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Abstract

This article analyses the complex relationship between the construction of gender identities among young Chinese females and the practice of dressing up in attire. The study employs the perspectives of dress as a situated embodied practice, the performativity of gender and the catwalk as a form of performance art. By drawing on an ethnography of self-defined fans in Beijing, China, the authors investigate how the female participants construct femininities through performing on catwalks. The ethnographic findings are that, first, the catwalk mediates the intricate interplay of Chinese aesthetic norms and gender expression between performers and the audience. Second, wearing is an embodied practice unifying the costume style, gender construction and corporeal acts, situated in China’s sociopolitical context. Third, Chinese femininity is complex, with both flexibility and internal conflicts, reflecting China’s paradoxical modernization.

Funding
This study was supported by the:
  • The China Scholarship Council (Award 202008110215)
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2024-03-15
2024-04-27
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