Technology-centred learning processes as digital artistic development: On the reciprocal effects of conceptual models, metaphors and presets | Intellect Skip to content
1981
Volume 13, Issue 2-3
  • ISSN: 1752-7066
  • E-ISSN: 1752-7074

Abstract

This case study looks at a self-directed learning process of a professional classical-trained musician adopting a previously unknown digital-material musical device. In order to achieve the desired artistic result, the musician has to modify his music-related action in favour of the device’s calls for action, which are shown to him by a preset session. For this purpose, a specific interface relation must be established in the connection between the user and the device. The case study is contrasted with data from its framing research project. Findings include aspects as affirmation or degrees of unfamiliarity and their respective impacts on the subject’s action repertoires. A model of learning in the context of digital media or interfaces is introduced and discussed. It offers a specific potential for identifying particularities of how meaning and functionality of digital-material musical devices are embedded into everyday artistic contexts.

Funding
This study was supported by the:
  • German Federal Ministry of Education and Research (Award 01JKD1708B)
Loading

Article metrics loading...

/content/journals/10.1386/jmte_00027_1
2020-12-01
2024-04-28
Loading full text...

Full text loading...

References

  1. Akerlof, George A., and Kranton, Rachel E.. ( 2010), Identity Economics: How Our Identities Shape Our Work, Wages, and Well-Being, Princeton, NJ:: Princeton University Press;.
    [Google Scholar]
  2. Baecker, Dirk. ( 2018), 4.0 oder die Lücke die der Rechner lässt, Leipzig:: Merve;.
    [Google Scholar]
  3. Bloomer, Martin, and Hodkinson, Phil. ( 2000;), ‘ Learning careers: Continuity and change in young people’s dispositions to learning. ’, British Educational Research Journal, 26:5, pp. 58397.
    [Google Scholar]
  4. Ehn, Pelle. ( 2013;), ‘ Partizipation an dingen des designs. ’, in C. Mareis,, M. Held, and G. Joost. (eds), Wer gestaltet die Gestaltung? Praxis, Theorie und Geschichte des partizipatorischen Designs, Bielefeld:: Verlag;, pp. 79104.
    [Google Scholar]
  5. Ernst, Christoph. ( 2017;), ‘ Implizites Wissen, Kognition und die Praxistheorie des Interfaces. ’, Navigationen. Zeitschrift für Medien-und Kulturwissenschaften, 17:2, pp. 99115.
    [Google Scholar]
  6. Fabian, Alan, and Ismaiel-Wendt, Johannes. (eds) ( 2018;), ‘ Editorial: Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie. ’, in Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie, Hildesheim:: Universitätsverlag;, pp. 15.
    [Google Scholar]
  7. Folkestad, Göran. ( 2006;), ‘ Formal and informal learning situations or practices vs formal and informal ways of learning. ’, British Journal of Music Education, 23:2, pp. 13545.
    [Google Scholar]
  8. Froschauer, Ulrike, and Lueger, Manfred. ( 2016;), ‘ Artefact analysis in organisational research. ’, master’s thesis, Vienna:: WU Vienna University of Economics and Business;, https://epub.wu.ac.at/5113/1/FroschauerLueger2016.pdf. Accessed 9 September 2020.
    [Google Scholar]
  9. Froschauer, Ulrike, and Lueger, Manfred. ( 2018), Artefaktanalyse: Grundlagen und Verfahren, Wiesbaden:: Springer;.
    [Google Scholar]
  10. Galloway, Alexander R.. ( 2012), The Interface Effect, Cambridge:: Polity;.
    [Google Scholar]
  11. Gibson, James J.. ( 1979), The Ecological Approach to Visual Perception, Boston:: Houghton Mifflin;.
    [Google Scholar]
  12. Green, Lucy. ( 2002), How Popular Musicians Learn: A Way Ahead for Music Education, Aldershot:: Ashgate;.
    [Google Scholar]
  13. Hadler, Florian. ( 2018;), ‘ Beyond UX. ’, Interface Critique Journal, 1, pp. 27.
    [Google Scholar]
  14. Hookway, Branden. ( 2014), Interface, Cambridge, MA, London:: MIT Press;.
    [Google Scholar]
  15. Ismaiel-Wendt, Johannes. ( 2016), post_presets: Kultur, Wissen und populäre MusikmachDinge, Hildesheim:: Universitätsverlag;.
    [Google Scholar]
  16. Jörissen, Benjamin. ( 2014;), ‘ Digitale Medialität. ’, in C. Wulf, and J. Zirfas. (eds), Handbuch Pädagogische Anthropologie, Wiesbaden:: Springer;, pp. 50314.
    [Google Scholar]
  17. Jörissen, Benjamin. ( 2017;), ‘ Subjektivation und “ästhetische Freiheit” in der post-digitalen Kultur. ’, in T. Braun,, M. Fuchs, and G. Taube. (eds), Das starke Subjekt, München:: Kopaed;, pp. 187200.
    [Google Scholar]
  18. Jörissen, Benjamin,, Ahlers, Michael,, Donner, Martin, and Wernicke, Carsten. ( 2019;), ‘ Musikalische interface-designs. ’, in B. Jörissen, and L. Unterberg. (eds), Forschung zur Digitalisierung in der Kulturellen Bildung, München:: Kopaed;, pp. 195213.
    [Google Scholar]
  19. Knorr-Cetina, Karin. ( 2007;), ‘ Postsoziale Beziehungen: Theorie der Gesellschaft in einem postsozialen Kontext. ’, in T. Bonacker, and A. Reckwitz. (eds), Kulturen der Moderne: Soziologische Perspektiven der Gegenwart, Frankfurt and New York:: Campus Verlag;, pp. 267300.
    [Google Scholar]
  20. Lueger, Manfred, and Froschauer, Ulrike. ( 2018), Artefaktanalyse: Grundlagen und Verfahren, Wiesbaden:: Springer;.
    [Google Scholar]
  21. Maleyka, Laura,, Oswald, Sascha,, Herma, Holger, and Corsten, Michael. ( 2018;), ‘ Filmische Selbstdokumentationen als Datenmaterial. ’, in C. Moritz, and M. Corsten. (eds), Handbuch Qualitative Videoanalyse, Wiesbaden:: Springer;, pp. 71933.
    [Google Scholar]
  22. Meerhoff, Jasmin. ( 2018;), ‘ “Drücken Sie [ENTER]. Drücken Sie nochmals [ENTER]”: Presets und prescriptions einer Groovebox. ’, in A. Fabian, and J. Ismaiel-Wendt. (eds), Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie, Hildesheim:: UV-Index;, pp. 13548.
    [Google Scholar]
  23. Morey, Justin, and McIntyre, Phillip. ( 2014;), ‘ The creative studio practice of contemporary dance music sampling composers. ’, Dancecult: Journal of Electronic Dance Music Culture, 6:1, pp. 4160.
    [Google Scholar]
  24. Müller, Hendrik. ( 2017), Identität und Gelingen: Personale, soziale und ökonomische Perspektiven für Berufsmusiker in Praxis und Ausbildung, Baden-Baden:: Nomos;.
    [Google Scholar]
  25. Nielsen, Siw. ( 2001;), ‘ Self-regulating learning strategies in instrumental music practice. ’, Music Education Research, 3:2, pp. 15567.
    [Google Scholar]
  26. Nohl, Arnd-Michael. ( 2011), Pädagogik der Dinge, Bad Heilbrunn:: Julius Klinkhardt;.
    [Google Scholar]
  27. Norman, Don. ( 2013), The Design of Everyday Things, , revised and expanded edition, 2nd ed.., New York:: Basic Books;.
    [Google Scholar]
  28. Passoth, Jan-Hendrik. ( 2019;), ‘ From hardware to software to runtime: the politics of (at least) three digital materialities. ’, in U. T. Kissmann, and J. V. Loon. (eds), Discussing New Materialism, Wiesbaden:: Springer Nature;, pp. 17389.
    [Google Scholar]
  29. Reitsamer, Rosa. ( 2013), Die do-it-yourself-Karrieren der DJs: über die Arbeit in elektronischen Musikszenen, Bielefeld:: Transcript Verlag;.
    [Google Scholar]
  30. Schnettler, Bernt, and Knoblauch, Hubert. ( 2012;), ‘ Videography: Analyzing video data as a “focused” ethnographic and hermeneutical exercise. ’, Qualitative Research, 12:3, pp. 33456.
    [Google Scholar]
  31. Schutz, Alfred. ( 1962;), ‘ Common sense and scientific interpretation of human action. ’, in M. Natanson. (ed.), Collected Papers I: The Problem of Social Reality, The Hague:: Nijhoff;, pp. 347.
    [Google Scholar]
  32. Solberg, Ragnhild T., and Jensenius, Alexander R.. ( 2016;), ‘ Pleasurable and intersubjectively embodied experiences of electronic dance music. ’, Empirical Musicology Review, 11:3&4, pp. 30118.
    [Google Scholar]
  33. Varvarigou, Maria, and Green, Lucy. ( 2015;), ‘ Musical “learning styles” and “learning strategies” in the instrumental lesson: The Ear Playing Project (EPP). ’, Psychology of Music, 43:5, pp. 70522.
    [Google Scholar]
  34. Zhukov, Katie. ( 2007;), ‘ Student learning styles in advanced instrumental music lessons. ’, Music Education Research, 9:1, pp. 11127.
    [Google Scholar]
  35. Zirfas, Jörg, and Klepacki, Leopold. ( 2013;), ‘ Die Performativität der Dinge: Pädagogische Reflexionen über Bildung und Design. ’, in A.-M. Nohl, and C. Wulf. (eds), Mensch und Ding: Die Materialität pädagogischer Prozesse, Wiesbaden:: Springer;, pp. 4357.
    [Google Scholar]
  36. Neuhausen, Timo,, Wernicke, Carsten, and Ahlers, Michael. ( 2021;), ‘ Technology-centred learning processes as digital artistic development: On the reciprocal effects of conceptual models, metaphors and presets. ’, Journal of Music, Technology & Education, 13:2-3, pp. 287304, https://doi.org/10.1386/jmte_00027_1
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/jmte_00027_1
Loading
/content/journals/10.1386/jmte_00027_1
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error