Hitchcock and the Internalization of Soviet Sound Theory

References

1. Allen, Richard.. “ The Sound of ‘The Birds.’. ” October, vol. 146, 2013, pp. 97–120.
   [Google Scholar]
2. Belton, John.. “ Awkward Transitions: Hitchcock’s ‘Blackmail’ and the Dynamics of Early Film Sound. .” The Musical Quarterly, vol. 83, no. 2, 1999, pp. 227–246.
   [Google Scholar]
3. Eisenstein, S. M.,, V. I. Pudovkin,, and G. V. Alexandrov.. “ A Statement [on the Sound Film]. .” Film Sound: Theory and Practice, edited by Elisabeth Weis, and John Belton., translated by Marie Seton, and Ivor Montagu., Columbia University Press;, 1985, pp. 82–85.
   [Google Scholar]
4. McDonald, Matthew.. “ Hitchcock’s Blackmail and the Threat of Recorded Sound. .” Music and the Moving Image, vol. 8, no. 3, 2015, pp. 40–51.
   [Google Scholar]
5. Weis, Elizabeth.. “ Consolidation of a Classical Style: The Man Who Knew Too Much. .” A Hitchcock Reader, edited by Marshall Deutelbaum, and Leland Poague., John Wiley & Sons;, 2009, pp. 107–113.
   [Google Scholar]
6. Wood, Robin.. “ Retrospective. .” A Hitchcock Reader, edited by Marshall Deutelbaum, and Leland Poague., John Wiley & Sons;, 2009, p. 35.
   [Google Scholar]
7. Yacowar, Maurice.. “ Hitchcock’s Imagery and Art. .” A Hitchcock Reader, edited by Marshall Deutelbaum, and Leland Poague., John Wiley & Sons;, 2009, pp. 25–34.
   [Google Scholar]