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Volume 15, Issue 1
  • ISSN: 2040-4689
  • E-ISSN: 2040-4697

Abstract

India is a land of vibrant culture and heritage. It is home to many diversified craft techniques, most of which have been intensely investigated, recorded, diversified and revived, while a few have languished. This work reflects the origins and process of the Indian craft Mata Ni Pachedi, which means ‘behind the mother goddess’ and is a cloth that constitutes a temple of the goddess. The original creator of Mata Ni Pachedi is the nomadic Vaghari community from Gujarat, the members of which lived along the banks of the Sabarmati River and worshipped the mother goddess in all her forms. The community created these textiles as an ode to the goddess, as sacred wall art pieces that enabled them to worship the goddess when they could not enter temples due to their low caste. Mata Ni Pachedi is a unique textile that has survived modern-day clothing techniques using natural dyes and simple block printing techniques, exploring different forms of gods and goddesses on cloth. Those in the rural community of Gujrat still worship their goddess on a piece of fabric during the festival of Navratri, in March and September. This research aims to investigate and catalogue the evolution, consumption pattern, production process and present-day scenario of the Mata Ni Pachedi craft to aid and sustain its survival and establish its context in contemporary times.

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2024-04-17
2024-05-03
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Mata Ni Pachedi: Tales of the goddess on textiles from Gujrat, India
Craft Research 15, 109 (2024); https://doi.org/10.1386/crre_00121_1
/content/journals/10.1386/crre_00121_1
/content/journals/10.1386/crre_00121_1
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  • Article Type: Article
Keyword(s): artisan; crafts; cultural expression; humanitarianism; social practices; sustainability; traditional ecological knowledge

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