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A critical response (Louis Thompson, Hive), ‘Jerwood Makers Open’, Jerwood Space, London, Summer 2012
- Source: Journal of Writing in Creative Practice, Volume 6, Issue 1, Mar 2013, p. 135 - 137
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- 01 Mar 2013
Abstract
Abstract
A short, experimental text produced in the gallery that draws on the Object-Oriented Ontology of Graham Harman – a ‘flat’ ontology, in which there are no subject–object relations, only objects relating to, and withdrawing from, other objects. It is an attempt to write about an artwork from multiple points of view – the space, the work, the audience and the artist.
© Intellect