Theory: The Portable Rosi Braidotti, New York: Columbia University Press.
   [Google Scholar]
3. Decapitated (2002), Nihility, UK: Earache Records.
   [Google Scholar]
4. Entombed (1993), Wolverine Blues, UK: Earache Records.
   [Google Scholar]
5. Guter, E. (2005), ‘The good, the bad, and the vacuous: Wittgenstein on modern and future musics’, The Journal of Aesthetics and Art Criticism, 73:4, pp. 425–39.
   [Google Scholar]
6. Hekman, S. (1999), ‘Backgrounds & riverbeds: Feminist reflections’, Feminist Studies, 25:2, pp. 427–48.
   [Google Scholar]
7. Kristeva, J. (1982), Powers of Horror: An Essay on Abjection, New York: Columbia University Press.51
   [Google Scholar]
8. Lawson, A. (2008), Disability and Equality Law in Britain: The Role of Reasonable Adjustments, Oxford: Hart Publishing.
   [Google Scholar]
9. Oliver, M. (2013), ‘The social model of disability: Thirty years on’, Disability and Society, 28:7, pp. 1024–26.
   [Google Scholar]
10. Searle, J. R. (1995), The Social Construction of Reality, New York: Free Press.
    [Google Scholar]
11. Sepultura (1993), Chaos A.D., New York: Roadrunner Records.
    [Google Scholar]
12. Shadrack, J. (2021), Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss, Bingley: Emerald Publishing.
    [Google Scholar]
13. Shakespeare, T. (2013), Disability Rights and Wrongs Revisited, Abingdon: Routledge.
    [Google Scholar]
14. Strapping Young Lad (1997), City, Germany: Century Media Records.
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15. Wittgenstein, L. (1953), Philosophical Investigations, Oxford: Blackwell Publishers Ltd.
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16. Wittgenstein, L. (1972), Culture and Value, Oxford: Blackwell Publishers Ltd.
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17. Wittgenstein, L. (1989), On Certainty, Oxford: Blackwell Publishers Ltd.
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