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Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America

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Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America
Intellect , 140 (2024); https://doi.org/10.1386/9781789389456_12
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References

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  3. Biddle, I. , and Knights, V. (eds) (2007), Music, National Identity and the Politics of Location – Between the Global and the Local, Hampshire: Ashgate.160
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  4. Burt, J.-M. (2007), Political Violence and the Authoritarian State in Peru, New York: Palgrave Macmillan.
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  5. Calvo, M. B. (2018), ‘Indigenista perspectives in Argentine metal music’, Metal Music Studies, 4:1, pp. 155–63.
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  6. Casallas, D. A. and Padilla Piedrahita, J. (2004), ‘Antropología Forense En El Conflicto Armado En El Contexto Latinoamericano: Estudio Comparativo Argentina, Guatemala, Perú y Colombia’, Maguaré, 18, pp. 293–310.
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  7. Chaska (2009), ‘Pururauca’, Pururauca, Arequipa: Mythic Metal Productions.
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  9. De las Casas, B. (1992), In Defense of the Indians, DeKalb: Northern Illinois University Press.
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  13. Fanon, F. (1963), The Wretched of the Earth (trans. by Constance Farrington), London: Penguin.
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  17. Grech, S. (2015), ‘Decolonising eurocentric disability studies: Why colonialism matters in the disability and Global South debate’, Social Identities, 21:1, pp. 6–21.
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  18. Harmon, C.. C. (1992), ‘The purposes of terrorism within insurgency: Shining path in Peru’, Small Wars & Insurgencies, 3:2, pp. 170–90.
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  19. Hernández, G. and Omar, J. (2021), ‘Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia’, Metal Music Studies, 7:1, pp. 119–28.
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  20. Laplante, L. J. and Theidon, K. S. (2007), ‘Truth with consequences: Justice and reparations in Post-Truth Commission Peru’, Human Rights Quarterly, 29:1, pp. 228–50.
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  24. Mignolo, W. D. (2011), The Darker Side of Western Modernity: Global Futures, Decolonial Options, Durham: Duke University Press.
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  28. Oliver, M. (1990), The Politics of Disablement, London: Macmillan.
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  29. Quijano, A. (2010), ‘Coloniality and modernity/rationality’, in W. D. Mignolo and A. Escobar (eds), Globalization and the Decolonial Option, New York: Routledge, pp. 22–32.
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  30. Rivera Cusicanqui, S. (2015), Sociología de La Imagen: Miradas Ch’ixi Desde La Historia Andina, Buenos Aires: Tinta Limón.
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  31. Rivera Cusicanqui, S. (2020), Ch’ixinakax Utxiwa: A Reflection on the Practices and Discourses of Decolonization, Cambridge: Polity Press.
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  32. Santos, B. de S. (2018), The End of the Cognitive Empire: The Coming of Age of Epistemologies of the South, North Carolina: Duke University Press.
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  33. United Nation’s Department of Economic and Social Affairs (n.d.), ‘The United Nations and Indigenous persons with disabilities’, https://www.un.org/development/desa/disabilities/issues/the-united-nations-and-indigenous-persons-with-disabilities.html.
  34. Varas-Díaz, N. (2019), ‘Decolonial hope: From the ‘Nueva Canción’ to heavy metal music in Latin America’, 4th Biennial Research Conference, International Society for Metal Music Studies, Nantes: International Society for Metal Music Studies.
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  35. Varas-Díaz, N. (2021), Decolonial Metal Music in Latin America, London: Intellect.
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  36. Varas-Díaz, N. and Morales, E. (2018), ‘Decolonial reflections in Latin American metal: Religion, politics and resistance’, Theologiques, 26:1, pp. 229–50.
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  37. Varas-Díaz, N. , Rivera-Segarra, E. and Nevárez, D. (2019), ‘Coloniality and resistance in Latin American metal music: Death as experience and strategy’, Hispanic Issues Online, 23, pp. 226–51.
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  38. Varas-Díaz, N. , Araújo, D. N. , and Rivera-Segarra, E. (2020), ‘Conceptualizing the distorted South: How to understand metal music and its scholarship in Latin America’, in N. Varas-Díaz , D. Nevárez Araújo and E. Rivera-Segarra (eds), Heavy Metal Music in Latin America: Perspectives from the Distorted South, London: Lexington Books.
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  39. Wallach, J. and Clinton, E. (2019), ‘Theories of the post-colonial and globalization: Ethnomusicologists grapple with power, history, media, and mobility’, in H. M. Berger and R. Stone (eds), Theory for Ethnomusicology: Histories, Conversations, Insights; 2nd ed., New Jersey: Prentice Hall, pp. 1114–39.
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References

  1. Barnhurst, K. G. (1991), ‘Contemporary terrorism in Peru: Sendero Luminous and the media’, Journal of Communication, 41:4, pp. 75–89.
     [Google Scholar]
  2. Barrientos Hernandez, D. H. and Church, A. L. (2003), ‘Terrorism in Peru’, Prehospital and Disaster Medicine, 18:2, pp. 123–26.
     [Google Scholar]
  3. Biddle, I. , and Knights, V. (eds) (2007), Music, National Identity and the Politics of Location – Between the Global and the Local, Hampshire: Ashgate.160
     [Google Scholar]
  4. Burt, J.-M. (2007), Political Violence and the Authoritarian State in Peru, New York: Palgrave Macmillan.
     [Google Scholar]
  5. Calvo, M. B. (2018), ‘Indigenista perspectives in Argentine metal music’, Metal Music Studies, 4:1, pp. 155–63.
     [Google Scholar]
  6. Casallas, D. A. and Padilla Piedrahita, J. (2004), ‘Antropología Forense En El Conflicto Armado En El Contexto Latinoamericano: Estudio Comparativo Argentina, Guatemala, Perú y Colombia’, Maguaré, 18, pp. 293–310.
     [Google Scholar]
  7. Chaska (2009), ‘Pururauca’, Pururauca, Arequipa: Mythic Metal Productions.
     [Google Scholar]
  8. Connell, R. (2011), ‘Southern bodies and disability: rethinking concepts’, Third World Quarterly, 32:8, pp. 1369–1381.
     [Google Scholar]
  9. De las Casas, B. (1992), In Defense of the Indians, DeKalb: Northern Illinois University Press.
     [Google Scholar]
  10. De las Casas, B. (2006), Brevísima Relación de La Destrucción de Indias, Colombia: Editorial Universidad de Antioquia.
     [Google Scholar]
  11. De Sousa Santos, B. (2020), ‘Toward an aesthetics of the epistemologies of the south: Manifesto in twenty-two theses’, in B. de S. Santos and M. P. Meneses (eds), Epistemologies of the South: Knowledges Born in the Struggle – Constructing the Epistemologies of the Global South, New York: Routledge, pp. 117–25.
     [Google Scholar]
  12. Dirth, T. P. and Adams, G. A. (2019), ‘Decolonial theory and disability studies: On the modernity/coloniality of ability’, Journal of Social and Political Psychology, 7:1, pp. 260–89.
     [Google Scholar]
  13. Fanon, F. (1963), The Wretched of the Earth (trans. by Constance Farrington), London: Penguin.
     [Google Scholar]
  14. Fanon, F. ([1952] 2008), Black Skins, White Masks, London: Pluto Press.
     [Google Scholar]
  15. Garland-Thomson, R. (2017), Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature, 20th anniversary ed., New York: Columbia University Press.
     [Google Scholar]
  16. Gómez-Barris, M. (2017), The Extractive Zone: Social Ecologies and Decolonial Perspectives, Durham: Duke University Press.
     [Google Scholar]
  17. Grech, S. (2015), ‘Decolonising eurocentric disability studies: Why colonialism matters in the disability and Global South debate’, Social Identities, 21:1, pp. 6–21.
     [Google Scholar]
  18. Harmon, C.. C. (1992), ‘The purposes of terrorism within insurgency: Shining path in Peru’, Small Wars & Insurgencies, 3:2, pp. 170–90.
     [Google Scholar]
  19. Hernández, G. and Omar, J. (2021), ‘Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia’, Metal Music Studies, 7:1, pp. 119–28.
     [Google Scholar]
  20. Laplante, L. J. and Theidon, K. S. (2007), ‘Truth with consequences: Justice and reparations in Post-Truth Commission Peru’, Human Rights Quarterly, 29:1, pp. 228–50.
     [Google Scholar]
  21. Meekosha, H. (2008) ‘Contextualizing disability: developing southern/global theory’, keynote paper presented to 4th Biennial Disability Studies Conference, Lancaster: Lancaster University.
     [Google Scholar]
  22. Meekosha, H. (2011), ‘Decolonising disability: Thinking and acting globally’, Disability and Society, 26:6, pp. 667–82.
     [Google Scholar]
  23. Meekosha, H. and Soldatic, K. (2011), ‘Human rights and the Global South: The case of disability’, Third World Quarterly, 32:8, pp. 1383–97.161
     [Google Scholar]
  24. Mignolo, W. D. (2011), The Darker Side of Western Modernity: Global Futures, Decolonial Options, Durham: Duke University Press.
     [Google Scholar]
  25. Mignolo, W. D. and Escobar, A. (eds) (2010), Globalization and the Decolonial Option, New York: Routledge.
     [Google Scholar]
  26. Mignolo, W. D. and Walsh, C. E. (2018), On Decoloniality: Concepts, Analytics, Praxis, Durham: Duke University Press.
     [Google Scholar]
  27. Mirzoeff, N. (2011), The Right to Look: A Counterhistory of Visuality, Durham: Duke University Press.
     [Google Scholar]
  28. Oliver, M. (1990), The Politics of Disablement, London: Macmillan.
     [Google Scholar]
  29. Quijano, A. (2010), ‘Coloniality and modernity/rationality’, in W. D. Mignolo and A. Escobar (eds), Globalization and the Decolonial Option, New York: Routledge, pp. 22–32.
     [Google Scholar]
  30. Rivera Cusicanqui, S. (2015), Sociología de La Imagen: Miradas Ch’ixi Desde La Historia Andina, Buenos Aires: Tinta Limón.
     [Google Scholar]
  31. Rivera Cusicanqui, S. (2020), Ch’ixinakax Utxiwa: A Reflection on the Practices and Discourses of Decolonization, Cambridge: Polity Press.
     [Google Scholar]
  32. Santos, B. de S. (2018), The End of the Cognitive Empire: The Coming of Age of Epistemologies of the South, North Carolina: Duke University Press.
     [Google Scholar]
  33. United Nation’s Department of Economic and Social Affairs (n.d.), ‘The United Nations and Indigenous persons with disabilities’, https://www.un.org/development/desa/disabilities/issues/the-united-nations-and-indigenous-persons-with-disabilities.html.
  34. Varas-Díaz, N. (2019), ‘Decolonial hope: From the ‘Nueva Canción’ to heavy metal music in Latin America’, 4th Biennial Research Conference, International Society for Metal Music Studies, Nantes: International Society for Metal Music Studies.
     [Google Scholar]
  35. Varas-Díaz, N. (2021), Decolonial Metal Music in Latin America, London: Intellect.
     [Google Scholar]
  36. Varas-Díaz, N. and Morales, E. (2018), ‘Decolonial reflections in Latin American metal: Religion, politics and resistance’, Theologiques, 26:1, pp. 229–50.
     [Google Scholar]
  37. Varas-Díaz, N. , Rivera-Segarra, E. and Nevárez, D. (2019), ‘Coloniality and resistance in Latin American metal music: Death as experience and strategy’, Hispanic Issues Online, 23, pp. 226–51.
     [Google Scholar]
  38. Varas-Díaz, N. , Araújo, D. N. , and Rivera-Segarra, E. (2020), ‘Conceptualizing the distorted South: How to understand metal music and its scholarship in Latin America’, in N. Varas-Díaz , D. Nevárez Araújo and E. Rivera-Segarra (eds), Heavy Metal Music in Latin America: Perspectives from the Distorted South, London: Lexington Books.
     [Google Scholar]
  39. Wallach, J. and Clinton, E. (2019), ‘Theories of the post-colonial and globalization: Ethnomusicologists grapple with power, history, media, and mobility’, in H. M. Berger and R. Stone (eds), Theory for Ethnomusicology: Histories, Conversations, Insights; 2nd ed., New Jersey: Prentice Hall, pp. 1114–39.
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