Under the Skin: How Filmmakers Affectively Reduce the Space Between the Film and the Viewer | Intellect Skip to content
1981
Volume 5, Issue 1
  • ISSN: 2042-1869
  • E-ISSN: 2042-1877

Abstract

Abstract

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/content/journals/10.1386/fm.5.1.44_1
2014-03-01
2024-02-28
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http://instance.metastore.ingenta.com/content/journals/10.1386/fm.5.1.44_1
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  • Article Type: Article
Keyword(s): aesthetics; affect; Black Swan; Darren Aronofsky; horror; phenomenology; skin; tactility
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