Refugee hybrid fiction: Rhetorical, generic and intermedial hybridity as strategies of political resistance | Intellect Skip to content
1981
Volume 14, Issue 2
  • ISSN: 2040-4344
  • E-ISSN: 2040-4352

Abstract

To introduce the concept of hybrid fiction, this article critically investigates contemporary developments in migration media production. It explores a class of migration media content and elaborates on its composite-hybridized nature. The study originates from a mapping of 98 examples of digitally distributed media content (2014–21) aimed at charting their hybrid character by combining insights from genre theory, narratology and intermedial studies. The results highlight three overlapping levels of hybridization throughout the sample: medial, generic and rhetorical. Therefore, they reflect the emergence of a strand of content that, in pushing three different boundaries of conventional manifestations of fiction, challenges the uniformity of visual regimes of migrant ‘exclusion’. Hence, the article advances a politics of hybridity in media and migration by delineating the nexus between the agonistic, counter-hegemonic character of migration media content and its tendency to combine, layer and blend different rhetorical, generic and intermedial forms.

Funding
This study was supported by the:
  • The FWO (Fonds Wetenschappelijk Onderzoek) – Ph.D. Scholarship (Award 11J0223N)
This article is Open Access under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence (CC BY-NC-ND), which allows users to copy, distribute and transmit the article as long as the author is attributed, the article is not used for commercial purposes, and the work is not modified or adapted in any way. To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc-nd/4.0/
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2024-01-23
2024-04-30
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Keyword(s): aesthetics; films; genres; hybridity; intermediality; migration; narratology; resistance
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