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1981
Volume 6, Issue 1
  • ISSN: 1753-5190
  • E-ISSN: 1753-5204

Abstract

Abstract

A short, experimental text produced in the gallery that draws on the Object-Oriented Ontology of Graham Harman – a ‘flat’ ontology, in which there are no subject–object relations, only objects relating to, and withdrawing from, other objects. It is an attempt to write about an artwork from multiple points of view – the space, the work, the audience and the artist.

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/content/journals/10.1386/jwcp.6.1.135_1
2013-03-01
2024-07-13
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/content/journals/10.1386/jwcp.6.1.135_1
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  • Article Type: Article
Keyword(s): Criticism; multiple perspective; object-oriented ontology
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