f The new generation: Contemporary Chinese art in the diaspora

References

1. Archer, Anita. ( 2022), Chinese Contemporary Art in the Global Auction Market, Leiden:: Brill;.
   [Google Scholar]
2. Bal, Mieke. ( 2007;), ‘ Lost in space, lost in the library. ’, in S. Durrant, and C. M. Lord. (eds), Essays in Migratory Aesthetics: Cultural Practices Between Migration and Art-Making, New York:: Brill;, pp. 23–36.
   [Google Scholar]
3. Bao, Hongwei. ( 2013;), ‘ A queer comrade in Sydney: Chineseness, queer desire and homonationalism. ’, Interventions: International Journal of Postcolonial Studies, 15:1, pp. 129–42.
   [Google Scholar]
4. Bao, Hongwei. ( 2020), Queer China: Lesbian and Gay Literature and Visual Culture under Postsocialism, London:: Routledge;.
   [Google Scholar]
5. Bao, Hongwei. ( 2021a;), ‘ Sharing food, vulnerability and intimacy in a global pandemic: The digital art of the Chinese diaspora in Europe. ’, Journal of Contemporary Chinese Art, 8:2&3, pp. 129–45.
   [Google Scholar]
6. Bao, Hongwei. ( 2021b;), ‘ Envisioning and enacting a Pan-Asian political identity: The first “stop Asian hate” protest in the UK. ’, The Sociological Review Magazine, 7 September, https://doi.org/10.51428/tsr.crwi5533. Accessed 20 April 2022.
   [Google Scholar]
7. Boden, Jeanne. ( 2016), Contemporary Chinese Art: Postsocialist, Posttraditionalist, Postcolonial, Brussels:: ASP;.
   [Google Scholar]
8. Chan, Felicia, and Willis, Andy. ( 2014;), ‘ British Chinese short films: Challenging the limits of the Sinophone. ’, in A. Yue, and O. Khoo. (eds), Sinophone Cinemas, Basingstoke:: Palgrave Macmillan;, pp. 169–84.
   [Google Scholar]
9. Chao, Shi-Yan. ( 2020), Queer Representations in Chinese-Language Film and the Cultural Landscape, Amsterdam:: Amsterdam University Press;.
   [Google Scholar]
10. Chiu, Melissa. ( 2006), Break Out: Chinese Art Outside China, Milan:: Edizioni Charta;.
    [Google Scholar]
11. Davidson, Jane Chin. ( 2019), Staging Art and Chineseness: The Politics of Trans/nationalism and Global Dispositions, Manchester:: Manchester University Press;.
    [Google Scholar]
12. Frayling, Christopher. ( 2014), The Yellow Peril: Dr Fu Manchu and The Rise of Chinaphobia, London:: Thames & Hudson;.
    [Google Scholar]
13. Gao, Minglu. ( 1998), Inside Out: New Chinese Art, Berkeley, CA:: University of California Press;.
    [Google Scholar]
14. Gao, Minglu. ( 2011), Total Modernity and the Avant-Garde in Twentieth Century Chinese Art, Cambridge, MA:: MIT Press;.
    [Google Scholar]
15. Gladston, Paul. ( 2014), Contemporary Chinese Art: A Critical History, London:: Reaktion Books;.
    [Google Scholar]
16. Hall, Stuart. ( 1986;), ‘ Gramsci’s relevance for the study of race and ethnicity. ’, Journal of Communication Inquiry, 10:2, pp. 5–27.
    [Google Scholar]
17. Jiang, Jiehong. (ed.) ( 2021a;), ‘ The world, two metres away: Arts and culture during the pandemic. ’, Journal of Contemporary Chinese Art, 8:2&3, pp. 101–05.
    [Google Scholar]
18. Jiang, Jiehong. (ed.) ( 2021b), The Otherness of the Everyday: Twelve Conversations from the Chinese Art World during the Covid-19 Pandemic, Bristol:: Intellect Books;.
    [Google Scholar]
19. Jiang, Jiehong. ( 2021c), The Art of Contemporary China, London:: Thames & Hudson;.
    [Google Scholar]
20. Kenny, Kevin. ( 2013), Diaspora: A Very Short Introduction, Oxford:: Oxford University Press;.
    [Google Scholar]
21. Kuehn, Julia,, Louie, Kam, and Pomfret, David M.. ( 2013), Diasporic Chineseness After the Rise of China: Communities and Cultural Production, Vancouver:: UBC Press;.
    [Google Scholar]
22. Leduc, Marie. ( 2018), Dissidence: The Rise of Chinese Contemporary Art in the West, Cambridge, MA:: MIT Press;.
    [Google Scholar]
23. Lü, Peng. ( 2018), Contemporary Chinese Art Since 1989, Paris:: Somogy Editions d’Art;.
    [Google Scholar]
24. Ma, Laurence J. C., and Cartier, Carolyn. (eds) ( 2002), The Chinese Diaspora: Space, Place, Mobility and Identity, Lanham, MD:: Rowman & Littlefield;.
    [Google Scholar]
25. Mercer, Kobena. ( 1994), Welcome to the Jungle: New Positions in Black Cultural Studies, London:: Routledge;.
    [Google Scholar]
26. Metzger, Sean. ( 2020), The Chinese Atlantic: Seascapes and the Theatricality of Globalisation, Bloomington, IN:: Indiana University Press;.
    [Google Scholar]
27. Miles, Steven B.. ( 2020), Chinese Diasporas: A Social History of Global Migration, Oxford:: Oxford University Press;.
    [Google Scholar]
28. Pollack, Barbara. ( 2018), Brand New Art from China: A Generation on the Rise, London:: I. B. Tauris;.
    [Google Scholar]
29. Rofel, Lisa. ( 2007), Desiring China: Experiments in Neoliberalism, Sexuality, and Public Culture, Durham, NC:: Duke University Press;.
    [Google Scholar]
30. Shi, Flair Donglai. ( 2021;), ‘ Reconsidering Sinophone studies: The Chinese Cold War, multiple Sinocentrisms, and theoretical generalisation. ’, International Journal of Taiwan Studies, 4:2, pp. 311–44, https://doi.org/10.1163/24688800-20201156. Accessed 20 April 2022.
    [Google Scholar]
31. Shih, Shu-mei. ( 2007), Visuality and Identity: Sinophone Articulations Across the Pacific, Berkeley, CA:: University of California Press;.
    [Google Scholar]
32. Shih, Shu-mei. ( 2010;), ‘ Against diaspora: The Sinophone as places of cultural production. ’, Global Chinese Literature, 3, pp. 29–48, https://doi.org/10.1163/9789004186910_004. Accessed 20 April 2022.
    [Google Scholar]
33. Snorton, C. Riley, and Yapp, Hentyle. (eds) ( 2020), Saturation: Race, Art and the Circulation of Value, Cambridge, MA:: MIT Press;.
    [Google Scholar]
34. Sun, Wanning. ( 2014), Subaltern China: Rural Migrants, Media, and Cultural Practices, Lanham, MD:: Rowman & Littlefield Publishers;.
    [Google Scholar]
35. Tan, Chee-Beng. (ed.) ( 2017), Routledge Handbook of the Chinese Diaspora, London:: Routledge;.
    [Google Scholar]
36. Veg, Sebastian. ( 2021), Minjian: The Rise of China’s Grassroots Intellectuals, New York:: Columbia University Press;.
    [Google Scholar]
37. Wang, David Der-wei. ( 2006;), ‘ Literary traveling and global imagination. ’, United Daily News, 8–9 July (in Chinese).
    [Google Scholar]
38. Wang, David Der-wei. ( 2015), The Politics of ‘Root’, the Poetics of ‘Disposition’: Sinophone Discourse and Chinese Literature, Kaohsiung:: National Sun Yat-sen University Press; (in Chinese).
    [Google Scholar]
39. Wang, David Der-wei. ( 2018;), ‘ Sinophone intervention with China: Between national and world literature. ’, in H. Saussy. (ed.), Texts and Transformations: Essays in Honour of the 75th Birthday of Victor H. Mair, New York:: Cambria Press;, pp. 59–79.
    [Google Scholar]
40. Wang, Jing. ( 2019), The Other Digital China: Nonconfrontational Activism on the Social Web, Cambridge, MA:: Harvard University Press;.
    [Google Scholar]
41. Wang, Meiqin. ( 2015), Urbanisation and Contemporary Chinese Art, New York:: Routledge;.
    [Google Scholar]
42. Wang, Peggy. ( 2021), The Future History of Contemporary Chinese Art, Minneapolis, MN:: University of Minnesota Press;.
    [Google Scholar]
43. Welland, Sasha Su-Ling. ( 2018), Experimental Beijing: Gender and Globalisation in Contemporary Chinese Art, Durham, NC:: Duke University Press;.
    [Google Scholar]
44. Wielander, Gerda, and Bao, Hongwei. ( 2022;), ‘ Ten essays and five excellent papers to greet 2022. ’, British Journal of Chinese Studies, 12:1, pp. v–vi, https://doi.org/10.51661/bjocs.v12i1.202. Accessed 20 April 2022.
    [Google Scholar]
45. Wu, Hong. ( 2001), Chinese Art at the Crossroads: Between Past and Future, Between East and West, Hong Kong:: New Art Media Ltd;.
    [Google Scholar]
46. Wu, Hong. ( 2014), Contemporary Chinese Art: A History: 1970s–2000s, London:: Thames & Hudson;.
    [Google Scholar]
47. Yapp, Hentyle. ( 2021), Minor China: Method, Materialisms, and the Aesthetic, Durham:: Duke University Press;.
    [Google Scholar]
48. Zhang, Zhen, and Zito, Angela. ( 2015), DV Made China: Digital Subject and Social Transformations after Independent Film, Honolulu, HI:: University of Hawaii Press;.
    [Google Scholar]
49. Zhou, Min. (ed.) ( 2017), Contemporary Chinese Diasporas, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
50. Zhou, Yan. ( 2020), A History of Contemporary Chinese Art: 1949 to Present, Berlin:: Springer;.
    [Google Scholar]