A brutal humanism for the new millennium? The legacy of Neorealism in contemporary cinema of migration

References

1. Anon.. (1951), Protocol Relating to the Status of Refugees, Geneva:: United Nations Refugee Agency;, http://www.unhcr.org/uk/protection/basic/3b66c2aa10/convention-protocol-relating-status-refugees.html. Accessed 10 July 2018 .
   [Google Scholar]
2. Anon.. (2015), The Sea Route to Europe: The Mediterranean Passage in the Age of Refugees, Geneva:: United Nations Refugee Agency;, http://www.unhcr.org/uk/protection/operations/5592bd059/sea-route-europe-mediterranean-passage-age-refugees.html. Accessed 10 July 2018 .
   [Google Scholar]
3. Anon.. (2016a);, '66th Berlin International Film Festival February 11-21, 2016', Berlinale. , https://www.berlinale.de/en/archiv/jahresarchive/2016/01_jahresblatt_2016/01_jahresblatt_6.html. Accessed 27 September 2018 .
4. Anon.. (2016b);, 'Berlin film festival: Fire at Sea wins Golden Bear', BBC. , 20 February, http://www.bbc.co.uk/news/entertainment-arts-35623412. Accessed 10 July 2018 .
5. Anon.. (2016c);, 'Fuocoammare: Fire at Sea', Berlinale. , https://www.berlinale.de/en/archiv/jahresarchive/2016/02_programm_2016/02_Filmdatenblatt_2016_201614479.php%23tab=filmStills. Accessed 10 July 2018 .
6. Barra, L.,, Brembilla, P.,, Cucco, M.,, Garofalo, D.,, Holdaway, D.,, Fadda, M.,, Morreale, E.,, Noto, P.,, Perrotta, M., and Scaglioni, M.. (2018);, 'About: International circulation of Italian cinema', International Circulation of Italian Cinema. , https://www.italiancinema.it/. Accessed 10 September 2018 .
7. Bartolo, P.. (2017), Lampedusa: Gateway to Europe, London:: MacLehose Press;.
   [Google Scholar]
8. Bazin, A., and Truffaut, F.. (1981), French Cinema of the Occupation and Resistance: The Birth of a Critical Esthetic, New York:: F. Ungar.;
   [Google Scholar]
9. Bell, K. M.. (2013);, 'Raising Africa?: Celebrity and the rhetoric of the white saviour'. , PORTAL Journal of Multidisciplinary International Studies, 10:1, pp. 1-24.
   [Google Scholar]
10. Brunetta, G. P.. (2009), Il cinema neorealista italiano: Da 'Roma città aperta' a 'I soliti ignoti', Rome and Bari:: Laterza;.
    [Google Scholar]
11. Butler, J.. (2002), Antigone's Claim: Kinship between Life and Death, New York:: Columbia University Press;.
    [Google Scholar]
12. Carpignano, J.. (2015), Mediterranea ('Mediterranean'), USA:: Audax Films, Court 13 Pictures, DCM Productions, Good Lap Production, Grazka Taylor Productions, Grisbi Productions, Maiden Voyage Pictures, Nomadic Independence Pictures, Sunset Junction Entertainment, TideRock Media and Treehouse Pictures;.
    [Google Scholar]
13. Colella, F.. (2017);, 'The representation of migrants in Italian cinema: From the stereotypes to the socio-political mission of present-day film directors'. , Italian Sociological Review, 7:2, pp. 165-81.
    [Google Scholar]
14. Crialese, E.. (2011), Terraferma ('Dry land'), Italy:: Cattleya, Babe Film and France 2 Cinéma;.
    [Google Scholar]
15. Cucco, M.. (2014);, 'Che cosa è un film? La grande bellezza in una prospettiva di economia e politica di media'. , in M. Cucco. (ed.), La trama dei media: Stato, imprese, pubblico nella societa dell'informazione, Rome:: Carocci editore;, pp. 101-09.
    [Google Scholar]
16. Debruge, P.. (2015);, 'Film review: Mediterranea'. , Variety, 19 May, https://variety.com/2015/film/festivals/mediterranea-review-cannes-1201496255/. Accessed 16 September 2018 .
    [Google Scholar]
17. Deleuze, G.. ([1985] 2005), Cinema II: The Time-Image, London:: Bloomsbury Academic;.
    [Google Scholar]
18. Fabbri, L.. (2015);, 'Neorealism as ideology: Bazin, Deleuze, and the avoidance of fascism'. , The Italianist, 35:2, pp. 182-201.
    [Google Scholar]
19. Grassa, M. D.,, Tomasi, D., and Acciari, M.. (2016);, 'Film festivals'. , Journal of Italian Cinema & Media Studies, 4:1, pp. 127-38.
    [Google Scholar]
20. Hipkins, D.. (2008);, 'Why Italian film studies needs a second take on gender'. , Italian Studies, 63:1, pp. 213-34.
    [Google Scholar]
21. Hipkins, D., and Renga, D.. (2016);, 'A new canon?: Contemporary Italian cinema and television and the role of quality in the anglophone curriculum'. , Comunicazioni sociali, 1:3, pp. 375-97.
    [Google Scholar]
22. Holdaway, D.. (2014);, 'Osservazioni sulla retorica di Gomorra'. , in W. Hope,, S. Serra, and L. D'Arcangeli. (eds), Un Nuovo Cinema Politico Italiano?: Il passato sociopolitica o, il potere istituzionale, la marginalizzazione, Leicester:: Troubador;, pp. 198-210.
    [Google Scholar]
23. hooks, b.. (1992), Black Looks: Race and Representation, Boston:: South End Press;.
    [Google Scholar]
24. Kessy, R.. (2014);, 'Decoding the donor gaze: Documentary, aid and AIDS in Africa'. , doctoral thesis, Huddersfield:: University of Huddersfield;.
    [Google Scholar]
25. Kim, J.,, Mazza, C.,, Mezias, S.,, Pedersen, J. S., and Svejenova, S.. (2011);, 'Transforming film product identities: The status effects of European premier film festivals, 1996-2005'. , in B. Moeran, and J. S. Pedersen. (eds), Negotiating Values in the Creative Industries: Fairs, Festivals and Competitive Events, Cambridge:: Cambridge University Press;, pp. 169-96.
    [Google Scholar]
26. Lombardi-Diop, C., and Romeo, C.. (2012), Postcolonial Italy: Challenging National Homogeneity, New York:: Palgrave Macmillan US;.
    [Google Scholar]
27. Lombardi-Diop, C., and Romeo, C.. (2014);, 'The Italian postcolonial: A manifesto'. , Italian Studies, 69:3, pp. 425-33.
    [Google Scholar]
28. Lombardi-Diop, C., and Romeo, C.. (2015a);, 'Italy's postcolonial "question": Views from the Southern Frontier of Europe'. , Postcolonial Studies, 18:4, pp. 367-83.
    [Google Scholar]
29. Lombardi-Diop, C., and Romeo, C.. (2015b);, 'State of the union: Survival blankets and falling stars'. , Postcolonial Studies, 18:4, pp. 337-52.
    [Google Scholar]
30. Mancosu, G.. (2018);, 'Discourses of impegno and Italian colonial legacies: Reassessing times, spaces and voices in documentaries on (post) colonial mobility'. , Journal of Italian Cinema & Media Studies, 6:1, pp. 33-48.
    [Google Scholar]
31. Marcus, M.. (1986), Italian Film in the Light of Neorealism, Princeton:: Princeton University Press;.
    [Google Scholar]
32. Metz, C.. (1982), The Imaginary Signifier: Psychoanalysis and the Cinema, Indiana:: Indiana University Press;.
    [Google Scholar]
33. Mulvey, L.. (1975);, 'Visual pleasure and narrative cinema'. , Screen, 16:3, pp. 6-18.
    [Google Scholar]
34. Nathan, V.. (2017), Marvellous Bodies: Italy's New Migrant Cinema, West Lafayette:: Purdue University Press;.
    [Google Scholar]
35. O'Healy, Á.. (2010);, 'Mediterranean passages: Abjection and belonging in contemporary Italian cinema'. , California Italian Studies, 1:1, pp. 1-19.
    [Google Scholar]
36. O'Healy, Á.. (2019), Migrant Anxieties: Italian Cinema in a Transnational Frame, Bloomington:: Indiana University Press;.
    [Google Scholar]
37. O'Leary, A.. (2017);, 'What is Italian cinema?'. , California Italian Studies, 7:1, pp. 1-26.
    [Google Scholar]
38. O'Leary, A., and O'Rawe, C.. (2011);, 'Against realism: On a "certain tendency" in Italian film criticism'. , Journal of Modern Italian Studies, 16:1, pp. 107-28.
    [Google Scholar]
39. O'Rawe, C.. (2008);, '"I padri e i maestri": Genre, auteurs, and absences in Italian film studies. ', Italian Studies, 63:1, pp. 173-94.
    [Google Scholar]
40. Ponzanesi, S.. (2016);, 'Of shipwrecks and weddings: Borders and mobilities in Europe'. , Transnational Cinemas, 7:1, pp. 151-67.
    [Google Scholar]
41. Ponzanesi, S., and Merolla, D.. (2005), Migrant Cartographies: New Cultural and Literary Spaces in Post-Colonial Europe, Oxford:: Lexington Books;.
    [Google Scholar]
42. Rajaram, P.. (2016);, 'Europe's "Hungarian solution"'. , Radical Philosophy, 197:1, pp. 1-7.
    [Google Scholar]
43. Rigoletto, S.. (2014), Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s, Edinburgh:: Edinburgh University Press;.
    [Google Scholar]
44. Rosi, G.. (2016), Fuocoammare (Fire at Sea), Italy:: Stemal Entertainment, 21 Unofilm, Istituto Luce Cinecittà, Rai Cinema, Les Films d'Ici and Arte France Cinéma;.
    [Google Scholar]
45. Rüling, C.-C., and Strandgaard Pedersen, J.. (2010);, 'Film festival research from an organizational studies perspective'. , Scandinavian Journal of Management, 26:1, pp. 318-23.
    [Google Scholar]
46. Rumph, R. S.. (2011);, 'I am African: Branding Africa through the gaze of philanthropy'. , doctoral thesis, New York:: New York University;.
    [Google Scholar]
47. Schoonover, K.. (2012), Brutal Vision: The Neorealist Body in Postwar Italian Cinema, Minnesota:: University of Minnesota Press;.
    [Google Scholar]
48. Valck, M. de. (2007), Film Festivals: From European Geopolitics to Global Cinephilia, Amsterdam:: Amsterdam University Press;.
    [Google Scholar]
49. Wagstaff, C.. (2007), Italian Neorealist Cinema: An Aesthetic Approach, Toronto:: University of Toronto Press;.
    [Google Scholar]
50. Waldman, P.. (2015);, 'Aylan Kurdi, and the ethics of an image that shocked the world'. , The Week, 4 September, https://theweek.com/articles/575415/aylan-kurdi-ethics-image-that-shocked-world. Accessed 11 March 2019 .
    [Google Scholar]
51. Wilson, J.. (2016);, 'The joy of inequality: The libidinal economy of compassionate consumerism'. , International Journal of Žižek Studies, 9:2, pp. 1-26.
    [Google Scholar]
52. Young, L.. (1996), Fear of the Dark: 'Race', Gender and Sexuality in the Cinema, London and New York:: Routledge;.
    [Google Scholar]
53. Zagarrio, V.. (2012);, 'L'eredità del neorealismo nel "new-new Italian cinema"'. , Annali d'Italianistica, 30:1, pp. 95-111.
    [Google Scholar]
54. Zhang, G.. (2018);, 'Documentary films on migrations in Italy: Characteristics and ethics'. , Journal of Italian Cinema & Media Studies, 6:1, pp. 3-14.
    [Google Scholar]
55. Žižek, S.. (2016), Against the Double Blackmail: Refugees, Terror and Other Troubles with the Neighbours, London:: Penguin Books Limited;.
    [Google Scholar]
56. Johnson, R.. (2020);, 'A brutal humanism for the new millennium? The legacy of neorealism in contemporary cinema of migration'. , Journal of Italian Cinema & Media Studies, 8:1, pp. 61-77, doi: 10.1386/jicms_00005_1
    [Google Scholar]