Working with a quarterly wheel: Modern music making in short-term classes

References

1. Badelt, K. (2003), ‘He’s a Pirate’, Pirates of the Caribbean: The Curse of the Black Pearl, Original Motion Picture Soundtrack, USA: Walt Disney Records.
   [Google Scholar]
2. Benassi, B., Go, G. and Skrillex (2012), ‘Cinema’, Song, Electroman, USA: Ultra Records.
   [Google Scholar]
3. Collier, J. (2020a), ‘All Night Long (feat. Take 6)’, Djesse, vol. 1, UK: Decca Records.
   [Google Scholar]
4. Collier, J. (2020b), ‘Moon River’, Djesse, vol. 2, UK: Decca Records.
   [Google Scholar]
5. Collier, J. (2020c), ‘Sleeping on My Dreams’, Djesse, vol. 3, UK: Decca Records.
   [Google Scholar]
6. Cremata, R. and Powell, B. (2017), ‘Online music collaboration project: Digitally mediated, deterritorialized music education’, International Journal of Music Education, 35:2, pp. 302–15.
   [Google Scholar]
7. Daft Punk (2012), ‘Touch (feat. Paul Williams)’, Random Access Memories, USA: Colombia Records.
   [Google Scholar]
8. Device Orchestra (2021), ‘September (Earth, Wind & Fire) on electric devices’, 15 April, YouTube, https://www.youtube.com/watch?v=dNxs4RuCUno. Accessed 27 September 2023.
9. Elliott, D. and Silverman, M. (2014), Music Matters: A Philosophy of Music Education, Oxford: Oxford University Press.
   [Google Scholar]
10. Electric Light Orchestra (1977), ‘Mr. Blue Sky’, Out of the Blue, USA: Sony Music Publishing.
    [Google Scholar]
11. F3vorn (2020), ‘80’s Night Clubs’, Song, Bfos.
    [Google Scholar]
12. Glass Animals and Ahmad, S. (2020), ‘Heat Waves Remix’, Dreamland (+Bonus Levels), UK: Polydor Records.
    [Google Scholar]
13. Isbell, D. (2007), ‘Popular music and the public school music curriculum’, Update: Applications of Research in Music Education, 26:1, pp. 53–63.
    [Google Scholar]
14. Murphy, W. (1996), ‘A Fifth of Beethoven’, Saturday Night Fever, The Original Movie Soundtrack, UK: RSO Records.
    [Google Scholar]
15. oneboredjeu Mashup (2017), ‘Rather it be September: Clean Bandit vs. Earth, Wind & Fire (Mashup)’, 18 March, YouTube, https://www.youtube.com/watch?v=oZnf5Uckdug. Accessed 27 September 2023.
16. Pink Floyd (1973), ‘Money’, The Dark Side of the Moon, UK: EMI Records.
    [Google Scholar]
17. Powell, B. (2007), ‘The integration of music technology into popular music ensembles: Perspectives of modern band teachers’, Journal of Music, Technology & Education, 12:3, pp. 297–310.
    [Google Scholar]
18. RadioHead (1997), ‘Paranoid Android’, OK Computer, UK: XL Recordings.
    [Google Scholar]
19. Small, C. (1998), Musicking: The Meanings of Performing and Listening, Middletown, CT: Wesleyan University Press.
    [Google Scholar]
20. Sousa, J. (1996), ‘El Capitan’, Sousa Marches, USA: John Philip Sousa.
    [Google Scholar]
21. Three for Silver (2013), ‘Morning Waltz’, Three for Silver, USA: Three for Silver.
    [Google Scholar]
22. Varkøy, Øivind (2009), ‘The role of music in music education research: Reflections on musical experience’, Nordic Research in Music Education, 11, pp. 38–40.
    [Google Scholar]
23. Zimmer, H. (2010), ‘Time’, Inception, Music from the Motion Picture, USA: WaterTown Music.
    [Google Scholar]
24. Zippia (2023), ‘Musician demographics and statistics in the US’, 21 July, https://www.zippia.com/musician-jobs/demographics/. Accessed 4 December 2023.