Mixed Forms in Visual Culture, Mary Anne Francis (2021)

References

1. Brassier, Ray (2018), ‘Marx & Philosophy’, YouTube, 20 January, https://syntheticzero.net/2018/08/28/ray-brassier-marx-philosophy/. Accessed 13 November 2023.
   [Google Scholar]
2. Blackman, Lisa and Venn, Couze (2010), ‘Affect’, Body & Society, 16:1, pp. 7–28.
   [Google Scholar]
3. Colebrook, Claire (2020), ‘Images without worlds’, in D. Rubinstein (ed.), Fragmentation of the Photographic Image in the Digital Age, New York: Routledge, pp. 11–27.
   [Google Scholar]
4. Degenaar, Marjolein and Lokhorst, Gert-Jan (2021), ‘Molyneux’s problem’, in E. N. Zalta (ed.), The Stanford Encyclopedia of Philosophy, n.pag., https://plato.stanford.edu/archives/win2021/entries/molyneux-problem/. Accessed 1 April 2023.
   [Google Scholar]
5. Foucault, Michel ([1966] 1994), The Order of Things: An Archaeology of the Human Sciences, New York: Vintage Books and Random House.
   [Google Scholar]
6. Francis, Mary Anne (2022), ‘On the visuality of writing: A visual essay’, Journal of Writing in Creative Practice, 15:2, pp. 198–218, https://doi.org/10.1386/jwcp_00039_3.
   [Google Scholar]
7. Freire, Paolo (1985), The Politics of Education, New York: Bergin and Garvey.
   [Google Scholar]
8. Genette, Gérard ([1982] 1997), Palimpsests: Literature in the Second Degree, Lincoln City and London: University of Nebraska Press.
   [Google Scholar]
9. Genette, Gérard ([1987] 1997), Paratexts: Thresholds of Interpretation, Cambridge: Cambridge University Press.
   [Google Scholar]
10. Goodman, Nelson (1968), Languages of Art: An Approach to a Theory of Symbols, Indianapolis, IN: Bobbs-Merrill Co. Inc.
    [Google Scholar]
11. Greenberg, Clement ([1965] 1983), ‘Modernist painting’, in F. Frascina and C. Harrison (eds), Modern Art and Modernism: A Critical Anthology, Abingdon: Routledge.
    [Google Scholar]
12. Hayles, N. Katherine (2017), Unthought: The Power of the Cognitive Nonconscious, Chicago, IL: Cambridge University Press.
    [Google Scholar]
13. Krauss, Rosalind (1979), ‘Sculpture in the expanded field’, October, 8, Spring, pp. 30–44.
    [Google Scholar]
14. Leavis, Frank Raymond ([1948] 1950), The Great Tradition, New York: George W. Stewart, https://ia904703.us.archive.org/6/items/greattradition031120mbp/greattradition031120mbp.pdf. Accessed 31 March 2023.
    [Google Scholar]
15. Lloyd, Vincent (2008), ‘Interview with Gillian Rose’, Theory, Culture & Society, 25:7&8, pp. 201–18.
    [Google Scholar]
16. Martin, Elaine (2011), ‘Intertextuality: An introduction’, The Comparatist, 35:1, pp. 148–51, https://muse.jhu.edu/article/441246. Accessed 31 March 2023.
    [Google Scholar]
17. Martin, Jean-Clet (1993), Variations: La Philosophie de Gilles Deleuze, Paris: Payot & Rivages.
    [Google Scholar]
18. Rancière, Jacques (2004), The Politics of Aesthetics: The Distribution of the Sensible, London: Continuum.
    [Google Scholar]
19. Sousa Santos, Bonaventura de (2018), The End of the Cognitive Empire: The Coming of Age of Epistemologies of the South, Durham, NC and London: Duke University Press.
    [Google Scholar]
20. Stephens, Tim (2021), ‘A meditative enquiry into presence: Unmaking the autoethnographic self’, Journal of Writing in Creative Practice, 14:2, pp. 161–78, https://doi.org/10.1386/jwcp_00020_1.
    [Google Scholar]
21. Stephens, Tim (2023), ‘Photographic non-self’, in M. Ingham, N. Milic, V. Kantas, S. Andersdotter and P. Lowe (eds), Handbook of Research on the Relationship between Autobiographical Memory and Photography, Hershey, PA: IGI Global, pp. 485–509.
    [Google Scholar]
22. Stephens, Tim (forthcoming 2024), ‘Reading writing breathing’, New Writing: The International Journal for the Practice and Theory of Creative Writing, n.pag.
    [Google Scholar]
23. Stiegler, Bernard (2014), Symbolic Misery, Volume 1: The Hyperindustrial Epoch, Hoboken, NJ: Wiley.
    [Google Scholar]
24. Stiegler, Bernard (2017), ‘The proletarianization of sensibility’, boundary, 44:1, p. 5, https://icamiami-org.storage.googleapis.com/2017/06/1fb92937-essay4-stiegler.pdf. Accessed 31 March 2023.
    [Google Scholar]
25. Thompson, Evan (2007), Mind in Life, London: Belknap Press of Harvard University Press.
    [Google Scholar]
26. Thomson, Amanda (2017), ‘I like the unpath best: Art-practice-writing and the creation of complex, generative and complicating forms and contexts’, Journal of Writing in Creative Practice, 10:1, pp. 77–94, https://doi.org/10.1386/jwcp.10.1.77_1.
    [Google Scholar]
27. Thrift, Nigel (2008), Non-Representational Theory: Space, Politics, Affect, London: Routledge.
    [Google Scholar]
28. Warburg, Aby (1999), The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance, Los Angeles, CA: Getty Research Institute.
    [Google Scholar]
29. Warburg, Aby (1924–29), Mnemosyne Atlas, warburg.library.cornell.edu, https://warburg.library.cornell.edu/. Accessed 13 October 2023.
    [Google Scholar]