Journal of Italian Cinema & Media Studies

Journal of Italian Cinema & Media Studies - Online First

Online First articles will be assigned issues in due course.

17 results

- Le cose non dette, Patrizia Fregonese de Filippo (dir.) (2023), Italy: Kalabrone Film and A.C.E.R.
  
  By Sarah Annunziato
  
  https://doi.org/10.1386/jicms_00294_5
  
  Available online: 24 January 2025
  More Less
  
  Review of: Le cose non dette, Patrizia Fregonese de Filippo (dir.) (2023), Italy: Kalabrone Film and A.C.E.R.
- Italian Cinema in the Present Tense, Millicent Marcus (2023)
  
  By Giuseppe Fidotta
  
  https://doi.org/10.1386/jicms_00302_5
  
  Available online: 24 January 2025
  More Less
  
  Review of: Italian Cinema in the Present Tense, Millicent Marcus (2023)
  
  Toronto: University of Toronto Press, 290 pp.,
  
  ISBN 978-1-48754-619-9, p/bk, $39.95
- Italian Political Cinema: Figures of the Long ’68, Mauro Resmini (2023)
  
  By Lorenz Hegel
  
  https://doi.org/10.1386/jicms_00303_5
  
  Available online: 24 January 2025
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  Review of: Italian Political Cinema: Figures of the Long ’68, Mauro Resmini (2023)
  
  Minneapolis, MN and London: University of Minnesota Press, 302 pp.,
  
  ISBN 978-1-51791-138-6, p/bk, $28.00
- The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Catherine O’Rawe (2024)
  
  By Charles L. Leavitt IV
  
  https://doi.org/10.1386/jicms_00304_5
  
  Available online: 24 January 2025
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  Review of: The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Catherine O’Rawe (2024)
  
  London: Bloomsbury Academic, 249 pp.,
  
  ISBN 978-1-50139-435-5, h/bk, £90
- Fashioning Submission: Documenting Fashion, Taste and Identity in WWII Italy through Bellezza Magazine, Silvia Vacirca (2023)
  
  By Marta Martina
  
  https://doi.org/10.1386/jicms_00305_5
  
  Available online: 24 January 2025
  More Less
  
  Review of: Fashioning Submission: Documenting Fashion, Taste and Identity in WWII Italy through Bellezza Magazine, Silvia Vacirca (2023)
  
  Sesto San Giovanni: Mimesis International, 219 pp.,
  
  ISBN 978-8-86977-421-8, p/bk, £17.99
- Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology, Ivo Blom (2023)
  
  By Lisa Pieraccini
  
  https://doi.org/10.1386/jicms_00306_5
  
  Available online: 24 January 2025
  More Less
  
  Review of: Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology, Ivo Blom (2023)
  
  Turin: Edizione Kaplan, 312 pp.,
  
  ISBN 978-8-89955-966-3, p/bk, €40.00
- Women’s Work in Post-War Italy: An Oral and Filmic History, Flora Derounian (2023)
  
  By Catherine Ramsey-Portolano
  
  https://doi.org/10.1386/jicms_00307_5
  
  Available online: 24 January 2025
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  Review of: Women’s Work in Post-War Italy: An Oral and Filmic History, Flora Derounian (2023)
  
  Bristol: Intellect, xi+218 pp.,
  
  ISBN 978-1-78938-812-1, h/bk, $134.95
- Italian Gothic: An Edinburgh Companion, Marco Malvestio and Stefano Serafini (eds) (2023)
  
  By Francesca Saggini
  
  https://doi.org/10.1386/jicms_00308_5
  
  Available online: 24 January 2025
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  Review of: Italian Gothic: An Edinburgh Companion, Marco Malvestio and Stefano Serafini (eds) (2023)
  
  Edinburgh: Edinburgh University Press, 255 pp.,
  
  ISBN 978-1-47449-016-0, h/bk, £90
  
  ISBN 978-1-47449-018-4, e-book, £24.99
- Italian Americans in Film: Establishing and Challenging Italian American Identities, Daniele Fioretti and Fulvio Orsitto (eds) (2023)
  
  By Anthony Julian Tamburri
  
  https://doi.org/10.1386/jicms_00309_5
  
  Available online: 24 January 2025
  More Less
  
  Review of: Italian Americans in Film: Establishing and Challenging Italian American Identities, Daniele Fioretti and Fulvio Orsitto (eds) (2023)
  
  Cham: Palgrave Macmillan, 309 pp.,
  
  ISBN 978-3-03106-464-7, p/bk, $149.17
- Bloodstained Narratives: The Giallo Film in Italy and Abroad, Matthew Edwards and Fernando Gabriel Pagnoni Berns (eds) (2023)
  
  By Sandra Waters
  
  https://doi.org/10.1386/jicms_00310_5
  
  Available online: 24 January 2025
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  Review of: Bloodstained Narratives: The Giallo Film in Italy and Abroad, Matthew Edwards and Fernando Gabriel Pagnoni Berns (eds) (2023)
  
  Jackson, MS: University Press of Mississippi, 208 pp.,
  
  ISBN 978-1-49684-446-0, p/bk, $30
- Basilicata and Southern Italy between Film and Ecology, Alberto Baracco and Manuela Gieri (eds) (2023)
  
  By Wanda Balzano
  
  https://doi.org/10.1386/jicms_00295_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: Basilicata and Southern Italy between Film and Ecology, Alberto Baracco and Manuela Gieri (eds) (2023)
  
  Cham: Palgrave Macmillan, 286 pp.,
  
  Hardcover ISBN: 978-3-031-13572-9
  
  Softcover ISBN: 978-3-03113-572-9
  
  eBook ISBN: 978-3-031-13573-6
- Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023)
  
  By Jacopo Benci
  
  https://doi.org/10.1386/jicms_00296_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023)
  
  New York and London: Bloomsbury Academic, 185 pp.,
  
  ISBN 978-1-50139-823-0, h/bk, £81.00
- Wandering Women: Urban Ecologies of Italian Feminist Filmmaking, Laura Di Bianco (2023)
  
  By Stefania Benini
  
  https://doi.org/10.1386/jicms_00297_5
  
  Available online: 23 January 2025
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  Review of: Wandering Women: Urban Ecologies of Italian Feminist Filmmaking, Laura Di Bianco (2023)
  
  Bloomington, IN: Indiana University Press, 215 pp.,
  
  ISBN 978-0-25306-464-6, p/bk, $25.00
- Women and Migration in Contemporary Italian Cinema: Screening Hospitality, Giovanna Faleschini Lerner (2023)
  
  By Stefania Benini
  
  https://doi.org/10.1386/jicms_00298_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: Women and Migration in Contemporary Italian Cinema: Screening Hospitality, Giovanna Faleschini Lerner (2023)
  
  Liverpool: Liverpool University Press, 216 pp.,
  
  ISBN 978-1-80207-721-6, h/bk, $130.00
- Kinematografia i literatura sardyńska a tożsamość regionalna: Od Grazii Deleddy do Salvatore Mereu, Ewa Baszak (2022)
  
  By Katarzyna Biernacka-Licznar
  
  https://doi.org/10.1386/jicms_00299_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: Kinematografia i literatura sardyńska a tożsamość regionalna: Od Grazii Deleddy do Salvatore Mereu, Ewa Baszak (2022)
  
  Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 222 pp.,
  
  ISBN 978-8-32293-773-0, p/bk
- C’era una volta in America: Storia del cinema italiano negli Stati Uniti, 1946–2000, Damiano Garofalo (2023)
  
  By Mary Ann McDonald Carolan
  
  https://doi.org/10.1386/jicms_00300_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: C’era una volta in America: Storia del cinema italiano negli Stati Uniti, 1946–2000, Damiano Garofalo (2023)
  
  Soveria Mannelli: Rubbettino Editore, 246 pp.,
  
  ISBN 978-8-84987-732-8, p/bk, €17.31
- Comunicazioni sociali, Special Issue: ‘Gender and Labour in the Italian Audiovisual Industries: Critical Research Approaches and Methods’, Rosa Barotsi, Gloria Dagnino and Carla Mereu Keating (eds) (2023)
  
  By Paolo Chirumbolo
  
  https://doi.org/10.1386/jicms_00301_5
  
  Available online: 23 January 2025
  More Less
  
  Review of: Comunicazioni sociali, Special Issue: ‘Gender and Labour in the Italian Audiovisual Industries: Critical Research Approaches and Methods’, Rosa Barotsi, Gloria Dagnino and Carla Mereu Keating (eds) (2023)
  
  Milan: Vita e pensiero, 124 pp.,
  
  ISSN 0392-8667, p/bk, €101.00

Journal of Italian Cinema & Media Studies - Online First

Le cose non dette, Patrizia Fregonese de Filippo (dir.) (2023), Italy: Kalabrone Film and A.C.E.R.

Italian Cinema in the Present Tense, Millicent Marcus (2023)

Italian Political Cinema: Figures of the Long ’68, Mauro Resmini (2023)

The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Catherine O’Rawe (2024)

Fashioning Submission: Documenting Fashion, Taste and Identity in WWII Italy through Bellezza Magazine, Silvia Vacirca (2023)

Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology, Ivo Blom (2023)

Women’s Work in Post-War Italy: An Oral and Filmic History, Flora Derounian (2023)

Italian Gothic: An Edinburgh Companion, Marco Malvestio and Stefano Serafini (eds) (2023)

Italian Americans in Film: Establishing and Challenging Italian American Identities, Daniele Fioretti and Fulvio Orsitto (eds) (2023)

Bloodstained Narratives: The Giallo Film in Italy and Abroad, Matthew Edwards and Fernando Gabriel Pagnoni Berns (eds) (2023)

Basilicata and Southern Italy between Film and Ecology, Alberto Baracco and Manuela Gieri (eds) (2023)

Secret Violences: The Political Cinema of Michelangelo Antonioni 1960–1975, Sławomir Masłoń (2023)

Wandering Women: Urban Ecologies of Italian Feminist Filmmaking, Laura Di Bianco (2023)

Women and Migration in Contemporary Italian Cinema: Screening Hospitality, Giovanna Faleschini Lerner (2023)

Kinematografia i literatura sardyńska a tożsamość regionalna: Od Grazii Deleddy do Salvatore Mereu, Ewa Baszak (2022)

C’era una volta in America: Storia del cinema italiano negli Stati Uniti, 1946–2000, Damiano Garofalo (2023)

Comunicazioni sociali, Special Issue: ‘Gender and Labour in the Italian Audiovisual Industries: Critical Research Approaches and Methods’, Rosa Barotsi, Gloria Dagnino and Carla Mereu Keating (eds) (2023)

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Televised bodies: Berlusconi and the body of italian women

Net-authoritarianism? How web ideologies reinforce political hierarchies in the Italian 5 Star Movement

Italian university radio: An explorative study

Narratives of change, images for change: Contemporary social documentaries in Italy

China’s reception of Michelangelo Antonioni’s Chung Kuo

The protest in Milan's Chinatown and the Chinese immigrants in Italy in the media (2007–2009)

The Italian anime boom: The outstanding success of Japanese animation in Italy, 1978–1984

Il braccio violento della legge: Revelation, conspiracy and the politics of violence in the poliziottesco

Italian film-makers in China and changing cultural perceptions: Comparing Chung Kuo – China (Michelangelo Antonioni, 1972) and La stella che non c’è/The Missing Star (Gianni Amelio, 2006)

Il Centro Sperimentale di Cinematografia in Rome and its students (1935–2020)