Stout’s doubt

This article looks at the American painter Myron Stout (1908–1987) in relation to arguments made in the early to mid-1960s around abstract art, as well as later historical re-evaluations of Minimalism. Using ‘doubt’ as explored by both Richard Shiff and Maurice Merleau-Ponty, I propose a re-reading of an artist who has been historically and aesthetically displaced. In the end I argue for a productive understanding of temporal resistances.